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Josef Albers (1888-1976) and Anni Albers (1899-1994)
An Inventory of the Archive at The Josef and Anni Albers Foundation
The organization and preservation of the archive and the creation of this finding
aid were made possible through the generosity of The Getty Foundation, The Thaw
Charitable Trust, The National Endowment for the Arts, The National Film Preservation
Foundation, the Adjuvant Foundation, and the Connecticut Humanities Council.
Overview of the Collection
| Creator: |
Josef and Anni Albers |
| Title: |
The Papers of Josef and Anni Albers |
| Dates |
1899-1994 (bulk 1933-1994) |
| Quantity: |
171 boxes, 39 oversize boxes, 9 oversize folders, 1 unboxed photograph album and 62 film cans (165.5 linear feet)
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| Language: |
The records are in English, German, French, Spanish, Italian, Swedish, Dutch and Japanese.
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| Processed by: |
Molly Wheeler 2003-2007 |
| Repository: |
The Josef and Anni Albers Foundation
88 Beacon Road
Bethany, Connecticut 06524
Phone: 203.393.4089 Fax: 203.393.4094
info@albersfoundation.org
www.albersfoundation.org |
Scope and Contents
Correspondence; handwritten and typed manuscripts, lectures and notes; interviews; financial records; audio tapes and films; clippings; research files; printed materials; postcards; travel documents; photographs; and memorabilia document the life and work of Josef and Anni Albers. Reflected in these materials is their work as visual artists, teachers, writers and collectors.
The papers are organized into subgroups: Josef Albers, 1910-1978 (bulk 1933-1976) and Anni Albers 1899-1994 (bulk 1940-1994). The two subgroups reflect the individual work of each and indicate the creator of the materials. Each subgroup is further organized into series and subseries reflecting the activity from which the materials were created or the material format. The Josef Albers subgroup is the larger of the two.
Subgroup: Josef Albers, 1910-1980
(bulk 1940-1975)
Series I. Correspondence, 1925-1976 (bulk 1934-1975)
Subseries (box count is approximate):
A. Individuals (12 boxes)
B. Institutional/Organizations (18 boxes)
C. Between Josef and Anni (1 box)
D. Birthday (1 box)
E. With German officials (Part of 1 box)
F. Permissions (Part of 1 box)
Series II. Professional Papers, 1925-1980
(bulk 1940-1975)
Subseries:
A. Teaching (9.5 boxes)
B. Project Files (2.5 boxes)
C. Solo Exhibitions (6 boxes)
D. Group Exhibitions (6 boxes)
E. Architectural Commissions (3 boxes)
F. Awards and Honorary Degrees (7 boxes)
G. Notebooks (8 boxes)
H. Work Lists (Part of 1 box)
I. Color Research (3 boxes)
J. Interviews (1 box)
K. Bibliographies and Biographies (1 box)
Series III. Writings, 1928-1977
(bulk 1950-1970)
Subseries:
A. Books (11.5 boxes)
B. Various (9 boxes)
C. Lectures (1 box)
Series IV. Personal, 1910-1974, undated (2 boxes)
Series V. Financial, 1949-1976 (bulk 1967-1975) (13 boxes)
Series VI. Postcard Collection (Collages and Loose), undated (4 boxes)
Series VII. Holiday Cards, circa 1934-1960 (1 box)
Series VIII. Subject Files, circa 1925-1976 (bulk 1950-1976) (9 boxes)
Series IX. Printed Materials, 1936-1976 (bulk 1955-1974) (7 boxes)
Series X. Photographs and Scrapbooks, 1954-1971, undated (5 boxes)
Series XI. Audiovisual, 1954-1976 (5.5 boxes of sound recording tape reels and 62 film cans)
Subseries:
A. Sound Recordings (5.5 boxes)
B. Film (62 films cans)
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Subgroup: Anni Albers, 1889-1994
(bulk 1945-1994)
Series I. Correspondence, 1930-1994
(bulk 1976-1990)
Subseries: (box count is approximate)
A. Individuals (7 boxes)
B. Institutions and Organizations (7 boxes)
Series II. Professional Papers, 1941-1994
(bulk 1977-1985)
A. Teaching (Part of 1 box)
B. Project Files (4 boxes)
C. Solo Exhibitions (5 boxes)
D. Group Exhibitions (2 boxes)
E. Awards and Honorary Degrees (2 boxes)
F. Interviews (1 box)
G. Bibliographies and Biographies (Part of 1 box)
Series III. Writings, 1926-1990
A. Books (5 boxes)
B. Various (1 box)
C. Lectures (Part of 1 box)
Series IV. Personal, 1889-1997 (2 boxes)
Series V. Subject Files, circa 1934-1994
(bulk 1950-1980) (6 boxes)
Series VI. Printed Material, 1931-1985, undated
(bulk 1975-1985) (2 boxes)
Series VII. Pre-Columbian Collection, 1959-1983
(2 boxes)
Series VIII. Photographs and Scrapbooks, 1988 (1 box)
Series IX. Josef Albers Museum in Bottrop, 1979-1983
(2 boxes and 1 unboxed photograph album)
Series X. Financial, 1973-1983 (bulk 1977-1983) (4 boxes)
Series XI. Audiovisual, 1967, undated (.5 box)
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The arrangement of the two subgroups is similar, with variation occurring. Most subseries are found in both the Josef and Anni Albers subgroups and contain similar materials. There is overlap between the two subgroups since correspondence was frequently addressed to both Josef and Anni Albers and authored by one on behalf of both. All correspondence to and from both Josef and Anni Albers is found in the Josef Albers subgroup. Correspondence between them is in the Josef Albers subgroup. Postcards collected and holiday cards created by the Alberses are found in the Josef Albers subgroup. Material reflecting the Alberses' collection of Pre-Columbian art is found in the Anni Albers subgroup.
The bulk of the archive consists of correspondence, writings, exhibition files, printed materials and financial files. Incoming and outgoing correspondence in the Josef and Anni Albers subgroups not listed in the finding aid are indexed at the end of the finding aid. The Anni Albers subgroup correspondence is minimally indexed since its smaller size allows for easier search and discovery. The archive has been in the possession of The Josef and Anni Albers Foundation since its creation (originally as The Josef Albers Foundation) by Josef Albers and was minimally organized. Various staff members made groupings over the years but the archive was largely out of order. Original groupings made by Josef and Anni Albers were sometimes kept with their original folder but such groupings were not common. Although the archive is in good condition, special care should be given to newspaper clippings and carbon paper. Josef Albers appreciated stapling, sometimes stapling five items together over a dozen times. Staples have been removed and original groupings of materials are honored, with exceptions when items were moved to a more coherent grouping.
The Josef Albers subgroup consists primarily of correspondence with individuals and institutions and organizations. Josef Albers commonly handwrote several drafts of letters before handwriting or typing the final copy and retained the carbon copy. Josef Albers frequently handwrote comments or preliminary drafts of reply on letters received. Enclosures such as clippings and photographs received with correspondence remain with the letter and are often noted in the folder list. Correspondence can also be found in the Professional Papers series, in the subseries Teaching, Project Files, Architectural Commissions, and Awards and Honorary Degrees; and in Writings series, in the Books subseries. All correspondence relating to exhibitions and loan and purchase agreements is within the Correspondence series. Correspondence with Lee Eastman on behalf of his firm Eastman and Eastman is found throughout the subgroup, as Eastman was the Alberses' attorney and friend. Additionally, correspondence with Sidney Janis on behalf of Sidney Janis Gallery in New York, Josef Albers's primary gallery, is found throughout the subgroup.
In addition to the wealth of correspondence, of great importance are the drafts of published and unpublished writings by Josef Albers. These include books, poems, lectures, speeches and notes on various topics. Many of the notes were scattered throughout the archive with no logical grouping. Effort was made during processing to describe the notes by topic but there are many that remain grouped together and undescribed. In addition to their own Writing series, writings are found throughout the subgroup in the Professional Papers series, in the subseries Teaching, Project Files, Architectural Commissions and Awards and Honorary Degrees.
Materials reflecting Josef Albers's career as an educator and active visual artist comprise a large portion of the subgroup, containing correspondence, administrative, exhibition and lecture materials. Solo and group exhibition files contain catalogs, brochures, publicity, condition reports, shipment forms, work lists and notes. Notebook binders, while retained, were disassembled and refoldered with the original order left intact.
The Personal and Holiday Cards series are the smallest of the Josef Albers subgroup but they contain important materials. Among the materials in the Personal series there are documents relating to Josef Alberses' family; his academic records; birth, marriage and identification papers; and his will. The Holiday Cards series contains the holiday cards designed by Josef and Anni Albers that the couple sent to friends. These cards are considered among the works of art created by the couple.
The bulk of the materials in the Josef Albers subgroup date from 1940 to 1975. Materials across all series date from the 1920s to his death in 1976. Materials are in English and German, with translations of materials into French, Spanish, Italian, Swedish, Dutch and Japanese. Josef Albers's handwritten comments on materials can be found throughout the subgroup.
The Anni Albers subgroup consists primarily of correspondence with individuals and institutions and organizations. Most correspondence to Anni Albers before Josef Albers's death was addressed to the couple and is found in the Josef Albers subgroup. In addition to letters received, carbon copies of letters sent are throughout the papers. Staff of The Josef Albers Foundation (The Josef and Anni Albers Foundation was created after Anni Albers's death), most often Director Nicholas Fox Weber, frequently wrote on behalf of Anni Albers when she became too ill to maintain her own correspondence. There are a small number of written phone messages for Anni Albers found grouped with related correspondence. Enclosures such as clippings and photographs received with correspondence remain with the letter and are often noted in the folder list. Correspondence can also be found in the Professional Papers series, in the subseries Teaching, Project Files, and Awards and Honorary Degrees; in the Writings series, in the Books subseries; and in the Pre-Columbian Collection series. All correspondence relating to exhibitions and loan and purchase agreements is within the Correspondence series, except for all correspondence regarding the exhibition "The Woven and Graphic Art of Anni Albers," at the Renwick Gallery of the National Museum of American Art, which can be found in the Professional Papers series, in the Solo Exhibitions subseries.
Drafts of published and unpublished writings by Anni Albers are an important part of the subgroup. These include books, lectures, and articles on weaving, design, Pre-Columbian textiles and figurines, and on various topics relating to crafts and art. In addition to their own Writing series, writings are found in the Professional Papers series, in the Solo Exhibitions subseries, for the publication The Woven and Graphic Art of Anni Albers.
Comprising a large portion of the Anni Albers subgroup are materials reflecting Anni Albers's career as a weaver and printmaker. These materials regard various commission projects, the Josef Albers "Learning Never Ends" postage stamp, and solo and group exhibitions. Solo and group exhibition files contain catalogs, brochures, publicity, condition reports, shipment forms, work lists and notes.
Smaller series throughout the Anni Albers subgroup contain materials of great importance, including the Personal and Pre-Columbian Collection. Among the materials in the Personal series there are documents relating to Anni Alberses' family; academic records; birth and identification papers; and materials relating to the Alberses' travels in Latin America. The Pre-Columbian Collection series contains photographs, negatives, correspondence, receipts, and printed materials regarding the Alberses' collection of Pre-Columbian figurines and textiles.
The bulk of the materials in the Anni Albers subgroup date from 1945 to 1994. Materials across all series date from the 1899 to her death in 1994. Materials are in English, German, and occasionally in Spanish.
Other related materials, including books owned by the Alberses, duplicate periodicals and exhibition catalogs are at The Josef and Anni Albers Foundation. For further information, please contact the Foundation. Materials contained within the Archive often refer to works of art in the Art Collection at The Josef and Anni Albers Foundation.
Box and folder legend:
Box X: Standard legal document box
Box OSX: Oversized materials
Box PC: Postcard boxes
R00X: Access CD-R numbers
For quick reference throughout the finding aid, Josef Albers is often referred to as JA and Anni Albers as AA.
Series Descriptions
Series I. Correspondence, 1925-1976 (bulk 1934-1975) (33 boxes)
This series contains personal and professional correspondence with individuals and institutions and organizations, documenting Josef Albers's personal and professional life. The series consists of the following six subseries: Individuals, Institutions/Organizations, Between Josef and Anni, Birthday, German Officials, and Permissions. Note that typescript carbons of letters Anni Albers written on behalf of Josef Albers are throughout the series and all letters to and from the Alberses are in this series. Photographs and printed materials received as enclosures remain with the original letter.
The Correspondence with Individuals subseries includes letters between Josef Albers and family, friends, colleagues, and various individuals that Josef likely never met. Of note are correspondents Walter Gropius, Mies van der Rohe, Franz Grosse Perdekamp, Hannes Meyer, Herbert Bayer, Buckminster Fuller, Ruth Asawa, Ray Johnson, John Cage, Merce Cunningham, Ted and Bobbi Dreier, Inge and Otl Aicher-Scholl, Robert Osborn, Maximilian Schell, and two humorous letters expressing dismay at Josef's success. Correspondence with Betty Seymour and Jane Slater Marquis reveal intimate relationships with Josef and includes poems written by Josef.
The Correspondence with Institutions and Organizations subseries includes letters between Josef Albers and various institutions and organizations. Included among this subseries is correspondence regarding solo and group exhibitions and artwork gifts, sales and loans. Of note is correspondence with the American Council on Education, the Art Institute of Chicago, Bauhaus Archiv, the Metropolitan Museum of Art, Galerie Denise Rene, the Museum of Modern Art, Eastman and Eastman (including third party correspondence), Sidney Janis Gallery, Staedtische Kunsthalle Duesseldorf, Wesfaelisches Landesmuseum fuer Kunst und Kulturgeschichte, Yale University, and correspondence between Ives-Sillman and Eastman and Eastman regarding the dissolution of Josef's professional and personal relationship with Norman Ives and Si Sillman.
The Correspondence between Josef and Anni subseries is primarily comprised of correspondence between Josef and Anni Albers during the time they spent apart as Josef traveled. Most of the correspondence is from Josef to Anni. The correspondence includes rich accounts of Josef's travels and teaching, betraying their great love not only as man and wife but also as companions in art.
The Birthday Correspondence subseries consists of letters and cards to Josef Albers on his various birthdays. This material reveals the reverence that so many of Josef's friends and colleagues had for him and the importance of these occasions for Josef. Robert Osborn's cards are particularly colorful and celebratory.
The Correspondence with German Officials subseries regards Josef Albers's pension from teaching in Germany.
The Permissions Correspondence subseries contains letters of request, reply and agreement regarding permission to reproduce Josef Albers's work in various formats. Correspondence is with individuals and organizations, including publishing companies.
Series II. Professional Papers, 1925-1980 (bulk 1940-1975) (approximately 48 boxes)
This series contains extensive materials relating to Josef Albers's professional life as an educator and as a visual artist in a variety of mediums. The series consists eleven subseries: Teaching, Project Files, Solo Exhibitions, Group Exhibitions, Architectural Commissions, Awards and Honorary Degrees, Notebooks, Work Lists, Color Research, Interviews, and Bibliographies and Biographies.
Teaching includes materials created and collected by Josef Albers in his capacity as a teacher and administrator at the Bauhaus in Weimar and Dessau, Germany; at Black Mountain College in Black Mountain, North Carolina, United States; at Hochschule fur Gestaltung (HfG), Ulm, Germany; and finally at Yale University in New Haven, Connecticut, United States.
Materials regarding the Bauhaus include correspondence, course descriptions, meeting minutes, and printed materials. Of note is the material regarding the closure and reopening of the school in 1933. Other material relating to the Bauhaus is found in the Subject Files series.
The bulk of the subseries is contained in the Black Mountain College materials, which includes correspondence, administrative files, speeches, writings by Josef and other faculty members on the college, reports, lists, printed materials on the college, course descriptions and notes, teaching notes, and songs written by students about the college. Highlights of the materials include the Alberses' first letters from the United States to friends in Germany; a eulogy for Mark Dreier written by Josef; letters regarding the resignation of Jonathan Andrew Rice, Josef Albers and Ted Dreier; Josef's logo design for the college; several speeches by Josef given around the country to grow support for the college; course notes of Si Sillman and Harry Seidler; a humorous birthday card made by students for Josef; and the near complete run of Black Mountain College Bulletins.
Josef's time as visiting professor at the Hochschule fur Gestaltung in Ulm is reflected in correspondence and printed materials, including correspondence with school founders Inge Aicher-Scholl and Max Bill, and colleague Gui Bonsiepe. Of note is the report by Josef on his course in basic drawing, design and color and the various notes and documents collected by Josef relating to the school.
Materials regarding Josef's tenure as professor at Yale University in the newly formed School of Design and following his retirement is primarily documented through correspondence, notes and printed materials. Included among the materials is a 1961 petition requesting that Josef return as a visiting painting critic, "Ten Commandments for Color Course" (author unidentified), and the various Yale publications with contents on Josef.
Finally, the subseries includes various teaching materials demonstrating Josef's teaching exercises employed throughout his career, such as Matiere materials, typofacture materials, sketches and drawings, and various printed materials.
It is important to note that Josef disliked administrative work and avoided generating material in the conduct of administrative affairs if he could. Therefore, there are not many files reflecting his administrative work found in the subseries.
The subseries Project Files consists of materials pertaining to prints, paintings, glass works, lettering, and various other projects completed by Josef Albers, often in collaboration with a printmaker or other organization. Of note among the materials are correspondence, print documentation, lists and notes related to print portfolios made in collaboration with Gemini G.E.L., Ives-Sillman, Tamarind Lithography Workshop, and Tyler Workshop. The bulk of material relating to Josef's lettering is found in this subseries, containing studies, writings, photographs and printed materials on his Kombinationschrift alphabet. Other highlights include a clipping with Josef's design for the National Gallery of Art Science Stamp Competition, a drawing of the IV Bienal Americana de Grabado-Santiago Chile poster design, an example of the Container Corporation logo design, and instructions with drawings to build a wren house.
Solo and
Group Exhibition subseries comprise the bulk of the series and include catalogs, brochures, publicity, condition reports, shipment forms, work lists and notes. This subseries reveals Josef Albers's long career exhibiting his work throughout the world. Of note among the large number of exhibition files are materials relating to a major solo exhibition, "Josef Albers," organized by the Museum of Modern Art, New York, that traveled in South America, Mexico, and the United States from 1965 to 1967; and "Josef Albers at the Metropolitan Museum of Art," a retrospective of his work held at the Metropolitan Museum of Art, New York in 1971, making Josef the first living artist to have a retrospective at the museum. Among the group exhibition files, highlights include the materials pertaining to the exhibitions "Josef and Anni Albers: Paintings, Tapestries and Woven Textiles," at the Wadsworth Atheneum in Hartford, CT in 1953 and "The Responsive Eye," at Museum of Modern Art in New York in 1965.
The Architectural Commissions subseries contains correspondence, photographs, negatives, transparencies, plans, contracts, drawings, writings and publicity documenting the various architectural projects of Josef Albers's commissioned by others. The earliest commission was a stained glass work, Rosa mytica ora pro nobis, circa 1916-1917 in St. Michael's Church, Bottrop. The piece was destroyed and there is little existing documentation regarding its existence. His last work, Stanford Wall, was commissioned by Stanford University and due to various complications wasn't completed before his death, finally seeing completion in 1980. Josef's highest profile commissions were by Pan American Building (current Met Life Building) in New York, Manhattan, in 1963; and Landesmuseum fuer Kunst und Kulturgeschichte in Munster, Two Supraportas, in 1972.
The Awards and Honorary Degrees subseries includes correspondence, awards, photographs, writings, speeches, publicity, medals, rings and cufflinks from the universities, colleges, and professional organizations that bestowed awards and honorary degrees upon Josef Albers. Of particular importance to Josef Albers was the 1959 Ford Foundation Fellowship that made much of his work on Interaction of Color possible; the 1958 Conrad von Soest Prize; the Graham Foundation 1962 grant as co-recipient with Paul Rudolph for a sculpture commission for Yale Art and Architecture building, resulting in the sculpture Repeat and Reverse; the 1962 Honorary Degree of Doctor of Fine Arts from Yale University; the American Institute of Architects 1974 Fine Arts Medal Nomination; and the various awards from the state of Bottrop.
Notebooks include lists of private and public collectors, works sent to galleries and individuals, notes and writings, lists of people that books were sent to, general lists of works and comments made on works. Of note is a portion of a notebook that contains a detailed description of Josef Albers's painting methods.
The Worklists subseries is similar to the notebooks subseries in its content but contains loose sheets of paper and additionally includes insurance values and collection reports.
The Color Research subseries is comprised of materials collected or created by Josef Albers over the span of his career. It includes commercially produced materials on color, including Color-aid Paper; correspondence, sketches and notes regarding color; and various printed materials on color.
The Interviews subseries contains printed interviews conducted with Josef Albers. A highlight of the subseries is the 1967 transcript typescript with handwritten corrections from the interview by Martin Duberman of Josef and Anni Albers. Materials from this interview was included in Duberman's 1972 book Black Mountain College: An Exploration in Community, an important book on Black Mountain College but one that Josef and Anni took issue with due to alleged misinformation.
Bibliographies and Biographies includes handwritten, photocopied and citations of bibliographies of publications on and by Josef Albers and biographies and biographical notes on Josef Albers. This subseries also contains submitted biographical entries and correspondence with biographical publications. A highlight is Josef Albers's undated notes and lists regarding a rough arrangement of his personal papers.
Series III. Writings, 1928-1977 (bulk 1950-1970) (21.5 boxes)
The Writing Series in the Josef Albers subgroup documents Josef Albers's extensive writings throughout his life and includes writings of others. The series consists of three subseries: Books, Various and Lectures.
The Books subseries includes handwritten and typed drafts, page and plate proofs, correspondence, contracts, notes, lists, publicity, and printed materials pertaining to books written by or in collaboration with Josef Albers, including various editions of each. Books include the monograph Josef Albers by Eugen Gomringer, which Josef played a large part in the production of (note that this subseries contains nearly all of the subgroup's correspondence between Eugen Gomringer and Josef Albers); Despite Straight Lines by Francois Bucher; Formulation: Articulation, a print portfolio included in this subseries due to extensive text by Josef; his most important publication and among his most important teaching contributions, Interaction of Color; Poems and Drawings; and Search versus Re-Search: Three Lectures by Josef Albers at Trinity College. This subseries contains a wealth of material demonstrating Josef's commitment to art and art education.
The Various subseries contains writings by Josef Albers, with writings by others on Josef Albers, and writings by other on topics not related to Josef Albers. The bulk of the subseries is handwritten and typescript drafts and printed versions of poems, statements and general writings by Josef Albers. Often these writings appeared in various publications. Titles contained in brackets represent the first line of an untitled writing or the general topic. Highlights include the grouping of writings titled "I Remember," which contain various memories of Josef's and the grouping titled "My Book," which contains various writings put together by Josef for an unfinished book of writings; a facsimile score of Six Melodies for Violin and Keyboard (for Josef and Anni Albers) by John Cage; and an untitled statement on Walter Gropius for an unfinished book on Gropius by Xanti Schawinsky. Most handwritten and typescript versions of poems included in Poems and Drawings are in this subseries. There is a large number of loose leaves with fragments of writings and notes by Josef, both sorted and unsorted.
Lectures includes handwritten and typescript drafts and printed versions of lectures written by Josef Albers with publicity for various lectures. There are often many versions of one lecture, as Josef reworked many of them and presented several versions of the same lectures. This subseries contains versions of "Art Education and General Education=Possessive or Productive" and "On Education and Art Education." Of note among the lectures is the 1953 lecture "Photos as Photography and Photos as Art," one of the view pieces of writing by Josef regarding photography, and his lecture "On Teaching Art to Youngsters."
Series IV. Personal, 1910-1974, undated (2 boxes)
The Personal series in the Josef Albers subgroup document Josef's life outside of his career, including his family's life. Among the materials in the Personal series there are documents relating to Josef Albers's family; his academic records; birth, marriage and identification papers; and his will.
Series V. Financial, 1949-1976 (bulk 1967-1975) (13 boxes)
The Financial series contains used and unused checks, receipts, bills, lists, and tax forms.
Series VI. Postcard Collection (Collages and Loose), undated (4 boxes)
This series consists of postcards collected by Josef and Anni Albers during their travels throughout the United States, Europe and Latin America. The bulk of them are loose and all are arranged by location. Josef created postcard collages with a portion of them. Highlights of the postcards include colorful postcards from Hawaii and the continental United States and photograph postcards from various states in Mexico portraying places that Josef and Anni Albers visited. Postcards by Hugo Brehme are included among them.
Series VII. Holiday Cards, circa 1934-1960 (1 box)
The Holiday Cards series contains the holiday cards designed by Josef and Anni Albers that the couple sent to friends. These cards are considered among the works of art created by the couple. The Alberses made their first one in circa 1934-1935 and stopped making them in 1960. They are beautifully designed and are often playful. Of note among the cards is one designed by Anni Albers and Alex Reed at Black Mountain College, circa 1940.
Series VIII. Subject Files, circa 1925-1976 (bulk 1950-1976) (9 boxes)
The Subject Files series includes printed materials collected by Josef Albers on individuals, including artists and other notable people, various subjects relating to art and education and the Bauhaus. Josef often handwrote comments on the printed materials.
Series IX. Printed Materials, 1936-1976 (bulk 1955-1974) (7 boxes)
This series consists of published articles on or mentioning Josef Albers or of interest to Josef Albers. Included among the materials are Photostats of articles made by and grouped together by Josef. Many of the materials include Josef's handwritten comments. Of note among the materials are New Yorker cartoons with references to Josef's work.
Series X. Photographs and Scrapbooks, 1954-1971, undated (5 boxes)
This series includes loose mounted photographs, photograph albums, and scrapbooks assembled by people for Josef and Anni Albers. There are three photograph albums made by Hochschule fur Gestaltung students for Josef, including photographs of Josef teaching at the school and photographs of student studies. Among loose mounted photographs is a large print of Josef Albers's baby photograph. Also included in the series is a photograph album, "Josef Albers at the Metropolitan Museum of Art," Metropolitan Museum of Art, New York that includes photographs of Josef and Anni Albers at home and at Sirocco Screen Press. Photographers in the series include Arnold Newman, Margit Staber, Jon Naar, Cheryl Rossum, Erika Schmied, Josephine Mears, Lee Boltin, Michael Popp, Manfred Tischer, Herb Weitman, M. Unagami, and Hiram Ash.
Series XI. Audiovisual, 1955-1976 (5.5 boxes of sound recording tape reels and 62 film cans)
The Audiovisual Series includes acetate and polyester open reel sound recordings and 16mm acetate and polyester films made of Josef Albers. They include only film and audio projects by other people on Josef Albers, as Josef did not make any of them himself. All sound recordings have been reformatted and access CD-Rs are available. Access DVDs are noted in the folder list when available.
The Sound Recordings subseries includes sound elements to film projects To Open Eyes and Man at the Center, Yale University Painting Crits, lectures and interviews. Among the lectures are the three lectures given at Trinity College in Hartford that led to the publication Search versus Re-Search. Also included in the subseries is a recording of Josef Albers discussing Black Mountain College, the interviews with Josef and Anni Albers conducted by Martin Duberman, and Josef Albers's Memorial Service at Yale University Art Gallery.
The Films subseries includes 16mm prints of the following films: Josef Albers at Yale by John Cohen; Josef Albers at Home by Sedat Pakay; Josef Albers: Homage to the Square by Hans Namuth and Paul Falkenberg; To Open Eyes by State University of New York at Albany, directed by Arnold Bittleman; Man at the Center by Canadian Broadcast Company, Lister Sinclar, producer; and an untitled film by Lee Savage. Of note are the films Josef Albers at Yale, a short silent film showing Josef in the classroom leading students through exercises and Josef Albers at Home, a film showing Josef in his studio at home with his paintings.
Series I. Correspondence, 1930-1994 (bulk 1976-1990) (14 boxes)
This series contains personal and professional correspondence with individuals and institutions and organizations, documenting Anni Albers's personal and professional life. The series consists of the following two subseries: Individuals and Institutions/Organizations.
The Correspondence with Individuals subseries includes letters between Anni Albers and family, friends, colleagues, and various individuals that Anni likely never met. Of note are correspondents Maximilian Schell, John Cage (with enclosed macrobiotic recipes), Max Bill, Buckminster Fuller, Ruth Asawa, and Robert and Elodie Osborn. Highlights include the letters of sympathy written to Anni upon the event Josef's death.
The Correspondence with Institutions and Organizations subseries includes letters between Anni Albers and various institutions and organizations. Included among this subseries is correspondence regarding solo and group exhibitions and artwork gifts, sales and loans. Of note is correspondence with the Art Institute of Chicago, Bauhaus Archiv, Camino Real, Sidney Janis Gallery, Yale University, Zabriskie Gallery, letters from German institutions regarding Josef Albers's death, and letters regarding Anni's "Pictorial Weavings," traveling exhibition.
Series II. Professional Papers, 1941-1994 (bulk 1977-1985) (15 boxes)
Materials in this series relate to Anni Albers's professional life as a visual artist and educator. The series consists of seven subseries: Teaching, Project Files, Solo Exhibitions, Group Exhibitions, Awards and Honorary Degrees, Interviews, and Bibliographies and Biographies.
Teaching includes materials created and collected by Anni Albers in her capacity as a teacher and administrator at Black Mountain College in Black Mountain, North Carolina, United States and as guest lecture at Philadelphia Museum School of Art. There is a small amount of material relating to Anni's teaching, including a letter of reappointment for Black Mountain College, a weaving lecture slide list, textile photographs and publicity.
The subseries Project Files consists of materials pertaining to prints, weavings and various other projects completed by Anni Albers, often in collaboration with a printmaker or other organization. Of note among the materials are correspondence, print documentation, lists and notes related to print portfolios and weaving and design reproductions made in collaboration with Tyler Graphics, Gemini G.E.L., Knoll Textiles, Larsen Carpet, and Tamarind Lithography Workshop. Other highlights include material relating to the Harriet Engelhardt Memorial Collection of Textiles, a collection that Anni assisted in the care of; an original weaving, Ark, commissioned by Temple Emanu-el in Dallas; a Bauhaus postage stamp with Josef Albers's design; and Josef Albers's "Learning Never Ends" postage stamp.
Solo and
Group Exhibition subseries comprise the bulk of the series and includes correspondence, writings, catalogs, brochures, publicity, condition reports, shipment forms, work lists, and notes. This subseries reveals Anni Albers's career exhibiting her weavings, prints and jewelry. Of note among the exhibition files are materials relating to a major solo exhibition, "Anni Albers: Textiles," at the Museum of Modern Art in New York in 1949, the first solo textile show at the Museum of Modern Art, and the traveling exhibition "Pictorial Weavings" in 1959-1960. Comprising the bulk of the subseries is material documenting the solo exhibition, "The Woven and Graphic Art of Anni Albers," at the Renwick Gallery of the National Museum of American Art, Smithsonian Institution in Washington, D.C. in 1985-1986; and the subsequent traveling exhibition and publication, The Woven and Graphic Art of Anni Albers for which several individuals contributed essays. Among the group exhibition files, highlights include materials pertaining to the exhibitions "Anni Albers and Alex Reed: Exhibition of Necklaces," Willard Gallery in New York in 1941; "Josef and Anni Albers: Paintings, Tapestries and Woven Textiles," at the Wadsworth Atheneum in Hartford, CT in 1953 and "Gunta Stoelzl and Anni Albers," at the Museum of Modern Art in New York in 1990.
The Awards and Honorary Degrees subseries includes correspondence, awards, photographs, writings, speeches, publicity, and medals from the universities, colleges, and professional organizations that bestowed awards and honorary degrees upon Anni Albers. Of particular importance to Anni Albers was the 1961 American Institute of Architects Craftsmanship Medal, the 1976 Philadelphia College of Art Honorary Degree of Doctor of Fine Arts, 1990 Royal College of Art Honorary Doctorate, and the various awards from the state of Bottrop. A highlight in the subseries is Anni's writing on Paul Klee's 1929 birthday event, for which Anni and others at the Bauhaus flew in an airplane above Klee's house to drop gifts from the sky.
The Interviews subseries contains printed interviews conducted with Anni Albers. The subseries is small and all are of great interest since there are not many interviews with Anni Albers in existence.
Bibliographies and Biographies includes photocopies and citations of bibliographies of publications on and by Anni Albers and biographies and biographical notes on Anni Albers. This subseries also contains submitted biographical entries and correspondence with biographical publications.
Series III. Writings, 1926-1990 (7 boxes)
The Writing Series in the Anni Albers subgroup documents Anni Albers's writings on weaving, design and on various topics relating to crafts and art. The series consists of three subseries: Books, Various and Lectures.
The Books subseries includes handwritten and typed drafts, page proofs, correspondence, contracts and royalty statements, notes, lists, publicity, and printed materials pertaining to books written by Anni Albers, including various editions of each. Books include Anni's important texts, On Designing, On Weaving, with a small amount of Pre-Columbian Miniatures materials.
The Various subseries includes various writings by Anni Albers. Often these writings appeared in various publications, many in Design. Highlights include "Bauhausweberei" in Junge Menschen 5 from 1926, "Work with Materials," "Handweaving Today: Textile Work at Black Mountain College," "We Need the Crafts for Their Contact with Materials," "The Pliable Plane" in Perspecta 4 from 1957, and her obituary for Walter Gropius "On Walter Gropius" in Craft Horizons from 1969.
Lectures includes typescript drafts with publicity for various lectures. All are untitled except for "Material as Metaphor," given at the College Art Association of America in New York.
Series IV. Personal, 1889-1997 (2 boxes)
Among the materials in the Personal series there are documents relating to Anni Albers's family; academic records; birth and identification papers; the Alberses' guestbook, and material relating to the Alberses' travels in Latin America. Of note among the materials is Anni's mother's 1937 and 1939 travel diary to Mexico; correspondence and financial statements regarding Siegfried Fleischmann/Farman's estate with a will and printed materials on Ullstein family members; and materials regarding Josef Albers's death and memorial service.
Series V. Subject Files, circa 1934-1994 (bulk 1950-1980) (6 boxes)
The Subject Files series includes printed materials collected by Anni Albers on individuals, including artists and various notable people, subjects relating to art, Latin America, weaving, Pre-Columbian materials and Maximilian Schell.
Series VI. Printed Material, 1931-1985, undated (bulk 1975-1985) (2 boxes)
This series consists of published articles on or mentioning Anni Albers.
Series VII. Pre-Columbian Collection, 1959-1983 (2 boxes)
The Pre-Columbian Collection series contains photographs, negatives, correspondence, receipts, and printed materials regarding the Alberses' collection of Pre-Columbian figurines and textiles. As the Alberses' began to travel in Mexico, they became interested in Pre-Columbian figurines and textiles, eventually beginning to collect items during their travels and through galleries. They eventually gifted the collection to the Peabody Museum at Yale University.
Series VIII. Photographs and Scrapbooks, 1988 (1 box)
This small series contains one photograph album from the Josef Albers Retrospektive at Staatliche Kunsthalle Baden-Baden in 1988.
Series IX. Josef Albers Museum in Bottrop, 1979-1983 (2 boxes and 1 unboxed photograph album)
This series contains correspondence, plans, a photograph album, printed materials and publicity pertaining to the opening of the Josef Albers Museum in Bottrop in 1983. Of note among the materials is the photograph album containing photographs of German officials and Anni Albers at the opening and a letter of regret from Robert Rauschenberg.
Series X. Financial, 1973-1983 (bulk 1977-1983) (4 boxes)
The Financial series contains used and unused checks, receipts, bills and tax forms.
Series XI. Audiovisual, 1967, undated (.5 box)
The Audiovisual series includes acetate and polyester open reel sound recordings, containing one lecture and two interviews. All sound recordings have been reformatted and access CD-Rs are available.
Research
Access
The Foundation is open by appointment to interested individuals, scholars, and
curators for study and research. For more information, please contact
the Foundation.
Original formats of films and sound recordings are not available for research without
special permission from the Foundation. Access copies are noted when available.
Restrictions on Use
Copies (digital formats, photocopies, and photographs) of Albers Foundation Archive
materials are made exclusively by the Albers Foundation staff and at its discretion.
All photoduplication requests must be made in writing. Requests for copies may be
denied based on the condition of the materials or for copyright reasons, and limits
are imposed on manuscript copy orders. We require that users who wish to publish
Albers Foundation materials contact the Albers Foundation for permission.
Related Material
The Josef and Anni Albers Foundation houses the personal library of Josef and Anni
Albers, including books, periodicals, exhibition catalogs and personal effects.
Researchers interested in learning more about the holdings should contact the
Foundation.
The Josef and Anni Albers Foundation received the following materials from donors.
All materials have been processed and are open to research:
- Charles Tauss Papers (3 boxes, 1961-1982): Charles Tauss was Josef Albers's student,
and later studio assistant and conservator. Correspondence, condition reports,
notes, photographs and memorabilia document the painting methods, repair and work of
Josef Albers. Donated by Charles Tauss.
- Ted and Bobbi Dreier Correspondence: Correspondence between the Dreiers and the
Alberses reflect the personal and professional relationship between these four
individuals. Donated by the Dreier Family. Please contact the Foundation for more
information.
- Lore Kadden-Lindenfeld Course Notes: (1 box, circa 1946-1948). Course notes from
classes with Josef and Anni Albers at Black Mountain College and graduation
materials. Donated by Lore Kadden-Lindenfeld.
Materials contained within the Archive often refer to works of art in the Art
Collection at the Josef and Anni Albers Foundation. Researchers should contact the
Foundation for information on related works of art.
Material in Other Institutions
Researchers should also consider the following research facilities when studying the
life and work of Josef and Anni Albers:
Josef Albers Papers at Yale University Sterling Memorial Library, Department of
Manuscripts and Archives www.library.yale.edu/mssa
Bauhaus Archive, Berlin www.bauhaus.de/english/bauhausarchiv/index.htm
Museum of Modern Art, New York www.moma.org
North Carolina State Archives (for Black Mountain College documents) www.ah.dcr.state.nc.us
Josef Albers Museum Bottrop www.bottrop.de
Bauhaus, Dessau www.bauhaus-dessau.de
Yale University Peabody Museum of Natural History www.yale.edu/peabody
Administrative Information
Processing Information
The Archive at The Josef and Anni Albers Foundation was organized and preserved
during 2003-2006 through a major project supported by generous grants from The Getty Foundation, the
National Endowment for the Arts, the Thaw Charitable Trust, the National
Film Preservation Foundation, the Adjuvant Foundation, and the Connecticut Council for the Humanities.
Material removed from the Archive and included in The Josef and Anni Albers
Foundation Art Collection are composite photograph and postcard collages, student
studies, and photographs by Josef Albers. Please contact the Foundation for further
information.
Donations of Archival Materials
The Albers Foundation is grateful to receive contributions of archival materials
relating to Josef and Anni Albers and/or their contemporaries in the arts and other
disciplines. Contributed materials that are not represented in the Foundation's
archives and deemed relevant for research purposes will be catalogued, conserved,
and made a part of the Foundation's permanent archives. Donors will receive written
acknowledgement of their gifts. Please note that although contributed archival
materials may qualify as a tax-deductible charitable contribution, it is the donor's
responsibility to assess the materials' worth for income tax purposes. The Albers
Foundation, as a nonprofit entity, is enjoined from quoting in its acknowledgement
letters the estimated monetary value of such gifts. Letters of inquiry concerning
donations of archival materials, or gifts outright of such materials, should be
addressed to the Foundation.
Detailed Description of the Collection
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Series I. Correspondence, 1925-1976 |
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Subseries A. Correspondence with Individuals, 1927-1976 |
Box |
Folder |
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Description |
| 1 |
1 |
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Acha, Juan 1964-1965, undated |
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2 |
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Acheson, Mrs. Dean Godderman, undated |
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3 |
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Adams, George, 1965-1973 |
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4 |
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Adler, Thomas, 1966 |
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5 |
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Agoos, Herbert and Ruth, 1981-1969 |
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5 |
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Aicher, Otl, 1967 |
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7 |
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Aicher-Scholl, Inge, 1967, undated |
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8 |
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Albers, H.J., 1971 |
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9 |
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Albers, Michael, 1949-1972 |
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10 |
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Albers, Josef, 1968-1973 |
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(includes photograph) |
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11(1) |
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Albers, Josef and Beatrix, 1967-1975 |
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(includes genealogy report) |
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11(2) |
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Albers, Karl, 1967 |
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12(1) |
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Albrecht, Hans Joachim, 1971-1974 |
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12(2) |
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Alfeld, Kurt Schwerdtfeger, 1962 |
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13 |
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Alsdorf, James and Marilynn, undated |
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14 |
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Alsleben, Kurd, 1963, 1970 |
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(includes letter to Elisabet Marx) |
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15(1) |
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Anderson, Harry (Hunk), 1971-1972 |
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(includes invoices) |
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15(2) |
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Anuskiewicz, Richard, 1969 |
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16 |
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Apgar, Nicholas, 1961-1965, undated |
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17 |
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Appolonio, Marina, undated |
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18 |
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Arbogast, Ted Paul, 1958 |
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19 |
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Arnheim, Rudolf, 1966-1973 |
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20 |
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Arp, Hans and Marguerite, 1963, undated |
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21 |
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Asawa (Lanier), Ruth, 1961-1974, undated |
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22 |
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Ashton, Dore, 1965-1968 |
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23 |
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Avedon, Richard, undated |
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23 |
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Barcklow, Robert, 1969 |
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25 |
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Barnik, 1964 |
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(regarding interview) |
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26 |
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Barrag‡n, Luis, 1967-1968 |
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27 |
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Barrett, Cyril, 1971 |
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28 |
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Bartholomew, Andrew, 1961 |
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29 |
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Bayer, Herbert and Joella, 1934-1975 |
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30 |
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Beal-Westerman, Joanna, 1963 |
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31 |
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Beard, Peter and Minne, 1970, undated |
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(includes photographs) |
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32 |
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Beaucamp, Eduard, 1973-1974 |
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(includes clipping) |
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33 |
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Beckmann, Hannes, 1964-1975 |
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(includes typescript, "A Painter Looks Back at the Bauhaus")
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34 |
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Belenius, Kent, 1974 |
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35 |
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Bellman, Hans, 1954-1973 |
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(includes letter to Eugen Gomringer with postscript to JA,
photograph and photocopy of drawing)
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36 |
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Bennet, Marcia Joan, 1961 |
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37(1) |
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Bergen, Emiel, 1963 |
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37(2) |
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Bergermann, Otto, 1976 |
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38 |
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Bergin, Thomas, 1964-1968 |
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(includes 1967 Yale University Press Fall Books catalog
fragment)
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39 |
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Bernd, Max, 1946, 1966 |
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(includes reproduction of Sanctuary) |
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40 |
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Berswordt-Wallrabe, Hans-Ludorf Alexander von, 1970 |
Box |
Folder |
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| 1 |
41 |
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Berte, Ursula 1970 |
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42 |
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Berthiaume, Bruce, undated |
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43 |
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Besset, Maurice, 1971-1973, undated |
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44 |
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Bianchi, Benedetto Roberto, 1963 |
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45 |
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Biesele, Igildo, 1963 |
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46 |
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Bill, Max, 1961-1972 |
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(includes letter from Hans Wingler, telegraph from American
Society for Friendship with Switzerland)
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47 |
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Birren, Faber, 1974 |
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(includes letter from Ken Tyler) |
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48 |
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Bittleman, Arnold and Dolores, 1961-1970, undated |
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49 |
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Blaine, Katharine, 1949, undated |
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50 |
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Blake, Peter, 1975 |
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51 |
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Blaser, Werner, 1961-1974 |
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(includes letter from U.S. Treasury Department Bureau of
Customs to AA regarding chairs)
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52 |
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Bliss, Robert L., 1975 |
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53 |
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Boehm, Gottfried, 1973-1976 |
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54 |
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Bogler, Theodor, 1967 |
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(includes photographs) |
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55 |
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Bois, Yve-Alain, 1974 |
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56 |
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Bongers, 1975 |
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57 |
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Bonnefoi, Christian, 1974 |
Box |
Folder |
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| 2 |
1 |
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Boothby, Norman, 1961, 1965 |
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2 |
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Borgmann, Alfred, 1968-1973 |
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3 |
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Bredendieck, Hin, 1952 |
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4 |
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Breuer, Marcel, circa 1935, 1937, 1961, 1965 |
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5 |
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Brockerhoff, Else, 1969 |
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6 |
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Bröse, 1973 |
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7 |
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Brown, Leslie A., 1956 |
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(includes forwarded letter from Charles Sawyer (Yale
University) to Brown)
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8 |
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Brunius, Teddy, 1964-1970 |
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9 |
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Bryden, Robert (Permanent Pigments), 1966-1976 |
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(includes photocopy of "Josef Albers Murals") |
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10 |
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Bucholz, Erich, 1957 |
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11 |
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Bucholz, Karl, 1939 |
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(regarding Paul Klee work for sale) |
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12 |
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Bunshaft, Gordon, 1972 |
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(regarding ownership of Homage to the
Square: White Mountain)
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13 |
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Buntzen, Ernst Rudolf, 1967 |
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(regarding Johannes Itten) |
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14 |
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Burchard, John, 1943-1949 |
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15 |
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Buren, Eva, undated |
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16 |
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Buse, Herma, 1965-1967 |
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17 |
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Bussman, George Jr., 1967 |
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18 |
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Cades, Charlotte, 1963 |
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19 |
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Cadman,, 1959 |
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(JA writing on color, art and education) |
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20 |
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Cage, John and Merce Cunningham, 1948, undated |
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21 |
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Calderara, Antonio, 1972 |
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22 |
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Camu, Lois and Nisette, 1968, undated |
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23 |
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Cantieni, Joseph, 1970 |
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24 |
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Cantor, 1951-1953, 1972 |
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25 |
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Carlberg, Norman 1962, undated |
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26 |
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Casillas, Andres, 1966, 1968 |
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27 |
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Catusco, Louis, 1963 |
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28 |
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Chanes, Rafael, 1965-1974 |
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(includes 1965 poem "Ode to the Square") |
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29 |
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Charlot, Jean and Zohman, 1949, 1968-1978, undated |
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30 |
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Chermayeff, Serge, 1949 |
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31 |
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Christiansen, Broder, 1955 |
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1955 (regarding Christiansen's book The Face of Our Time)
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32 |
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Chudzicki, Eugeniusz, 1962 |
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33 |
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Citroen, Paul, 1933 |
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34 |
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Clark, Eleanor, 1976 |
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35 |
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Clark, James and Lillian, 1964-1974 |
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36 |
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Clark, Lee, 1975 |
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37 |
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Clay, Jean, 1966-1973, undated |
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(includes photograph) |
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38 |
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Clemens, Roman, 1975 |
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39 |
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Cohen, Arthur, 1968-1969, undated |
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40 |
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Cohen, John, undated |
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41 |
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Cohn, Charles, undated |
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42 |
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Conrad, G., 1936 |
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43 |
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Conrad, Hans, 1970-1971 |
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44 |
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Corkram, David, 1961 |
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(regarding Black Mountain College and graphic and verbal
art)
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45 |
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Corman, Cid, 1960-1976 |
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(correspondence with JA for which Corman was cc'ed from
Grossman Publishers (with uncorrected galleys of JA
contribution to Corman's The Gift of Origin) and Viking
Press)
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46 |
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Covington, Paul, undated |
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47 |
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Crosby, Sumner, 1938 |
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48 |
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Crowell, Fiske and Andrea, undated |
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49 |
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Cunha, Luiz de Almeida, 1960-1961 |
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(regarding Sixth Biennial Exhibition in São Paulo) |
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50 |
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Curtis, Edgar, 1967-1973 |
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(regarding music score for To Open
Eyes)
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51 |
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D'Harnoncourt, Rene, undated |
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52 |
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Dana, Eugene, 1962-1963 |
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53 |
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Daniel, Theodor, 1936 |
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54 |
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Dantzic, Cynthia, 1966, 1974 |
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(includes magnetic print) |
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55 |
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Davis, Stuart, 1951 |
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56 |
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Day, John, 1968 |
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57 |
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De Antonio, Emile, undated |
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58 |
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De Kooning, Willem and Elaine, 1952, undated |
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59 |
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60 |
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Dearstyne, Howard, 1975, undated |
Box |
Folder |
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| 3 |
1 |
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Delphendahl, Chr., 1954 |
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2 |
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Delugan, Ello, 1972-1973 |
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3 |
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DeNatale, Dick, 1968 |
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4 |
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Diamant de Sujo, Clara (Estudio Actual, Caracas), 1959-1974 |
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(includes photographs of JA exhibition and Jean Clay
article)
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5 |
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Dickman, Alfred, 1968-1971 |
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(includes clipping) |
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6 |
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Doberman, Otto, 1968 |
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7 |
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Dorner, Alexander, 1953 |
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8 |
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Dowling, Susan, 1970 |
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(regarding Homage to the Square:
Nocturne |
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9 |
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Dreier, Katherine, 1936, 1941 |
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10 |
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Dreier, Ted and Bobbi, 1962, 1975 |
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11 |
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Drot, Jean Marie, 1971 |
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12 |
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Duberman, Martin, 1967, 1968 |
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[see Box 67 Folder 9] |
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13 |
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Duguid, John, 1934-1935, undated |
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14 |
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Eames, Charles and Ray, 1946-1952 |
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15 |
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Edwards, Jared, 1971 |
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16 |
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Egger, Marc, 1961, 1965 |
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17 |
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Ehrmann, Vera, 1961 |
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18 |
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Elek, Paul, 1969 |
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19(1) |
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Eliot, Jane and Alexander, 1965-1970, undated |
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(includes letter with JA drawings; photocopy of letter from
Martin Duberman to Alex Eliot; letter of recommendation of
JA for unidentified; and photography)
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19(2) |
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Eliot, Alexander, 1958 |
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(includes typescript mimeograph of "Sight and Insight"
1958)
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20 |
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Ellwood, Craig, 1974-1976 |
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21 |
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Elkus, Lemore, undated |
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22 |
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Emmerich, Andre and Constance, undated |
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23 |
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Emmerich, David Georges, 1964 |
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24 |
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Engels, Mathias, 1971 |
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25 |
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Engman, Robert, 1963-1967, undated |
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(includes letter from G. Holmes Perkins (University of
Pennsylvania) to JA regarding Engman)
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26 |
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Etzold, Joachim and Berni, 1972-1973 |
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27 |
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Evans, Elinor, 1957-1970 |
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(includes correspondence regarding recommendation of Evans by
JA to Rice University and The Danforth Foundation)
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28 |
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Evarts, John, 1940 |
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29 |
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Falk, Marilyn, undated |
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30 |
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Fanning, Robert, undated |
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31 |
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Farman, Hans, 1938, 1964 |
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(includes clipping about JA by Max Bill) |
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(includes letter from Art News to JA)
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33 |
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Feild, Robert, 1949 |
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34 |
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Feininger, Lyonel and Julia, undated |
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(Christmas print) |
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35(1) |
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Feininger, Theodore Lux, 1960-1961 |
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(includes tear sheets of "The Bauhaus: Evolution of an Idea"
from Criticism Summer
1960)
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35(2) |
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Feja, Heinz and Friedel, 1959-1971, undated |
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(includes handwritten notes, photographs and letter from
Helmut Glänzel 1959)
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36 |
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Feuerlicht, Herbert, 1964, undated |
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(includes photographs of Feuerlicht sculptures) |
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32 |
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Field, Richard S., 1938, 1964 |
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37 |
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Finger, Heinrich, 1959-1974 |
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|
|
(includes song by Freur Kum, "Büren 05/08") [see
Franz Schroder]
|
|
38 |
|
|
Fischer, Maria, 1968-1974 |
|
|
|
|
(formerly Schleifstein, includes letters to
Schleifsteins)
|
|
39 |
|
|
Fischli, Hans, 1967-1968 |
|
40 |
|
|
Flocon, Albert, 1952 |
|
41 |
|
|
Florsheim, Lillian, undated |
|
42 |
|
|
Foley, Matthew, 1968 |
|
43 |
|
|
Forbat, Fred, 1961 |
|
44 |
|
|
Fox, Donald, 1974 |
|
45 |
|
|
Frankenstein, Alfred, 1968 |
|
46 |
|
|
Friend, Leon, 1931 |
|
47 |
|
|
Frölich, 1964-1965 |
|
48 |
|
|
Fuchs, Gunter, 1964-1969, undated |
|
49 |
|
|
Fuller, Buckminster and Anne, 1948-1974 |
|
|
|
|
(includes recommendation of BF from JA to St. Peter's
College)
|
|
50 |
|
|
Fuller, Sue, 1956, 1972 |
Box |
Folder |
|
|
|
| 4 |
1 |
|
|
Gatal, Lee, undated |
|
2 |
|
|
Gatje, Robert F., 1961 |
|
3 |
|
|
Gee, 1966 |
|
4 |
|
|
Geier, Herbert, 1970-1975 |
|
5 |
|
|
Geist, Hans-Friedrich, 1948, 1967 |
|
6-7 |
|
|
Gerstner, Karl, 1958-1972, undated |
|
|
|
|
(includes clipping, handwritten notes and key for Gerstner's
"color frame")
|
|
8 |
|
|
Getlein, Frank, 1961, 1963 |
|
9(1) |
|
|
Gish, Delbert, 1968 |
|
9(2) |
|
|
Glanzel, Helmut and Marianne, 1959-1960 |
|
10 |
|
|
Glueck, Grace, 1972, undated |
|
11 |
|
|
Golder, Sylvan, 1966 |
|
12 |
|
|
Goldring, Maurice, 1963-1968 |
|
|
|
|
(includes transparency) |
|
13 |
|
|
Goldstein, Gertrude (Gego), 1964 |
|
14 |
|
|
Goltz, Hans, 1954 |
|
|
|
|
Gomringer, Eugen, |
|
|
|
|
[see Index of Individual Correspondence] |
Box |
Folder |
|
|
|
| 4 |
15 |
|
|
Gottlieb, Carla, 1964, 1973 |
|
16 |
|
|
Gotz, K.O., 1949, 1965 |
|
|
|
|
(includes Meta 2: Moderne Kunst und
Poesie, February 1949)
|
|
17 |
|
|
Gracklauer, O., 1963 |
|
18 |
|
|
Graf, Manfred, 1971 |
|
19 |
|
|
Grinstein, Stanley, 1968 |
|
|
|
|
(includes photograph of Homage to the
Square: Inner Glowing) |
|
20 |
|
|
Grohmann, Will, 1958-1968, undated |
|
21 |
|
|
Gropius, Walter, 1939-1968 |
|
|
|
|
(includes JA handwritten bibliographies for Bauhaus 1919-1928 by Gerd
Hatje)
|
|
22 |
|
|
Grote, Ludwig, 1949 |
|
23 |
|
|
Guermonprez, Paul, 1935-1938 |
|
24 |
|
|
Gussow, Mary and Roy, 1967 |
|
|
|
|
(includes handwritten list of sculptures owned by JA and
AA)
|
|
25 |
|
|
Hafkemeyer, Franz Ludwig, 1971 |
|
26 |
|
|
Haftmann, Werner, 1958 |
|
27 |
|
|
Hagemann, August, 1973 |
|
28 |
|
|
Haider, Michael, 1968 |
|
|
|
|
(regarding Family of Man award to be presented to President
Lyndon B. Johnson)
|
|
29 |
|
|
Halbert, Nancy, 1971 |
|
|
|
|
(includes photocopy of Albers Coat of Arms Histiography) |
|
30 |
|
|
Halsey, Margaret Brown (Mrs. John Easton), 1965 |
|
31 |
|
|
Hamilton, George Heard, 1970-1971 |
|
32 |
|
|
Hamlin, Will, 1974 |
|
|
|
|
(regarding JA teaching at Black Mountain College) |
|
33 |
|
|
Hanes, Helen and Erwin, undated |
|
34 |
|
|
Harris, Michael, 1961 |
|
35 |
|
|
Hasegawa, Sabeo, undated |
|
36 |
|
|
Hauer, Erwin, 1968, 1975, undated |
|
37 |
|
|
Hauser, Erich, 1974 |
|
38 |
|
|
Hauswald, 1961 |
|
39 |
|
|
Haverland, Marieluise and Ernst Wilhelm, 1959, 1966 |
|
40 |
|
|
Hayes, Roland, 1945 |
|
41 |
|
|
Hecht, Edgar, 1945 |
|
42 |
|
|
Helms, Dietrch, 1965-1969 |
|
43 |
|
|
Henderson, Harriet, 1967 |
|
44 |
|
|
Henze, Anton, 1965 |
|
45 |
|
|
Herrmann, 1974 |
|
46 |
|
|
Herrmann, Rold-Dieter, 1967-1971 |
|
|
|
|
(includes JA interview) |
|
47 |
|
|
Herzger, Walter, 1947 |
|
48 |
|
|
Hess, Walter, 1954-1973 |
|
49 |
|
|
Hildebrandt, Rainer and Lily, 1967-1974 |
|
|
|
|
(includes Zur Erinnerung Josef Albers an Lily
Hildebrandt: und also Dank für Teilnahme in
Wortern und mit Blumenspenden," a memory book)
|
|
50 |
|
|
Hirschfield-Mack, Ludwig and Olive, 1958-1965 |
Box |
Folder |
|
|
|
| 5 |
1 |
|
|
Hofmann, Josef, 1963 |
|
|
|
|
(includes letter from Donald White, son-in-law of
Hofmann)
|
|
2 |
|
|
Hofmann, Otto, 1950 |
|
3 |
|
|
Hooker, Isabel, undated |
|
4 |
|
|
Howard, Carl, 1969-1976 |
|
|
|
|
(regarding To Open Eyes,
includes ACI Films 1972-1973 16mm film catalog,
correspondence between ACI and Carl Howard, and ACI press
releases)
|
|
5 |
|
|
Howe, George, 1954 |
|
6 |
|
|
Huff, William, 1958-1975 |
|
|
|
|
(includes Symmetry 4 August 1967, Symmetry 6 January 1970 and brochure for
"Design and Planning 65, " University of Waterloo,
Canada)
|
|
7 |
|
|
Huffner, F.C., 1957-1973, undated |
|
8 |
|
|
Hunter, Virginia, 1966, undated |
|
9 |
|
|
Hyuga, Akiko, 1965 |
|
10 |
|
|
Iagle, Tom, 1961 |
|
11 |
|
|
Imdahl, Tom, 1961 |
|
12 |
|
|
Ives, Norman, 1967-1973 |
|
|
|
|
(includes correspondence between Museum of Modern Art, New
York (Gray Williams, Jr.), Kenneth Parker and Norman Ives;
and Ives holiday print)
|
|
13 |
|
|
Jacobson, Egbert, 1960 |
|
14 |
|
|
Jaffé:, H.L.C., 1970 |
|
|
|
|
(includes "Josef Albers: Studie voor 'Homage to the Square:
Blue Depth,' Gemeente Museum, den Haag" by Jaffé)
|
|
15 |
|
|
Jamieson, Mrs. Joseph, 1949 |
|
|
|
|
(regarding leaving Black Mountain College) |
|
16 |
|
|
Jawlensky, Alex and Elizabeth Kummel, 1938-1939 |
|
|
|
|
(includes photograph postcards of Jawlensky by JA) |
|
17 |
|
|
Jochims, Reimer, 1970-1971 |
|
18 |
|
|
Johansen, Ati Gropius and Charles Forberg, 1948, undated |
|
19 |
|
|
Johns, Jasper, 1960-1972 |
|
|
|
|
(regarding In the Water)
|
|
20 |
|
|
Johnson, Lyndon B. and Claudia "Lady Bird", 1965 |
|
21 |
|
|
Johnson, Philip, 1934 |
|
22 |
|
|
Johnson, Ray, 1974, undated |
|
|
|
|
(original postcards) |
|
23 |
|
|
Johnson, Una, 1971 |
|
24 |
|
|
Jonson, Raymond, 1974 |
|
25 |
|
|
Kacik, Walter, 1966, 1978 |
|
|
|
|
(includes Kacik slides) |
|
26 |
|
|
Kahn, Louis, 1957 |
|
27 |
|
|
Kaiser, Hans, 1967-1973, undated |
|
28 |
|
|
Karsh, Yousof and Estrellita, 1966-1967 |
|
29 |
|
|
Katayama, Toshihirio, 1969 |
|
30(1) |
|
|
Kauff, Wilhelm and Gisela, 1971-1972 |
|
30(2) |
|
|
Kaufmann, Edgar, 1965, undated |
|
31 |
|
|
Kedney, May, 1959 |
|
32 |
|
|
Keelin, John, 1961 |
|
33 |
|
|
Kelsey, Beverly, undated |
|
34 |
|
|
Kepes, Gyorgy, 1957, 1967 |
|
35 |
|
|
Kerr, Chester, 1962, 1976, undated |
|
|
|
|
(regarding book on JA's basic deign course at Bauhaus) |
|
36 |
|
|
Kiesel, 1956 |
|
37 |
|
|
Kinzinger, Edmund, 1937 |
|
38 |
|
|
Klee, Felix, 1954-1971, undated |
|
39 |
|
|
Klee, Lily, 1938 |
|
|
|
|
(includes photograph of letter to JA with drawing by Paul
Klee [original is in Josef and Anni Albers Foundation vault]
and photograph of Klee drawing offered by Alex Jawlensky to
JA for purchase)
|
|
40 |
|
|
Klein, Alfred, 1933, 1962 |
|
41 |
|
|
Kleffner, Liesel, 1970 |
|
42(1) |
|
|
Klemm, Heinz, 1967-1968 |
|
42(2) |
|
|
Klumpp, Hermann, 1961 |
|
43 |
|
|
Koch, Eleanore, 1967-1968 |
|
44 |
|
|
Koch, Fritz, 1936 |
|
45 |
|
|
Kocher, Lawrence, 1937 |
|
46 |
|
|
Koehler, Andreas, 1950-1951 |
|
47 |
|
|
Kone, Elliot, 1969, undated |
|
48 |
|
|
Konig, Harry, undated |
|
49 |
|
|
Kranz, Kurt, 1965 |
Box |
Folder |
|
|
|
| 6 |
1 |
|
|
Kraus, Franz, 1934, 1947-1948, undated |
|
2 |
|
|
Krause, Rainer, 1973 |
|
3 |
|
|
Krimmel, undated |
|
4 |
|
|
Kritzweiser, Kay, 1972 |
|
5 |
|
|
Kruger, Georg, 1947-19478 |
|
|
|
|
(includes song by Kruger to JA) |
|
6 |
|
|
Kruger, Werner, 1973 |
|
|
|
|
(includes two photographs of JA by W. Krüger) |
|
7 |
|
|
Kuh, Katherine, 1942-1962, undated |
|
8 |
|
|
Kultermann, Udo, 1967 |
|
9(1) |
|
|
Kunze, 1939, 1949, 1961 |
|
9(2) |
|
|
Kurz, Eugen, 1955 |
|
10(1) |
|
|
Lange-Hegermann, Karl-Ernst, 1968 |
|
10(2) |
|
|
Larrain (Garcia-Moreno), Sergio, 1968-1973 |
|
|
|
|
(includes letter from JA to Embassy of the United States in
Santiago, Chile)
|
|
11 |
|
|
Lawson, Carl, 1970 |
|
12 |
|
|
Leipold, F. Xavier, 1970-1968 |
|
13 |
|
|
Leppien, Jean, 1952 |
|
14 |
|
|
Lerner, Abram, undated |
|
15 |
|
|
Le Ricolais, Robert, 1955-1973, undated |
|
|
|
|
(includes typescript carbon, "Reflexions sur les Graphisms de
Josef Albers")
|
|
16 |
|
|
Lempert, Fritz, 1973 |
|
17(1) |
|
|
Leydenfrost, Robert, 1958 |
|
17(2) |
|
|
Lindsay, Kenneth, 1957 |
|
|
|
|
(regarding Kandinsky letters) |
|
18 |
|
|
Linnenkamp, 1968 |
|
19 |
|
|
Lipman, Jean, 1973 |
|
|
|
|
[see "Playing Cards of Josef Albers" Art in America 1963, Series IX. Printed
Materials]
|
|
20 |
|
|
Lippard, Lucy, 1967-1968 |
|
|
|
|
(includes JA handwritten writings on his Homage to the Square series)
|
|
21 |
|
|
Lippold, Richard C., 1951-1973 |
|
|
|
|
(includes Lippold's statement on JA for 1972 Homage to the Square portfolio
by Ives-Sillman)
|
|
22 |
|
|
List, Vera, undated |
|
23 |
|
|
Locker, Theodore, 1970 |
|
24 |
|
|
Logan, Anne-Marie, 1968-1974, undated |
|
|
|
|
[see Elizabeth von] |
|
25 |
|
|
Lord, James, 1969-1974, undated |
|
|
|
|
(includes typescript photocopy and bound handwritten drafts
of "Josef Albers: The Exercise of Integrity" by Lord)
|
|
26 |
|
|
Loria, Jeffrey, Jill and Laurie, 1971-1972 |
|
27 |
|
|
Lubell, Cecil and Winnie, 1963 |
|
28 |
|
|
Lustig, Alvin, 1949 |
|
29 |
|
|
Lyons, Benjamin E., 1974 |
|
|
|
|
(includes clipping of JA) |
|
30 |
|
|
Madrigal, August, 1967-1973, undated |
|
|
|
|
(includes letter to Gonzalez Robles, clippings and
photograph) [see Museo Español de Arte
Contemporaneo (Madrid)]
|
|
31 |
|
|
Magriel, Paul, 1962 |
|
32 |
|
|
Mahler, Maria, 1965-1970 |
|
33 |
|
|
Mahnke, Otto, 1975 |
|
34 |
|
|
Maiburg Family, 1936 |
|
35 |
|
|
Maison, K.E., 1964 |
|
|
|
|
(regarding repetition) |
|
36 |
|
|
Malone, Robert and Nancy, 1961-1974, undated |
|
|
|
|
(includes JA drawings, bibliographies, notes, and writings on
design; and project outline regarding unrealized book by
Malone on JA's design work and recommendation for JA to
receive Kaufmann International Design Award)
|
|
37 |
|
|
Marcks, Gerhard, 1934, 1950 |
|
38 |
|
|
Maremont, Adele, 1961, 1965 |
|
39 |
|
|
Marshall, Jurgen, 1974 |
|
40 |
|
|
Marshall, Orr, 1966-1971 |
|
41 |
|
|
Marx, Rudolf and Elisabet, 1950-1975, undated |
|
42 |
|
|
Mathews, Anthony, 1972 |
|
43 |
|
|
Matula, Arthur, 1971 |
|
44 |
|
|
McCullough, Jane Fiske, 1964-1971 |
|
|
|
|
(regarding Gropius, Bauhaus and basic design; includes
questionnaire, correspondence with Thomás
Maldonado and Cecily Sash, and JA interview with Sash)
|
Box |
Folder |
|
|
|
| 7 |
1 |
|
|
McDermott, Margaret, 1963 |
|
2 |
|
|
McGee, George and Mrs., 1964 |
|
3 |
|
|
McGinnis, 1959-1960 |
|
|
|
|
(letters written on behalf of the McGinneses by Thomas Messer
(Institute of Contemporary Art) and Jean Bullitt
(Massachusetts Institute of Technology), includes photocopy
of letter from Fairweather-Hardin Gallery (Chicago))
|
|
4 |
|
|
McKee, William, 1950-1962 |
|
5 |
|
|
Mellow, James, 1969-1970 |
|
|
|
|
(regarding article on the Bauhaus) |
|
6 |
|
|
Mérida, Carlos, 1966 |
|
7 |
|
|
Meservey, Robert and Mrs., 1956 |
|
8 |
|
|
Meyer-Waldeck, Wera, 1950-1963 |
|
9 |
|
|
Mitchell, 1963 |
|
|
|
|
(regarding color studies) |
|
10 |
|
|
Mitscherlisch, Immeke, 1968 |
|
11 |
|
|
Mohr, Jan, 1973-1976 |
|
12 |
|
|
Molitor, Broni, 1971 |
|
|
|
|
(JA pupil from Bottrop) |
|
13 |
|
|
Monti, Pio, 1971 |
|
|
|
|
(includes photograph) |
|
14 |
|
|
Morellet, Francois, 1971 |
|
15 |
|
|
Morgan, Charles, 1968 |
|
|
|
|
(regarding Homage to the Square:
Rooted at Amherst College)
|
|
16 |
|
|
Morschel, 1963 |
|
17 |
|
|
Muche, Georg, 1951 |
|
18 |
|
|
Mukai, Shutaro, 1964-1975 |
|
19 |
|
|
Muller, Herman and Gerda, 1966 |
|
20 |
|
|
Muller-Widman, Roland and Aja, 1961-1963 |
|
21 |
|
|
Naar, John, 1967-1970, undated |
|
22 |
|
|
Nakahara, Yusuka, 1975 |
|
23 |
|
|
Namuth, Hans, 1965-1975 |
|
|
|
|
(regarding film Homage to the
Square and includes contract, invoice and
correspondence with Paul Falkenburg, University-at-Large,
Chelsea House, Institut für Film und Bilm in
Wissenchaft und Unterricht)
|
|
24 |
|
|
Nash, Leonard, 1963-1973 |
|
|
|
|
(regarding The Nature of the Natural
Sciences and includes correspondence between JA
and The Contemporaries (New York))
|
|
25 |
|
|
Nash, Ray, 1968-1975 |
|
|
|
|
(includes photocopy of "Josef Albers," Print: A Quarterly Journal of the Graphic Arts
Fall 1945
|
|
26 |
|
|
Navarini, Elisabeth, 1967-1972 |
|
27 |
|
|
Neuberger, Roy, 1968 |
|
28 |
|
|
Neumann, Eckard, 1964-1969, undated |
|
|
|
|
(regarding Bauhaus and the Bauhaus
People and includes drafts of book portions)
|
|
29 |
|
|
Neumann, J.B., 1940-1965 |
|
|
|
|
(includes photocopy of letter from John Dewey to Black
Mountain College and correspondence between JA and Elsa
Schmid)
|
|
30 |
|
|
Neumann, Peter, undated |
|
31 |
|
|
Neuner, Hannes, 1968-1982 |
|
32 |
|
|
Neutra, Richard, 1934 |
|
33 |
|
|
Newhall, Beamont, 1948-1949 |
|
34 |
|
|
Nilson, Karl-Gustaf and Ingrid, 1966-1974 |
|
|
|
|
(includes typescript with handwritten corrections, "Josef
Albers on Color," photocopy with Nilson illustrations,
photocopy of 1973 JA review of Formulation: Articulation, and photograph of
Ingrid with JA prints)
|
|
35 |
|
|
Nivola, Ruth, 1961 |
|
36 |
|
|
Nordness, Lee, 1962-1963 |
|
37 |
|
|
Nowag, Heinz, 1948 |
|
38 |
|
|
Ohff, Heinz, 1972-1973 |
|
|
|
|
(includes typescript of Ohff statement on JA for Galerie der
neun Künst)
|
|
39 |
|
|
Osborn, Robert, 1950-1963 |
Box |
Folder |
|
|
|
| 8 |
1 |
|
|
Osborn, Robert, undated |
|
2 |
|
|
Osver, Arthur, 1958 |
|
3 |
|
|
Oteva, undated |
|
4 |
|
|
Overlack, undated |
|
5 |
|
|
Overy, Paul, 1966 |
|
6 |
|
|
Padberg, Magdalena, 1976 |
|
7 |
|
|
Page, Don, 1966 |
|
8 |
|
|
Pando, Felipe Garcia, 1967 |
|
9 |
|
|
Park, Willner, 1967 |
|
|
|
|
(regarding thesis on Bauhaus typography) |
|
10 |
|
|
Parkinson, Eliza, undated |
|
|
|
|
(regarding Homage to the Square: Early
Rising)
|
|
11(1) |
|
|
Pattek, Nina and Harry, undated |
|
11(2) |
|
|
Perdekamp, Franz Grosse, 1950-1953 |
|
|
|
|
(includes letter to JA from H. Röckler, list and
handwritten notes)
|
|
12 |
|
|
Peters, Heinz, 1970 |
|
13 |
|
|
Petipierre, Petra, 1936, undated |
|
14 |
|
|
Pfeiffer, Henri, 1970, 1976 |
|
15 |
|
|
Pieper, 1968 |
|
16 |
|
|
Pizitz, Silvia, 1962 |
|
17 |
|
|
Pontes, Crimilda, 1965 |
|
18 |
|
|
Powell, Albers and Adelle, 1973, undated |
|
19 |
|
|
Powell, Edward Warren, 1958 |
|
20 |
|
|
Powers, Ellen, 1967-1968 |
|
|
|
|
(includes letter from Powers to Sidney Janis) |
|
21 |
|
|
Pratt, Marjory, 1940, undated |
|
|
|
|
(includes JA drawing and handwritten statement on "acoustical
forms")
|
|
22 |
|
|
Priestley, William, 1937-1962 |
|
23 |
|
|
Pritchard, Jack, 1970 |
|
|
|
|
(includes photographs of JA works in Pritchard residence) |
|
24 |
|
|
Probst, Rudolph, 1948 |
|
25 |
|
|
Pulitzer, Joseph Jr., 1968 |
|
26 |
|
|
Pulyan, Alfred R., 1950 |
|
27 |
|
|
Purili, Edgar van Schmit, undated |
|
28 |
|
|
Quarella, Doris, 1975-1976 |
|
29 |
|
|
Rabinek, David, undated |
|
30 |
|
|
Ralfs, Kate, 1964, 1975 |
|
31 |
|
|
Ralfs, Otto, 1938-1939 |
|
32 |
|
|
Rasch-Naegele, Bodo and Ulo, 1960-1963 |
|
33 |
|
|
Rattner, Abraham, 1953 |
|
34 |
|
|
Rauschenberg, Robert, 1969 |
|
35 |
|
|
Rebay, Hilla, 1937-1949 |
|
36 |
|
|
Reed, Julie, 1971 |
|
37 |
|
|
Reep, Edward, 1975 |
|
|
|
|
(includes photocopy of review by Reep of Interaction of Color from Labyrinth June 1965)
|
|
38 |
|
|
Reidemeister, Karl, 1971 |
|
39 |
|
|
Reimann, William and Helen Sadowy, 1959-1974 |
|
|
|
|
(includes photographs) [see Box 56 Folder 5] |
|
40 |
|
|
Reischle, Paul, 1948 |
|
41 |
|
|
Reiss, John, 1968-1969, undated |
|
42 |
|
|
Reyes, Manuel, 1967 |
|
43 |
|
|
Richter, Re, 1934 |
|
44 |
|
|
Rickey, George and Edith, 1963-1973 |
|
|
|
|
(includes "The Morphology of Movement," The Art Journal Summer 1963 and
text on Albers for "Constructivism: Origins and Evolution")
|
|
45(1) |
|
|
Ridell, Alan, 1973 |
|
|
|
|
(includes clipping) |
|
45(2) |
|
|
Robinson, Mark, 1967 |
|
46 |
|
|
Roertgen, William, 1946, 1948 |
|
47 |
|
|
Roh, Franz, 1957 |
|
48 |
|
|
Roh, Juliane, 1966 |
|
49 |
|
|
Rondthaler, Theo "Rondy", 1948 |
|
50 |
|
|
Rosenberg, Ruth Culberg, 1972 |
|
|
|
|
(regarding ownership of Homage to the
Square: White Monument)
|
|
51 |
|
|
Rosenthal, George S., 1962 |
|
52 |
|
|
Rosenthal, Henry Sigmund, 1976 |
|
53 |
|
|
Rosenthal, Rena, 1946 |
|
|
|
|
(includes JA handwritten writing on Bauhaus history and
influence)
|
|
|
|
|
[see Box 2 Folder 12] |
|
54 |
|
|
Rosenthal, Stephen, 1962 |
|
55 |
|
|
Rosner, Stanley, 1968-1969 |
|
|
|
|
(includes JA biographical notes; typescript with handwritten
corrections interview with JA; JA handwritten notes on the
creative process; and typescript draft by Rosner, "The
Creative Experience," featuring JA interview)
|
|
56 |
|
|
Rossig, Karl, 1967 |
|
57 |
|
|
Rowe, Gordon Jr., 1966 |
|
58 |
|
|
Rowell, Margit Noel, 1970-1972 |
|
|
|
|
(includes JA notes) |
Box |
Folder |
|
|
|
| 9 |
1 |
|
|
Rubenstein, Michael Anthony, 1963-1965 |
|
2 |
|
|
Rudelt, Karl Bauer Alcar, 1968 |
|
3 |
|
|
Rudemaster, K., 1968-1970, undated |
|
4 |
|
|
Rudofsky, Bernard, 1949, 1959-1960 |
|
5 |
|
|
Saarinen, Arline, 1961 |
|
6 |
|
|
Saegesser, Max, 1969 |
|
7 |
|
|
Salant, Gerry, 1975 |
|
8 |
|
|
Sandberg, 1963 |
|
9 |
|
|
Schawinsky, Xanti and Irene, 1938-1972 |
|
10 |
|
|
Schell, Maximilian, 1969-1972 |
|
|
|
|
(includes photographs) |
|
11 |
|
|
Schlamminger, Karl, 1974 |
|
12 |
|
|
Schlemmer, Oskar, 1963-1965 |
|
13 |
|
|
Schlemmer, Tut, 1954-1974 |
|
|
|
|
(includes letter from Dieter Killer regarding Tut
Schlemmer)
|
|
14 |
|
|
Schmidt, Karl Georg, undated |
|
15 |
|
|
Schmidt-Pauli, Edgar, 1967-1968 |
|
16 |
|
|
Schmitt, Werner, 1971 |
|
17 |
|
|
Schneider, Johanna, 1969 |
|
18 |
|
|
Schneiderin, 1949 |
|
19 |
|
|
Schoetsler, Peter, 1968-1969 |
|
20 |
|
|
Schonberg, Harold, 1968 |
|
21 |
|
|
Schreiber, Taft. B, 1970, 1972 |
|
|
|
|
(regarding Homage to the Square:
Beyond Focus)
|
|
22(1) |
|
|
Schreyer, Leslie J., 1973 |
|
22(2) |
|
|
Schroder, Anneliese, 1953-1954 |
|
23 |
|
|
Schroder, Franz, 1967-1974, undated |
|
24 |
|
|
Schumann, R., 1941 |
|
25 |
|
|
Schwartz, Freda, 1961 |
|
26 |
|
|
Schweikher, Paul, 1965-1968 |
|
27 |
|
|
Seckler, Dorothy, 1950 |
|
|
|
|
(includes typescript with handwritten corrections and notes
from JA interview)
|
|
28 |
|
|
Seidler, Harry, 1959-1976 |
|
|
|
|
(includes photographs of Seidler residence) |
|
29 |
|
|
Seitz, Bill, 1966-1967 |
|
30 |
|
|
Sekler, 1970 |
|
31 |
|
|
Selmanagic, Selman, 1968 |
|
32 |
|
|
Seuphor, Michel, 1957-1965 |
|
33-34 |
|
|
Seymour, Betty, 1945-1968 |
|
|
|
|
(including bound notebook) |
Box |
Folder |
|
|
|
| 10 |
1 |
|
|
Shapiro, Lindsay, 1971 |
|
2 |
|
|
Sharon, Arieh, 1966-1967 |
|
3 |
|
|
Shartle, Ruth and Thomas, 1966 |
|
4 |
|
|
Sherwood, Roger, 1963 |
|
|
|
|
(includes unanswered questions regarding Hannes Meyer) |
|
5 |
|
|
Shestack, Alan, 1970 |
|
6 |
|
|
Shimomura, Chihaya, 1965-1966 |
|
7 |
|
|
Shiraishi, Kazuya, 1974-1975 |
|
8 |
|
|
Shull, 1951 |
|
9 |
|
|
Sillman, Si (Sewell), 1966-1970 |
|
10 |
|
|
Sizer, Theodore and Caroline, 1957-1962, undated |
|
11 |
|
|
Sjoberg, Leif, 1960-1965 |
|
12 |
|
|
Marquis, Jane Slater (Slats), 1944-1947 |
|
|
|
|
(includes letter from Ati Gropius Johansen transcribing card
from Walter Gropius to Marquis)
|
|
13 |
|
|
Sloane, Joseph, 1969, 1974 |
|
14 |
|
|
Slutsky, Robert, 1960 |
|
15 |
|
|
Sowers, Robert, 1954 |
|
|
|
|
(includes transparency of window by Sowers) |
|
16 |
|
|
Spies, Wener, 1967-1975, undated |
|
|
|
|
includes correspondence between Spies and Lee Eastman, Verlag
M. DuMont Schauberg, and JA notes)
|
|
17 |
|
|
Spiller, Jurg, 1958 |
|
18 |
|
|
Staber, Margit, 1961-1976, undated |
|
19 |
|
|
Stanczak, Julian and Barbara, 1964-1968 |
|
20 |
|
|
Stanton, Frank, 1955 |
|
21 |
|
|
Staudt, Klaus, 1974 |
|
22 |
|
|
Stein, Werner, 1968 |
|
23 |
|
|
Steinberg, Leo, 1956 |
|
24 |
|
|
Steinburg, Saul, 1950, undated |
|
25(1) |
|
|
Stendahl, Earl, 1960 |
|
25(2) |
|
|
Steinhauser, Wilhelm, 1971 |
|
26 |
|
|
Steyert, Richard, 1962 |
|
27 |
|
|
Stix, John, 1944 |
|
28 |
|
|
Stoller, Claude, 1940-1944 |
|
|
|
|
(includes letter of recommendation of Stoller by JA) |
|
29 |
|
|
Stone, Warren Robert, 1974-1975 |
|
|
|
|
(includes letter from Fogg Art Museum to Stone regarding
Homage to the Square)
|
|
30 |
|
|
Strand, Mark, undated |
|
|
|
|
(includes "Principles of Paradox," Saturday Review January 29 1972)
|
|
31 |
|
|
Strauss, Alberta, 1971 |
|
32 |
|
|
Strong, Roger, 1964 |
|
33 |
|
|
Stunke, Eva, 1976 |
|
34 |
|
|
Sulzer, Fritz, 1958 |
Box |
Folder |
|
|
|
| OS21 |
28 |
|
|
Sutner, Lasislav, 1967 |
|
|
|
|
(includes 1980 JA postage stamp and envelope) |
Box |
Folder |
|
|
|
| 10 |
35 |
|
|
Swan, Natalie, undated |
|
|
|
|
(includes photograph) |
|
36 |
|
|
Switzer, Susan and Ruth, 1972-1973 |
|
37 |
|
|
Szepanski, Alfred, 1975 |
|
38 |
|
|
Tangy, Julieta, undated |
|
39 |
|
|
Tauss, Charles, 1963-1965 |
|
|
|
|
[see Related Materials] |
|
40 |
|
|
Taylor, Crombia, 1971 |
|
41 |
|
|
Tenorth, P. Josef, 1969 |
|
42 |
|
|
Terry, Dunan, Niles and Hilda, 1949 |
|
43 |
|
|
Teuber, Marianne, 1970-1975 |
|
|
|
|
(includes correspondence between JA and Yale University Press
regarding request to reproduce image)
|
|
44 |
|
|
Thain, J.W., 1937 |
|
45 |
|
|
Thalman, Wolfgang, 1970-1971 |
Box |
Folder |
|
|
|
| 11 |
1 |
|
|
Thomas, Will, 1971 |
|
2-3 |
|
|
Thompson, Bradbury, 1973-1975 |
|
|
|
|
[Box 44 Folder 9] |
|
4 |
|
|
Thompson, G. David, 1954-1960 |
|
5 |
|
|
Thwaites, John, 1937-1957 |
|
6 |
|
|
Tillmann, Curt, 1975 |
|
7 |
|
|
Tovell, 1974 |
|
8 |
|
|
Trojanski, Hans, 1968 |
|
9 |
|
|
Tschichold, Hans, 1968 |
|
10 |
|
|
Ullstein, Karl, 1958-1962 |
|
|
|
|
(includes correspondence between Sidney Janis and JA
regarding Ullstein's interest in JA work)
|
|
11 |
|
|
Ullstein, Rudolf, 1950 |
|
12 |
|
|
van Beuren, Michael, 1936 |
|
13 |
|
|
van der Rohe, (Ludwig) Mies, 1966-1969 |
|
|
|
|
(includes memorial card and note from Marianne Lohan
regarding death)
|
|
14 |
|
|
Van Solmsen, Lily, undated |
|
15 |
|
|
Vellinghausen, Albert Schulze, 1965-1967 |
|
16 |
|
|
Verpine, Pea, 1968-1969 |
|
17 |
|
|
Vershbow, Arthur, 1960, 1962 |
|
18 |
|
|
Vitt, Walter, 1973 |
|
19(1) |
|
|
Volkman, Hans, 1958 |
|
19(2) |
|
|
Vollwoeller, Heidi, 1964 |
|
20 |
|
|
Volmer, Bruno, undated |
|
21 |
|
|
vom Kuhberg, undated |
|
22(1) |
|
|
von Bommel, Magdalena, 1976 |
|
22(2) |
|
|
von Eckardt, Wolf, 1959-1960, 1975 |
|
23 |
|
|
von Erffa, Helmut, undated |
|
24(1) |
|
|
von Gerleve, 1967, undated |
|
24(2) |
|
|
von Kaufmann, Ingelberg, 1963 |
|
25 |
|
|
von Navarini, Elizabeth, 1971-1972 |
|
|
|
|
(includes 1971-1972 Zürich clippings) [see Anne-Marie
Logan]
|
|
26 |
|
|
von Sweinitz, Singrid Grafin, 1966-1967 |
|
27(1) |
|
|
von Waldthausen, Sophia-Maria (Fia Ernst), 1954-1974, undated |
|
27(2) |
|
|
Voss, Hans, 1974 |
|
28 |
|
|
Wagner, Martin, 1944-1951 |
|
29 |
|
|
Wagstaff, 1967 |
|
30 |
|
|
Warburg, Anita, 1968-1969 |
|
31 |
|
|
Wasserman, Burton, 1966-1975 |
|
|
|
|
(includes prints and exhibition prints) |
|
32 |
|
|
Watenphul, Max Pfeiffer, 1938-1950 |
|
33 |
|
|
Weaver, Mike, 1967-1970, undated |
|
34 |
|
|
Weber, Vincent, 1963 |
|
35 |
|
|
Weidler, Charlotte, 1941-1966, undated |
|
36 |
|
|
Weininger, Andor, 1961 |
|
37 |
|
|
Weinstein, Jacob and Bernice, 1966-1967, undated |
|
38 |
|
|
Weiss, Edward, 1965-1967 |
|
39 |
|
|
Welliver, Neil, 1958, undated |
|
|
|
|
(includes draft of Welliver review of Design and Form: The Basic Course at the Bauhaus by
Johannes Itten)
|
|
40 |
|
|
Weren, Edward Chase, 1965 |
|
41 |
|
|
West, Walter Jr., 1961 |
|
42 |
|
|
Weston, Norman, 1934 |
|
43 |
|
|
Wetzel, Phoebe, 1962 |
|
44 |
|
|
Whitney, Henry and Ruth, 1947 |
|
45 |
|
|
Wilber, Tom, 1953, 1958 |
|
46 |
|
|
Wilder, Thornton, 1967, undated |
|
47 |
|
|
Wilke, Ilfert, 1965 |
|
48 |
|
|
Wilkie, Margot, 1947 |
|
49 |
|
|
Williams, Amancio, 1970 |
|
50 |
|
|
Wilson, Ann, undated |
|
51 |
|
|
Wilson, Sybil, 1968, undated |
|
52 |
|
|
Winston, Lydia, 1965 |
|
53 |
|
|
Winter, Fritz, 1949 |
|
54 |
|
|
Wissman, Jurgen, 1969-1976 |
|
55 |
|
|
With, Karl, 1939-1952 |
|
|
|
|
(includes With's statement on JA's 1945 exhibition) [see II.
A. Teaching, Black Mountain College]
|
|
56 |
|
|
Wittenborn Family, undated |
|
57(1) |
|
|
Wolff, Wilfalm, 1934 |
|
57(2) |
|
|
Wolfgang, undated |
|
58 |
|
|
Wols, Grety, 1969 |
|
59 |
|
|
Wright, Wilson, 1956, 1964 |
|
60 |
|
|
Wunderwald, Alfred, 1967-1968, undated |
|
61 |
|
|
Wurm, Heinrich, 1967 |
|
62 |
|
|
Wurster, Catherine, 1944 |
|
63 |
|
|
Wyss, Eugen, 1960-1969 |
|
64 |
|
|
W., Marguerite (Pond Farm), 1949 |
Box |
Folder |
|
|
|
| 12 |
1 |
|
|
Yamawaki, Iwao, 1962-1974 |
|
|
|
|
(includes letter from Takashimaya Company to JA and
photographs; regarding lecture trip to Japan)
|
|
2 |
|
|
Yamin, Martina, 1971-1972 |
|
3 |
|
|
Yanik, Dorothy, 1960, 1968 |
|
|
|
|
(includes photograph) |
|
4 |
|
|
Zagorski, Ed, 1969 |
|
5 |
|
|
Zapf, Hermann, 1956-1973, undated |
|
6 |
|
|
Zeisler, Richard, 1968 |
|
7 |
|
|
Zugel, Oscar, 1942-1962 |
|
8 |
|
|
Zwart, Piet, 1965, undated |
|
9 |
|
|
Unidentified, 1927-1975, undated |
|
10 |
|
|
Fan and hate mail, 1951-1967 |
|
11 |
|
|
Former students |
|
|
|
Subseries B. Correspondence with Institutions and Organizations, 1932-1976 |
Box |
Folder |
|
|
|
| 13 |
1 |
|
|
Harry N. Abrams, 1970-1971, undated |
|
2 |
|
|
Abstraction Création, 1935-1937
|
|
|
|
|
(includes correspondence between AC and Le Camarade
Hélion; AC and unidentified; and 1934-1935
pamphlets)
|
|
3 |
|
|
Academy for the Science of Creative Intelligence, 1975 |
|
4 |
|
|
Addison Gallery of American Art (Andover, MA), 1952-1956 |
|
|
|
|
(includes "Report by the Committee for the Study of the
Visual Arts, MIT" December 15 1953)
|
|
5 |
|
|
Advertising Club of Worcester, 1963 |
|
6 |
|
|
Åhlens and Åkerlunds Forlags, 1962 |
|
7 |
|
|
Akademie der Kunste (Berlin), 1974-1976 |
|
8 |
|
|
Akron Art Institute (Akron, OH), 1962 |
|
9 |
|
|
Albion College (Albion, MI), 1956 |
|
10 |
|
|
Albright-Knox Art Gallery (Buffalo, NY), 1956-1957, 1976 |
|
11 |
|
|
Alcon Films, 1973 |
|
12 |
|
|
Aldegrever Gesellschaft, 1965-1974 |
|
|
|
|
[see Wesfälisches Landesmuseum für
Kunst und Kulturgeschichte (Münster)]
|
|
13 |
|
|
Allegheny College (Allegheny, PA), 1957-1959 |
|
14 |
|
|
Alvethorpe Gallery (Jenkintown, PA), 1955 |
|
15 |
|
|
American Abstract Artists, 1966, 1973-1974 |
|
16 |
|
|
American Academy of Arts and Letters (formerly National
Institute of Arts and Letters), 1973-1974
|
|
17 |
|
|
American Artists Professional League, 1945 |
|
18 |
|
|
American Arts Documentation, 1969-1970 |
|
19-20 |
|
|
American Council on Education, 1958 |
|
|
|
|
(regarding Eugen Gomringer, F.C. Huffner and Sergio Larrain
coming to US)
|
|
21 |
|
|
American Federation of Arts, 1963-1970 |
|
22 |
|
|
American-German Review, 1965 |
|
23 |
|
|
American Institute of Architects, 1969-1970 |
|
24 |
|
|
American Institute of Graphic Arts, 1963-1964 |
|
|
|
|
(includes letter from U.S. Information Agency) |
|
25 |
|
|
American Library Color Slide Company, 1952 |
|
26(1) |
|
|
Arcady Press, 1964 |
|
|
|
|
(letter to Yale University) |
|
26(2) |
|
|
Architectural Record, 1954
|
|
27 |
|
|
Archives of American Art, 1973 |
|
28 |
|
|
Art Appreciation Committee, 1939-1949 |
|
|
|
|
(includes various drafts of JA lesson plan for AAC
publication "Master Teachers," unrealized)
|
|
29(1) |
|
|
Art Dealers Association of America, 1974 |
|
29(2) |
|
|
Art Directors Club, Ninth Annual Visual Communications
Conference, 1964
|
|
|
|
|
(includes letter to AA) |
|
30 |
|
|
Art Gallery of New South Wales (Sydney), 1968, 1974 |
|
|
|
|
(includes photographs) |
|
31 |
|
|
Art in America, 1959-1965, undated
|
|
|
|
|
(includes letter from Metropolitan Museum of Art and
typescript carbon "In Behalf of Structured Sculpture")
|
|
32-33 |
|
|
Art Institute of Chicago, 1952-1974 |
|
|
|
|
(includes letter from Lee Eastman, JA drawings and
photograph; regarding gift of Erwin Hauer's sculpture
"Intercircles" to Art Institute of Chicago)
|
|
34 |
|
|
Art Institute of Chicago, 1947 |
|
35 |
|
|
Art News, undated |
|
36 |
|
|
Art Times, undated
|
|
37 |
|
|
Artist's Gallery (New York), 1938-1939 |
|
38 |
|
|
Artist's Technical Research Institute, 1961-1967 |
|
39 |
|
|
Arts and Architecture, 1949
|
|
40 |
|
|
Arts Council of Great Britain, 1968 |
|
41 |
|
|
Associated American Artists, 1968, 1971 |
|
42 |
|
|
Associated Art Consultants, 1973 |
|
43 |
|
|
Association Montessori International USA, 1975 |
|
44 |
|
|
Association Typographique Internationale, 1965 |
Box |
Folder |
|
|
|
| 14 |
1 |
|
|
Atlanta School of Art, 1966 |
|
2 |
|
|
L'Attico Galleria d'Arte (Rome), 1968 |
|
|
|
|
(includes correspondence between JA and Brider Toninelli) |
|
3 |
|
|
Axis Magazine, 1935
|
|
4 |
|
|
Badische Anilin-and-Soda-Fabrik, 1969-1970 |
|
|
|
|
(includes letter from Sidney Janis Gallery) |
|
5 |
|
|
Baltimore Museum of Art, 1974 |
|
6 |
|
|
Barnes Foundation (Merion, PA), 1934-1935 |
|
7 |
|
|
Bill Bass Contemporary Painting and Sculpture, 1972-1975 |
|
|
|
|
(includes letter from JA to Eric v. Lowenadler regarding
Homage to the Square: Centered
Yellow)
|
|
8 |
|
|
Bauhaus Archiv, 1961-1976 |
|
9-10 |
|
|
Bauhaus Archiv, 1956-1975, undated |
|
|
|
|
(regarding Das Bauhaus by Hans
Wingler; includes correspondence with Rockefeller
Foundation)
|
|
11 |
|
|
H.B. Beal Technical and Commercial High School (London,
Ontario), 1961
|
|
12 |
|
|
Bell and Howell Company (Chicago, IL), 1965-1967 |
|
13 |
|
|
Benjamin Galleries (Chicago), 1966 |
|
14 |
|
|
Bentelli Verlag Bern, 1961-1975 |
|
15 |
|
|
Berkshire Museum (Pittsfield, MA), 1966 |
|
16 |
|
|
Berlin Abteilung Volksbildung, undated |
|
17 |
|
|
Berlin, Der Regierende Bürgermeister von
Berlin, 1972
|
|
18 |
|
|
Berufsverband Bildender Künstler Hamburgs, 1963 |
|
19 |
|
|
1969 Biennale Nuremberg, 1968-1969 |
|
|
|
|
(includes correspondence with Städtische
Kunstsammlungen, Stadt Bielefeld, Karl Ernst Osthaus, and
Nürnberger Gobelin Manufaktur)
|
|
20 |
|
|
1969 Biennale São Paulo, 1967-1970 |
|
21 |
|
|
Block Editions, 1971-1972 |
|
22 |
|
|
Boden, Oppenhoff and Schneider, 1974 |
|
24 |
|
|
George Braziller, Inc., 1965 |
|
25 |
|
|
1st British International Print Biennale (Bradford City
Art Gallery and Museum), 1968
|
Box |
Folder |
|
|
|
| 15 |
1 |
|
|
Brooklyn Museum of Art, 1952-1973 |
|
2 |
|
|
Brooklyn Museum of Art, 1968-1969 |
|
|
|
|
(list of 1968-1969 gifts and gift acknowledgements) |
|
3 |
|
|
Bruckmann Munchen, 1973 |
|
4 |
|
|
Bundesrepublik Deutschland, 1976 |
|
5 |
|
|
Busch-Reisinger Museum (Cambridge, MA), 1962 |
|
|
|
|
(regarding JA's donation of Black Mountain College student
work)
|
|
6 |
|
|
Busch-Reisinger Museum, Harvard University (Cambridge,
MA), 1936-1976
|
|
7 |
|
|
California College of Arts and Crafts, 1964-1966 |
|
8 |
|
|
California Institute of the Arts, 1965, 1969 |
|
9 |
|
|
Canadian Broadcasting Corporation, 1972 |
|
|
|
|
(regarding film Man at the
Center)
|
|
10 |
|
|
Carborundum Museum of Ceramics (Niagara Falls, NY), 1970-1974 |
|
11 |
|
|
Carnegie Institute Museum of Art (Pittsburgh, PA), 1962-1971 |
|
12 |
|
|
Carpenter Center for the Visual Arts, Harvard University
(Cambridge, MA), 1964-1969
|
|
|
|
|
[see Box 19 Folder 23(1)] |
|
13 |
|
|
Catholic University of America (Washington, DC), 1938 |
|
14 |
|
|
Central Cadillac (Cleveland), 1973 |
|
15 |
|
|
Cincinnati Art Museum, 1952-1967 |
|
16 |
|
|
City Art Museum of St. Louis, 1970-1972 |
|
17 |
|
|
Cleveland Institute of Art, 1957-1971 |
|
18 |
|
|
Cleveland Museum of Art, 1961-1970 |
|
19 |
|
|
Cohen and Powell, 1958-1975 |
|
20 |
|
|
College Art Association of America, 1940 |
|
|
|
|
(regarding creative education) |
|
21 |
|
|
College Art Association of America, 1973 |
|
22 |
|
|
Second Bienal de Arte Coltejer, Medellin (Medellin,
Colombia), 1970
|
|
23 |
|
|
Color Planning Center (Tokyo), 1975-1976 |
|
24 |
|
|
Columbia University (New York), 1964 |
|
25 |
|
|
Congress of Racial Equality, 1963 |
|
26 |
|
|
The Contemporaries (New York), 1952-1968 |
|
27 |
|
|
Contemporary Arts Center (Cincinnati), 1965, 1967 |
|
28 |
|
|
Contemporary Portfolios, 1965 |
Box |
Folder |
|
|
|
| 16 |
1 |
|
|
Corcoran Gallery of Art (Washington, DC), 1957-1967 |
|
2 |
|
|
Craft Horizons, 1958
|
|
3 |
|
|
Currier Gallery of Art (Manchester, NH), 1956-1961 |
|
4 |
|
|
Dallas Museum of Fine Arts, 1963-1974 |
|
5 |
|
|
Stadt Darmstadt/Hessisches Landesmuseum, 1967-1973 |
|
6 |
|
|
Davison Art Center (Middletown, CT), 1956, 1972 |
|
7 |
|
|
Rudolph de Harak, Inc., 1964 |
|
8 |
|
|
Isaac Delgado Museum of Art (New Orleans), 1967 |
|
9 |
|
|
Des Moines Art Center, 1972-1973 |
|
10 |
|
|
Denver Art Museum, 1947 |
|
11 |
|
|
Detroit Instiute of Arts, 1974 |
|
12(1) |
|
|
Deutsche Akademischer Austausdienst
(Berlin)/Städtische Kunsthalle Düsseldorf, 1968-1975
|
|
|
|
|
(includes clipping and notes) |
|
12(2) |
|
|
Deutsche Bank, 1970-1971 |
|
13(1) |
|
|
Deutsche Gesellschaft für Bildende Kunst
(Kunstverein Berlin), 1968-1969
|
|
13(2) |
|
|
Deutsche Verlags-Anstalt, 1954 |
|
14 |
|
|
Deutsche Welle (Köln), 1970 |
|
|
|
|
(includes catalog text and clippings) |
|
15 |
|
|
Deutscher Akademischer Austauschdient, 1966 |
|
16 |
|
|
Documenta 1968 (Kassel), 1968 |
|
17 |
|
|
Doerner Institute (Munich), 1955 |
|
18 |
|
|
Dutton, E.P. and Company, 1969-1973 |
|
19 |
|
|
M. Dumont Schauberg (Köln), 1966-1974 |
|
20 |
|
|
Albrecht Dürer Gesellschaft, 1967-1971 |
|
21 |
|
|
East Tennessee State University (Johnson City), 1965-1966 |
|
22 |
|
|
Eastman and Eastman, 1966-1976 |
|
|
|
|
(correspondence between Eastman and JA) |
|
23 |
|
|
Eastman and Eastman, 1970-1975 |
|
|
|
|
(3rd party correspondence regarding Formulation: Articulation, A-L)
|
|
24 |
|
|
Eastman and Eastman, 1970-1975 |
|
|
|
|
(3rd party correspondence regarding Formulation: Articulation, M-Z)
|
|
25 |
|
|
Ecole Nationale Supérieure des Beaux-Arts, 1970, undated |
|
26 |
|
|
Edition Domberger (Stuttgart), 1967-1972 |
|
27 |
|
|
Edition Hoffmann (Frankfurt), 1968-1974 |
|
28 |
|
|
Edition 999 (Zürich), 1973 |
Box |
Folder |
|
|
|
| 17 |
1 |
|
|
Edition Alecto Limited, 1964-1966 |
|
2 |
|
|
Robert Elkon Gallery (New York), 1964, 1972 |
|
3 |
|
|
Encyclopedia Britannica, 1946, 1947
|
|
4 |
|
|
Ernst and Ernst, undated |
|
5 |
|
|
Esuela de Desino Textil (Barcelona), 1972 |
|
6 |
|
|
Fairfield University (Fairfield, CT), 1967 |
|
7 |
|
|
Fairweather-Hardin Gallery (Chicago), 1959-1973 |
|
8 |
|
|
Richard Feigen Gallery (Chicago, New York), 1965-1968 |
|
9 |
|
|
Fides Freuhand-Vereinigung (Zürich), 1939 |
|
10 |
|
|
Film Society of Lincoln Center, 1972 |
|
|
|
|
(regarding JA poster for 10th Annual New York Film
Festival)
|
|
11 |
|
|
Fine Arts Gallery of San Diego, 1970-1971 |
|
12 |
|
|
Fischbach Gallery of San Diego, 1970-1971 |
|
|
|
|
(regarding Eva Hesse) |
|
13 |
|
|
Flair Gallery (Cincinnati), 1967 |
|
|
|
|
(includes photograph of Homage to the
Square: Summer Call)
|
|
14 |
|
|
Fogg Art Museum, Harvard University (Cambridge, MA), 1975 |
|
15 |
|
|
Folio II, undated
|
|
16 |
|
|
Ford Foundation, 1958-1963 |
|
|
|
|
(regarding Ford Foundation Fellowship) |
|
17 |
|
|
Fortune, 1951 |
|
|
|
|
(includes draft of "Color Industry" by Furth Saunders) |
|
18 |
|
|
French Television Service, 1973 |
|
|
|
|
(includes questionnaire) |
|
19 |
|
|
Savage Friedman, Inc., 1969 |
|
20 |
|
|
Galería de Arte Mexicano (Mexico City), 1963-1972 |
|
|
|
|
(includes Carlos Mérida 1966 catalog and clipping for Ines
Amor)
|
|
21 |
|
|
Galerie Balzac (Paris), 1965 |
|
22 |
|
|
Galerie Beyeler (Paris), 1971-1974 |
|
23 |
|
|
Galerie Suzanne Bollag (Zürich), 1959-1972 |
|
|
|
|
(includes photograph) |
|
24 |
|
|
Galerie Renate Boukes (Wiesbaden), 1968 |
|
25 |
|
|
Galerie Brusberg (Hannover), 1965-1970 |
|
26 |
|
|
Galerie Burén (Stockholm), 1964 |
|
27 |
|
|
Galerie Chalette (New York), 1973 |
|
28 |
|
|
Galerie Im Erker (St. Gallen), 1973 |
|
29 |
|
|
Galerie Gmurzynska (Köln), 1973-1974 |
|
|
|
|
(includes photographs of JA work) |
|
30 |
|
|
Galerie Herbert Herrmann (Stuttgart), 1948 |
Box |
Folder |
|
|
|
| 18 |
1(1) |
|
|
Galerie Hybler (Copenhagen), 1965 |
|
1(2) |
|
|
Galerie Thomas (Munich), 1970-1971 |
|
2(1) |
|
|
Galerie Thomas Keller (Starnberg), 1971-1975 |
|
2(2) |
|
|
Galerie Kunsthandlung (Oldensburg), 1963 |
|
3(1) |
|
|
Galerie Melki, 1973-1975 |
|
3(2) |
|
|
Galerie Ferdinand Möller (Berlin), 1938-1939 |
|
4 |
|
|
Galerie Müller (Stuttgart and Köln), 1964-1970 |
|
5 |
|
|
Galerie Pierre (Paris), 1935-1936 |
|
6-10 |
|
|
Galerie Denise René (Paris), 1957-1972 |
|
11 |
|
|
Galerie Gerd Rosen (Berlin), 1960 |
|
12 |
|
|
Galerie Alfred Schmela Düsseldorf, 1965-1969 |
|
13 |
|
|
Galerie der Spiegel (Köln), 1964-1975 |
|
14 |
|
|
Galerie Otto Stangl (Munich), 1961-1966 |
|
15 |
|
|
Galerie Valentien (Stuttgart), 1939, 1946-1947, 1974 |
|
|
|
|
(regarding purchase of Paul Klee work) |
Box |
Folder |
|
|
|
| 19 |
1 |
|
|
Galerie Alex Vömel Düsseldorf, 1967 |
|
2-3 |
|
|
Galerie Wilbrand (Köln), 1966-1974, 1975 |
|
4 |
|
|
Galleria la Bertesca (Genoa), 1968 |
|
5 |
|
|
Galleria del Milione Libreria (Milan), 1935-1936 |
|
6 |
|
|
The Gallery (Tucson, AZ), 1962 |
|
7 |
|
|
German Embassy (Washington, DC), 1960-1961 |
|
8 |
|
|
Gimpel Fils (London), 1961-1968 |
|
9-10 |
|
|
Gimpel and Hanover Galerie (Zürich), 1963-1976 |
|
11 |
|
|
Goethe House (New York), 1968 |
|
12 |
|
|
Goethe Institute (Boston), 1970 |
|
13 |
|
|
Goethe Institute (Munich), 1969-1974 |
|
|
|
|
(includes photographs) |
|
14 |
|
|
Goethe Institute (Paris), 1969 |
|
15 |
|
|
Bertrand Goldberg Associates, 1954-1967 |
|
|
|
|
(includes photographs and typescript writing on Bauhaus by
Goldberg)
|
|
16 |
|
|
Graham Foundation for Advanced Studies in the Fine Arts, 1964-1970 |
|
|
|
|
(regarding Paul Rudolph project at Yale University) |
|
17 |
|
|
Greenberg Development (St. Louis, MO), 1964-1970 |
|
18 |
|
|
Solomon R. Guggenheim Museum (New York), 1961-1974 |
|
|
|
|
(includes photographs) |
|
19 |
|
|
Hamilton Galleries (London), 1964 |
|
20 |
|
|
Paul Hamlyn Publishers, 1964-1965 |
|
21(1) |
|
|
Hampton Institute (Hampton, VA), 1973 |
|
21(2) |
|
|
Hanseatische Asserkuranz Vermittlungs Aktiengesellschaft
Hamburg, 1970
|
|
22 |
|
|
Harcus/Krakow Gallery (Boston), 1967-1973 |
|
23(1) |
|
|
Harvard University, Carpenter Center for the Visual Arts, 1966-1968 |
|
|
|
|
(regarding 1966 exhibition, "Bauhaus: A Teaching Idea";
includes 1958 drawing for Dorothy Adlew, text for catalog,
catalog and photographs) [see Box 15 Folder 12]
|
|
23(2) |
|
|
Jane Haslem Gallery (Washington, DC), 1974 |
|
24 |
|
|
Dr. Ernst Hauswedell and Company, 1935-1962, undated |
Box |
Folder |
|
|
|
| 20 |
1(1) |
|
|
Heimathaus des Kreises Beckum, 1973 |
|
1(2) |
|
|
Sonia Henie-Niels Onstad Foundations, 1969-1970 |
|
2 |
|
|
High Museum of Art (Atlanta), 1966-1971 |
|
3 |
|
|
Joseph H. Hirshhorn Museum (Washington, DC) (formerly
Joseph H. Hirshhorn Collection (New York), 1964-1975
|
|
|
|
|
(includes photographs) |
|
4 |
|
|
Holy Ghost Fathers (Wheaton, MD), 1971 |
|
5 |
|
|
Honolulu Academy of Arts, 1972-1973 |
|
|
|
|
(includes photographs) |
|
6 |
|
|
J.L. Hudson Gallery (Detroit), 1966 |
|
7 |
|
|
Idaho State College (Pocatello, ID), undated |
|
8 |
|
|
Illinois Institute of Technology, 1963 |
|
9 |
|
|
Images Gallery (Toledo), 1974 |
|
10 |
|
|
Indianapolis Museum of Art, 1973 |
|
11 |
|
|
Institute of Contemporary Art (Boston), 1958 |
|
12 |
|
|
Instituto Nacional de Cultura y Bellas Artes (Caracas), 1964 |
|
13 |
|
|
International Biennial Exhibition of Prints in Tokyo, 1957-1965 |
|
14 |
|
|
International Graphic Arts Society, 1962 |
|
15 |
|
|
International Publishers Association, 1965 |
|
16 |
|
|
Israel Museum (Jerusalem), 1975 |
|
17 |
|
|
Ives-Sillman and Eastman and Eastman, 1971-1975 |
|
18-20 |
|
|
Sidney Janis Gallery (New York), 1951-1968 |
Box |
Folder |
|
|
|
| 21 |
1-2 |
|
|
Sidney Janis Gallery (New York), 1969-1976 |
|
3 |
|
|
Sidney Janis Gallery (New York), 1970 |
|
|
|
|
(sales listings) |
|
4 |
|
|
Sidney Janis Gallery (New York), 1958-1972 |
|
|
|
|
(price lists, sales listings, notes) |
|
5 |
|
|
Sidney Janis Gallery (New York), 1969-1970 |
|
|
|
|
(price lists, sales listings, notes; regarding damage and
insurance claim of Structural
Constellation, N-32) |
|
6 |
|
|
Jewett Arts Center (Wellesley College, MA), 1971 |
|
7 |
|
|
Hugo Kahn and Company Bankgeschaft, 1968 |
|
8 |
|
|
Katonah Gallery (Katonah, NY), 1961 |
|
9 |
|
|
W.R. Keating and Company, 1962, 1964 |
|
10-12 |
|
|
Josef Keller Verlag, 1963-1975, undated |
Box |
Folder |
|
|
|
| 22 |
1(1) |
|
|
Kestner-Gesellschaft (Hannover), 1934-1975 |
|
1(2) |
|
|
Kindler Verlag, 1964-1971 |
|
2 |
|
|
Paul Klee Stiftung (Bern), 1973-1974 |
|
3 |
|
|
Klingspor Museum (Offenbach), 1964 |
|
4 |
|
|
Stadt Köln, 1973-1976 |
|
5 |
|
|
Kölnischer Kunstverein, 1962 |
|
6 |
|
|
Konowitz and Rashba, 1962 |
|
7 |
|
|
Kornfield and Klipstein (Bern), 1963-1966 |
|
8 |
|
|
Kovler Gallery (Chicago), 1966 |
|
9 |
|
|
Kunstarchiv Arntz (Haag), 1963-1964 |
|
10 |
|
|
Kunstgeschichtliches Institut Technische Hochschule
München, 1968-1973
|
|
|
|
|
(includes interview with JA) |
|
11 |
|
|
Kunstgewerbemuseum Zürich, 1967 |
|
12 |
|
|
Kunsthalle Bern, 1964 |
|
13 |
|
|
Kunsthalle Bielefeld, 1968-1975 |
|
14 |
|
|
Kunsthaus Hamburg, 1963 |
|
15 |
|
|
Kunsthaus Lempertz (Köln), 1963 |
|
16 |
|
|
Kunsthaus Zürich, 1969-1977 |
|
17 |
|
|
Kunstkreis (Luzern), 1972-1974 |
|
18 |
|
|
Kunstmuseum Basel, 1964 |
|
19 |
|
|
Kunstpädagogisches Zentrum (Nurnberg), 1969 |
|
20 |
|
|
Kunstsammlung Nordrhein-Westfalen Düsseldorf, 1969-1973 |
|
21(1) |
|
|
Kunstverein Berlin/Staatliche Museen Nationalgalerie, 1965 |
|
21(2) |
|
|
Kunstverein Hannover, 1968 |
|
22 |
|
|
Kunstverein München, 1970 |
|
23(1) |
|
|
Kunstverein für die Rheinlande und Westfalen, 1967 |
|
23(2) |
|
|
Lafayette College (Easton, PA), 1968 |
|
24-25 |
|
|
Landesgewerbeanstalt Bayern, 1970-1971 |
|
26 |
|
|
Landeshauptstadt Düsseldorf, 1968-1974 |
|
27-28 |
|
|
Wesfälisches Landesmuseum für Kunst
und Kulturgeschichte (Münster), 1964-1970
|
|
|
|
|
(includes photograph) |
Box |
Folder |
|
|
|
| 23 |
1 |
|
|
Wesfälisches Landesmuseum für Kunst
und Kulturgeschichte (Münster), 1968-1976, undated
|
|
2 |
|
|
Landkreis Unna, 1964 |
|
3 |
|
|
Landschaftverband Westphalen-Lippe (Münster), 1960-1971 |
|
4 |
|
|
Karl Robert Langewiesche, 1961 |
|
5 |
|
|
Langsam Galleries (Armdale, Australia), 1974 |
|
6 |
|
|
Eva Lee Gallery (Great Neck, NY), 1969 |
|
7 |
|
|
Sidney Lehrer C.P.A., 1965-1972 |
|
|
|
|
(regarding Sidney Janis Gallery account) |
|
8 |
|
|
Wilhelm Lembruck Museum der Stadt Duisberg, 1971-1974 |
|
9 |
|
|
Library of Congress, 1963-1967 |
|
10 |
|
|
London Arts Gallery, 1971-1972 |
Box |
Folder |
|
|
|
| OS1 |
1 |
|
|
Look Magazine, 1948
|
|
|
|
|
(includes tear sheet of January 15 article) |
Box |
Folder |
|
|
|
| 23 |
11 |
|
|
Look Magazine, 1951, 1965
|
|
12 |
|
|
Jeffrey H. Loria Collection (New York), 1967-1971 |
|
13 |
|
|
Los Angeles County Museum of Art, 1952-1962 |
|
14 |
|
|
Louisiana Centre and Museum of Contemporary Art
(Humblebaek, Denmark), 1970
|
|
15 |
|
|
Lowe Art Museum (Miami), 1974 |
|
16 |
|
|
Lukas Künstlerfarben und Maltuchfabrik
Düsseldorf, 1969
|
|
17 |
|
|
Magazine of Art, 1946
|
|
18 |
|
|
Maharishi International University (Fairfield, IA), 1975 |
|
19 |
|
|
Otto Maier Verlag, 1961 |
|
20 |
|
|
La Manufacture D'Aubusson, undated |
|
21 |
|
|
Marboro Books, 1970 |
|
22 |
|
|
Stadt Marl, 1975 |
|
23 |
|
|
Marlborough Fine Art (London), 1962-1964 |
|
24 |
|
|
Marlborough Gallery (New York), 1975 |
|
25 |
|
|
Maryland Institute (Baltimore), 1961-1967 |
|
26 |
|
|
Medical News Magazine, 1968
|
|
27 |
|
|
Meisner Edition, 1975 |
|
|
|
|
|
|
|
|
|
Metropolitan Museum of Art (New York) |
| Box |
Folder |
|
|
|
| 23 |
28 |
|
|
|
1954-1976 |
|
29 |
|
|
|
Department of Prints, 1968-1974, undated |
|
30 |
|
|
|
American Paintings and Sculpture, 1965-1976 |
|
31 |
|
|
|
Regarding rights and reproductions, 1970-1975 |
|
32 |
|
|
|
Regarding Junior Museum, 1972 |
|
33 |
|
|
|
Regarding "New York Painting and Sculpture
1940-1970", 1969-1970
|
|
34 |
|
|
|
Regarding Pillars, 1969-1970
|
|
35 |
|
|
|
Regarding "Josef Albers," exhibition, 1971-1972 |
Box |
Folder |
|
|
|
| 24 |
1 |
|
|
|
Regarding Red Orange
Wall screenprint reproduction for centennial series, 1970-1974
|
|
2 |
|
|
|
Regarding 100th Anniversary Medal design project, 1967 |
|
3 |
|
|
|
Regarding education, 1941, 1965-1973 |
|
4 |
|
|
|
Regarding Third International Biennale of Prints
(Florence), 1972
|
|
5 |
|
|
Michigan State University (East Lansing), 1962 |
|
6 |
|
|
Mickery (Amsterdam), 1968-1969 (includes photographs) |
|
7 |
|
|
Miller Company (Meriden, CT), 1945-1948 |
|
|
|
|
(includes contract and drawings) |
|
8 |
|
|
Milwaukee Art Center, 1966-1967, 1975 |
|
9 |
|
|
Milwaukee-Downer College, 1960 |
|
10 |
|
|
Minneapolis College of Art and Design, 1972 |
|
|
|
|
(includes photographs) |
|
11 |
|
|
Minneapolis School of Art, 1953, 1954 |
|
12 |
|
|
Boris Mirski Gallery (Boston), 1954, 1957 |
|
13 |
|
|
Modern Art Museum München (Villa Stuck), 1969 |
|
14 |
|
|
Moderna Museet (Stockholm), 1973-1974 |
|
15 |
|
|
Morgan State College (Baltimore), 1962 |
|
16 |
|
|
Multiples, 1966-1973, undated |
|
17 |
|
|
Munson Williams Proctor Institute (Utica, NY), 1950 |
|
18 |
|
|
Musées Royaux des Beaux-Arts de Belique, 1968 |
|
19 |
|
|
Museo Español de Contemporaneo (Madrid), 1971 |
|
20 |
|
|
Museu de Arte Contemporanea (São Paulo), 1970 |
|
21 |
|
|
Museu de Arte de Rio de Janeiro, 1955 |
|
22 |
|
|
Museum des 20 Jahrhunderts/Hamburger Kunsthalle, 1967-1979 |
|
23 |
|
|
Museum Boymans-van Beuningen (Rotterdam), 1966-1967 |
|
24(1) |
|
|
Museum of Contemporary Art (Chicago), 1972 |
|
24(2) |
|
|
Museum of Fine Arts, Boston, 1962-1966 |
|
25 |
|
|
Museum Folkwang Essen, 1960-1975 |
|
26 |
|
|
Museum des Kunsthandwerks Leipzig, 1965-1971 |
|
|
|
|
(includes negatives and photographs) |
|
|
|
|
|
|
|
|
|
Museum of Modern Art (New York) |
| Box |
Folder |
|
|
|
| 25 |
1 |
|
|
|
Johnson, Philip, 1934-1951 |
|
2 |
|
|
|
Barr, Alfred, 1938 |
|
3 |
|
|
|
Lieberman, William S., 1964-1969 |
|
4 |
|
|
|
Castleman, Riva and Elizabeth Shaw, 1969-1975 |
|
5 |
|
|
|
Various, 1952-1975 |
|
6 |
|
|
|
Regarding library, 1949-1975 |
|
7 |
|
|
|
Regarding Enso show, reproduction quality, 1952 |
|
8 |
|
|
|
Regarding "Homage to the Square" exhibition, 1963-1968 |
|
|
|
|
|
(includes photograph) |
|
9 |
|
|
|
Regarding "Recent American Painting" exhibition, 1966 |
|
10 |
|
|
|
Regarding "Two Decades of American Painting"
exhibition, 1966-1967
|
|
11 |
|
|
|
Regarding "Contemporary Painters and Sculptors as
Printmakers" exhibition, 1966-1968
|
|
12 |
|
|
|
Regarding "The Responsive Eye" exhibition, 1967-1968 |
|
13 |
|
|
|
Regarding Homage to the
Square: Herbs, 1965-1968
|
|
14 |
|
|
|
Regarding loans to U.S. Embassies, 1966-1969 |
|
|
|
|
|
(includes clippings) |
|
15 |
|
|
|
Regarding In the
Water, 1971
|
|
16 |
|
|
|
Loan agreements, receipts and royalty statements, 1961-1971 |
|
17 |
|
|
|
Junior Council, 1970 |
|
18(1) |
|
|
Museum of Non Objective Painting (New York), 1951 |
|
18(2) |
|
|
Museum of Science and Industry (Chicago), 1967 |
|
19 |
|
|
Museum of Primitive Art (New York), 1965 |
|
20 |
|
|
Museum der Stadt Wuppertal, 1969-1972 |
|
21 |
|
|
Museum Tel Aviv, 1956 |
|
22 |
|
|
Music and Art Series (Covington, Kentucky), 1966 |
|
23 |
|
|
National Art Education Association, 1971 |
|
24 |
|
|
National City Bank of New York, 1934 |
|
25 |
|
|
National Endowment on the Arts, 1967 |
|
26 |
|
|
National Foundation on the Arts and Humanities, 1967 |
|
27 |
|
|
National Gallery of Art, 1952-1976 |
|
28 |
|
|
National Museum of Modern Art, Tokyo, 1975 |
|
29 |
|
|
William Rockhill Nelson Gallery of Art, 1964 |
|
30 |
|
|
Neue Zürcher Zeitung (Zürich), 1973 |
|
31 |
|
|
New Canaan Outdoor Art Exhibit (New Canaan, CT), 1963 |
|
32 |
|
|
New Geometric Art Group, 1965 |
|
33 |
|
|
State of New York, 1970 |
|
34 |
|
|
New York Graphic Society, 1965-1973 |
|
35 |
|
|
New York Public Library, 1958-1967 |
|
36 |
|
|
Nierendorf Gallery and Estate (New York), circa 1940-1955 |
|
37 |
|
|
Ruth Nohl Galerie (Siegen), 1965, 1972 |
Box |
Folder |
|
|
|
| 26 |
1 |
|
|
North Carolina Museum of Art, 1961-1973 |
|
|
|
|
(includes photographs) |
|
2 |
|
|
North Carolina, Department of Archives and History, 1963-1973 |
|
3 |
|
|
North Carolina, Governor's Office, 1962 |
|
4 |
|
|
North Carolina Wesleyan College (Rocky Mount, NC), 1975 |
|
5 |
|
|
Nova Junior-Senior High School, 1966 |
|
6 |
|
|
Nova Scotia College of Art and Design, 1971 |
|
7 |
|
|
Nürnberg Kunsthalle, 1968-1973 |
|
8 |
|
|
Nürnberger Gobelin Manufaktur, 1970 |
|
9 |
|
|
Oakland Art Gallery (Oakland, CA), undated |
|
10 |
|
|
Karl Ernst Osthaus Museum/Stadt Hagen, 1962-1973 |
|
11 |
|
|
Otis Art Institute of Los Angeles County, 1967 |
|
12 |
|
|
Oudt Hollandse Olieverweg Makery, 1972 |
|
13 |
|
|
Overbeck Gesellschaft (Lübeck), 1963-1974 |
|
14 |
|
|
Ozenfant School of Fine Arts, 1941, 1946 |
|
15 |
|
|
Pace Gallery (New York), 1962-1969 |
|
16 |
|
|
Pasadena Art Museum (Pasadena, CA) 1967-1975 |
|
17 |
|
|
Pennsylvania State Univerisity (University Park, PA), 1972-1973 |
|
18 |
|
|
Philadelphia Museum of Art, 1952-1972 |
|
19(1) |
|
|
Phillips Collection, 1962 |
|
19(2) |
|
|
Phoenix Art Museum, 1967 |
|
20 |
|
|
Photo Lettering (New York), 1964 |
|
21 |
|
|
Plus, 1938 |
|
22 |
|
|
Pollock Gallery (Toronto), 1972-1975 |
|
|
|
|
(includes photographs) |
|
23 |
|
|
Portland Museum of Art (Portland, ME), 1969 |
|
24 |
|
|
Poster Originals, 1968 |
|
25 |
|
|
Prestel Verlag (München), 1958-1962 |
|
26 |
|
|
Princeton University (Princeton, NJ), 1970-1973 |
|
27 |
|
|
Print Club (Philadelphia), 1967-1968 |
|
28 |
|
|
Print Council of America, 1961-1963 |
Box |
Folder |
|
|
|
| 27 |
1 |
|
|
Propyläen Verlag Berlin, 1972-1976 |
|
2 |
|
|
Radiodiffusion-Télévision
Française, 1971-1973
|
|
3 |
|
|
George Rainbird Limited, 1964-1965 |
|
4 |
|
|
Rembrandt Verlag, 1965 |
|
5 |
|
|
Reynolds Metals Company, 1961 |
|
6(1) |
|
|
Rheinisches Landesmuseum (Bonn), 1974 |
|
6(2) |
|
|
Rhode Island School of Design, undated |
|
7 |
|
|
Rice University (Houston), 1973 |
|
8 |
|
|
Rockefeller Center, 1963-1969 |
|
9 |
|
|
Rosc/The Poetry of Vision (Dublin), 1971 |
|
10 |
|
|
Earl Rowland Foundation (New York), 1971 |
|
11(1) |
|
|
Royal Society of Arts, 1969-1974 |
|
11(2) |
|
|
Rugoff Theatres, 1961 |
|
12 |
|
|
Ruhr University (Bochum), 1968 |
|
13 |
|
|
Russell Sage College (Troy, NY), 1968 |
|
14 |
|
|
St. Paul Art Center (St. Paul, MN), 1963 |
|
15 |
|
|
St. Peter's College (Oxford), 1970 |
|
16(1) |
|
|
San Antonio Art Institute, 1966 |
|
16(2) |
|
|
São Paulo, undated |
|
17 |
|
|
San Francisco Museum of Art, 1965-1975 |
|
18(1) |
|
|
Saturday Evening Post, 1961
|
|
|
|
|
Savage Friedman, |
|
|
|
|
[see Box 17 Folder 19] |
|
18(2) |
|
|
Dr. Fr. Schoenfeld and Company, 1965 |
|
19 |
|
|
Schöner Wohnen, 1971-1972 |
|
20 |
|
|
Schwarz, galleria d'arte (Milan), 1962 |
|
21 |
|
|
Schwitter Ltd. (Basel), 1962 |
|
22 |
|
|
Seattle Art Museum, 1973 |
|
23 |
|
|
Jacques Seligmann Galleries (New York), 1951 |
|
24 |
|
|
Sekai Magazine (Iwanami Shoten Publishers), 1964 |
|
25 |
|
|
Silvermine College of Art (New Canaan, CT), 1969 |
|
26 |
|
|
Sirocco Screenprints (North Haven, CT), 1968, 1970 |
|
27 |
|
|
Skidmore College (Saratoga Springs, NY), 1959 |
|
28 |
|
|
Skowhegan School of Painting and Sculpture (Skowhegan,
ME), 1973-1974
|
|
29 |
|
|
Smith College of Art and Museum of Art, 1963-1967 |
|
30 |
|
|
Smithsonian Institution (Washington, DC), 1963-1971 |
|
31 |
|
|
Sociedad de Arte Contemporaneo (Santiago, Chile), 1969 |
|
32 |
|
|
Sociéte Internationale d'Art XXe
Siècle (Paris), 1965-1973
|
|
33 |
|
|
Society for Contemporary American Art (Chicago), 1965 |
|
34 |
|
|
Sonnabend Gallery (New York), 1970 |
|
35 |
|
|
Stadt Soest, 1964-1966 |
|
36 |
|
|
Sotheby Parke Bernet (New York), 1972-1974 |
|
37 |
|
|
Southern Illinois University (Carbondale, IL), 1961 |
|
38 |
|
|
Staatliche Museum Preussischer Kulturbesitz (Berlin), 1967-1974 |
Box |
Folder |
|
|
|
| 28 |
1 |
|
|
Stäatl. Vestisches Gymnasium Bottrop, 1969-1971 |
|
2-3 |
|
|
Städtische Kunsthalle Düsseldorf, 1970 |
|
|
|
|
(includes lists) |
|
4 |
|
|
Städtische Kunstsammlungen (Nurnberg), 1970-1971 |
|
5 |
|
|
Städtisches Kunstgalerie (Bochum), 1963-1972 |
|
6 |
|
|
Städtisches Museum Leverkusen Schloss
Morsbroich, 1961-1963
|
|
7 |
|
|
Städtisches Museum Mönchengladbach, 1973-1974 |
|
8 |
|
|
Staempfli Gallery, 1965-1966 |
|
9 |
|
|
State University of New York at Albany, 1973-1975 |
|
|
|
|
(regarding To Open Eyes) [see
Box 2 Folder 50 and Box 5 Folder4]
|
|
10 |
|
|
State University of New York at Binghamton, 1973 |
|
11 |
|
|
State University of New York at Oswego, 1972 |
|
12 |
|
|
Stedelijk Museum (Amsterdam), 1961-1967 |
|
13 |
|
|
Stedelijke Akademie vor Schone Kunsten en Vormgeving
(Genk), 1969-1970
|
|
14 |
|
|
Structurist, 1963-1964
|
|
15 |
|
|
Students' International Meditation Society, 1975 |
|
16 |
|
|
Süddeutscher Rundfunk (Stuttgart), 1967-1968 |
|
17 |
|
|
Tabard Frères and Soeurs, 1966-1970 |
|
|
|
|
(includes paint and fabric samples) |
|
18 |
|
|
Tanglewood Gallery (New York/Stockbridge, MA), 1963 |
|
19 |
|
|
Tanglewood Press (New York), 1965 |
|
20 |
|
|
Tate Gallery (London), 1964-1968 |
|
21 |
|
|
J. Walter Thompson Company, 1963 |
|
22 |
|
|
Time, 1964, 1971
|
|
23 |
|
|
Toledo Museum of Art, 1948, 1957 |
|
24 |
|
|
Toninelli Arte Moderna (Milan), 1961-1972 |
Box |
Folder |
|
|
|
| 29 |
1 |
|
|
Universidad Catolica de Chile (Santiago), 1958-1960 |
|
2 |
|
|
Universidad Nacional de Ingenieria (Lima, Peru), 1964 |
|
3 |
|
|
University of Bridgeport (Bridgeport, CT), 1965-1972 |
|
|
|
|
(regarding JA's time as Albert Dorne Professor of
Drawing)
|
|
4 |
|
|
University of California at Berkeley, 1963-1976 |
|
5 |
|
|
University of California at Los Angeles, 1973 |
|
6 |
|
|
University of California at Santa Barbara, 1962 |
|
7 |
|
|
University of California at Santa Cruz, 1966 |
|
8 |
|
|
University of Hartford (Hartford, CT), 1965-1969 |
|
9 |
|
|
University of Havana (Cuba), 1970, 1972 |
|
10 |
|
|
University of Illinois (Champaign-Urbana), 1952-1969 |
|
11 |
|
|
University of Miami, 1961-1964 |
|
12 |
|
|
University of Michigan (Ann Arbor), 1959-1964 |
|
13 |
|
|
University of North Carolina at Asheville, 1973 |
|
14 |
|
|
University of North Carolina at Chapel Hill, 1972 |
|
15 |
|
|
University of Notre Dame (Notre Dame, IN), 1966 |
|
16 |
|
|
University of Pennsylvania (Philadelphia), 1961 |
|
17 |
|
|
University of St. Thomas (Houston), 1966 |
|
19 |
|
|
University of South Florida (Tampa), 1966 |
|
20 |
|
|
University of Southern California (Los Angeles), 1968 |
|
21 |
|
|
University of Texas at Austin, 1946, 1965-1971 |
|
18 |
|
|
University São Paulo (Museum of Contemporary Art), 1939 |
|
22 |
|
|
Union Carbide, 1962-1970 |
|
|
|
|
(regarding Variant: On
Tideland)
|
|
23 |
|
|
Union College (Schenectady, NY), 1970 |
|
|
|
|
(regarding Arnold Bittleman's tenure at Union College) |
|
24 |
|
|
United States Atomic Energy Commission, 1964 |
|
25 |
|
|
Union Trust, 1971 |
|
26 |
|
|
United States Department of Agriculture, Federal
Extension Service, 1963-1964
|
|
27 |
|
|
United States Director of Customs, 1934 |
|
|
|
|
(regarding personal items arriving from German) |
|
28 |
|
|
Embassy of the United States of America, 1968 |
|
|
|
|
(regarding Sergio Larraine) |
|
29 |
|
|
United States Information Agency, 1968 |
|
30 |
|
|
United States Plywood, 1963 |
|
31 |
|
|
Stadt Unna, 1968 |
|
32 |
|
|
Utah State University Galleries (Logan, Utah), 1975 |
|
33 |
|
|
Vassar College Art Gallery (Poughkeepsie, NY), 1959 |
|
34 |
|
|
Victoria and Albert Museum (London), 1966-1967 |
|
35 |
|
|
Virginia Museum of Fine Arts (Richmond, VA), 1950-1966 |
|
36 |
|
|
Visual Arts Gallery (New York), 1970 |
|
37 |
|
|
Visual Commonwealth Society of Pittsburgh, 1966-1967 |
|
38 |
|
|
Vogue, 1964
|
|
39 |
|
|
Wadsworth Atheneum, 1956-1963 |
|
40 |
|
|
Günther Wagner (Hannover), 1963 |
|
41 |
|
|
Bertha Jordan van Heek Stiftung, 1969-1970 |
|
42 |
|
|
Vereinigte Farbenglaswerke Aktiengesellschaft, 1962 |
|
43 |
|
|
Verlag Aurel Bongers, 1974 |
|
44 |
|
|
Verlag Gerd Hatje, 1967 |
Box |
Folder |
|
|
|
| 30 |
1 |
|
|
Verlag Philipp Reclam, 1971-1972 |
|
2 |
|
|
Verlag M. DuMont Schauberg, 1967-1972 |
|
|
|
|
(includes tear sheet of Künstlerbriefe) |
|
3 |
|
|
Verlag Ullstein, 1972 |
|
4 |
|
|
Walker Art Center (Minneapolis), 1974 |
|
5 |
|
|
Washington Gallery (St. Louis), 1971 |
|
6 |
|
|
Washington Gallery of Modern Art (Washington, DC), 1965-1986 |
|
|
|
|
(includes typescript draft with handwritten corrections of
"Josef Albers: The American Years" catalog)
|
|
7 |
|
|
Washington State University (Pullman, WA), 1972 |
|
8(1) |
|
|
Werk und Zeit 5, 1957-1965
|
|
8(2) |
|
|
Werkkunstschule Wiesbaden, 1961 |
|
|
|
|
(includes letter to Hans Wingler from Weber) |
|
9 |
|
|
Westfalischer Kunstverein (Münster), 1961-1968 |
|
10 |
|
|
Wheaton College (Norton, MA), 1975 |
|
|
|
|
(includes unidentified writing on Albers) |
|
11 |
|
|
Whitney Museum of American Art (New York), 1956-1974 |
|
12 |
|
|
Wichita State University, 1971 |
|
13 |
|
|
Wiggin and Dana1965-1969, |
|
|
|
|
(includes list of works in Stadt Galerie Bochum) |
|
14 |
|
|
Nicholas Wilder Gallery (Los Angeles), 1967 |
|
15 |
|
|
Kaiser Wilhelm Museum/Museum Haus Lange (Krefeld,
Germany), 1962-1975
|
|
16 |
|
|
Sir George Williams University (Montreal), 1970 |
|
|
|
|
(includes questionnaire with JA's answers) |
|
17 |
|
|
H.W. Wilson Company, 1959-1962 |
|
|
|
|
(regarding Contemporary American
Artists and Current Biography)
|
|
18 |
|
|
Henry Francis de Pont Winterthur Museum (Winterthur, DE), 1966 |
|
19 |
|
|
Witwatersrand University Press, 1959 |
|
20 |
|
|
Woodward Foundation (Washington, DC), 1962-1970 |
|
21 |
|
|
Wurttembergischer Kunstverein, 1967-1968 |
|
22 |
|
|
XYLON (International Society of Wood Engravers) (Zürich), 1966-1973 |
|
|
|
|
Yale University |
| Box |
Folder |
|
|
|
| 30 |
23 |
|
|
|
Yale Arts Association, 1972 |
|
24 |
|
|
|
Brewster, Kingman 1974 |
|
25 |
|
|
|
Weaver, Howard, 1967-1971 |
|
|
|
|
|
(includes Report to the President: Studies in the Visual
Arts in the University, January 9 1970)
|
|
26 |
|
|
|
Library, 1960-1975 |
|
27 |
|
|
|
Art Gallery, 1960-1975 |
|
|
|
|
|
(includes lists of prints gifted in 1961 and materials
regarding 1965 retirement exhibition)
|
|
28 |
|
|
|
Art Library, 1963-1976 |
|
|
|
|
|
(regarding JA's gifts to library) |
|
29 |
|
|
|
Yale University Press, 1956-1974 |
|
30 |
|
|
|
School of Art and Architecture, 1964, 1974 |
|
31 |
|
|
|
Trumbull College, 1975 |
|
32 |
|
|
Zabriskie Gallery (New York), 1972 |
|
|
|
|
(includes untitled and unidentified 1944 poem for JA) |
|
33 |
|
|
Third party correspondence, 1945, 1975 |
|
|
|
Subseries C. Correspondence between Josef and Anni Albers, 1935-1960, undated |
|
|
|
|
From Josef to Anni Albers |
| Box |
Folder |
|
|
|
| 31 |
1 |
|
|
|
1935 |
|
2 |
|
|
|
1936-1938 |
|
3 |
|
|
|
1939 |
|
4 |
|
|
|
1940 |
|
5-6 |
|
|
|
1941 |
|
7 |
|
|
|
1942 |
|
8 |
|
|
|
1943 |
|
9 |
|
|
|
1944 |
|
10 |
|
|
|
1945 |
|
11 |
|
|
|
1946 |
|
12 |
|
|
|
1948 |
|
13 |
|
|
|
1949 |
|
14 |
|
|
|
1952 |
|
15 |
|
|
|
1953 |
|
16 |
|
|
|
1954 |
|
17 |
|
|
|
1955 |
|
18 |
|
|
|
1958 |
|
19 |
|
|
|
1959 |
|
20 |
|
|
|
1960 |
|
21 |
|
|
|
Undated [from 1930s] |
|
|
|
|
From Anni to Josef Albers |
| Box |
Folder |
|
|
|
| 31 |
22 |
|
|
|
1953-1954 |
|
23 |
|
|
|
1955 |
|
24 |
|
|
|
Undated |
|
|
|
Subseries D. Birthday Correspondence, 1958-1975 |
Box |
Folder |
|
|
|
| 32 |
1-3 |
|
|
70th Birthday, 1958 |
Box |
Folder |
|
|
|
| OS1 |
1(2) |
|
|
70th Birthday, 1958 |
Box |
Folder |
|
|
|
| 32 |
4 |
|
|
75th Birthday, 1963 |
|
5 |
|
|
80th Birthday, 1968 |
Box |
Folder |
|
|
|
| OS1 |
1(3) |
|
|
80th Birthday, 1968 |
Box |
Folder |
|
|
|
| 32 |
6 |
|
|
85th Birthday, 1973 |
|
7 |
|
|
87th Birthday, 1976 |
|
8 |
|
|
Undated |
|
|
|
Subseries E. Correspondence with German Officials, 1925-1938, undated |
Box |
Folder |
|
|
|
| 33 |
1 |
|
|
1925 |
|
2 |
|
|
1932 |
|
3 |
|
|
1933 |
|
4 |
|
|
1934 |
|
5 |
|
|
1935 |
|
6 |
|
|
1936 |
|
7 |
|
|
1937-1938 |
|
8 |
|
|
Undated |
|
|
|
|
(includes Application for a Certificate of Arrival and
Preliminary Form for Petition for Citizenship)
|
|
|
|
Subseries F. Permissions, 1950-1976 |
Box |
Folder |
|
|
|
| 33 |
9 |
|
|
A-K |
|
10 |
|
|
M-Z |
|
11 |
|
|
Harry N. Abrams, Inc., 1971-1973 |
|
12 |
|
|
Armstrong Floors, 1960-1961 |
|
|
|
|
(includes A Portfolio of Mid-Twentieth
Century Architectural Interiors)
|
|
13 |
|
|
Chadwyck-Healy, 1975 |
|
14 |
|
|
Form, 1967
|
|
15 |
|
|
Fratelli Fabbri Editori, 1967-1970 |
|
16 |
|
|
Prentice-Hall, 1974-1975 |
|
17 |
|
|
Suhrkamp Verlag, 1962-1966 |
|
18 |
|
|
Verlagsgruppe Bertelsmann, 1969-1973 |
|
|
Series II. Professional Papers, 1925-1976 |
|
|
|
Subseries A. Teaching, 1925-1976, undated |
|
|
|
|
Bauhaus, Weimar and Dessau |
|
|
|
|
[see VIII. Subject Files, Bauhaus Box 97] |
| Box |
Folder |
|
|
|
| 34 |
1 |
|
|
|
Correspondence, 1930-1933 |
|
|
|
|
|
(Primarily regards JA's academic rank, focusing on when
he was granted the title of professor and why he was not
informed; includes meeting minutes, affadavits,
handwritten notes and printed material)
|
|
2 |
|
|
|
Letter to Mies van der Rohe setting out conditions
for Bauhaus reopening, July 21 1933
|
|
3 |
|
|
|
Bauhaus course descriptions, 1927, 1929, undated |
|
4 |
|
|
|
Correspondence with Hannes Meyer, 1928, 1931, 1933 |
|
|
|
|
|
(includes letter regarding employment contract at
Dessau)
|
|
5 |
|
|
|
Bauhaus Dessau buildings, undated |
|
|
|
|
|
(clipping and postcard with handwritten descriptions) |
|
6 |
|
|
|
Bauhaus Zeitschrift für
Gestaltung, no. 1, 1931
|
|
|
|
|
|
(includes JA’s "Kombinationsschrift 3," with handwritten
notes)
|
|
7 |
|
|
|
Bauhausler addresses and lists, undated |
|
8 |
|
|
|
Letter from George Schmidt from Kassel about Gestalt, 1930 |
|
|
|
|
|
(includes typed notes regarding color effects and
contrast)
|
|
9 |
|
|
|
Statements by Hannes Meyer regarding Zeiss Ikon AG, October 28 1929 |
|
10 |
|
|
|
Clipping regarding work contribution for Bauhaus
lottery, February 15 1933
|
|
|
|
|
|
(includes typed notes regarding color effects and
contrast)
|
|
11 |
|
|
|
Documents regarding JA’s teaching position, 1925-1932 |
|
12 |
|
|
|
Letters regarding the closing of the Bauhaus, 1933 |
|
|
|
|
|
(includes photograph)
|
|
13 |
|
|
|
Meeting minutes, photocopy, July 20 1933 |
|
14 |
|
|
|
Bauhaus portfolios pamphlet by Heinz Peters, 1958, undated |
|
|
|
|
|
(includes letter) |
Box |
Folder |
|
|
|
| 89 |
37 |
|
|
|
Pamphlet 3.
Geisteswissenschaftlicher Kongress der Landeshauptstadt
Mönchen “Die Zwanziger Jahre,” Nov 21-25 1960
|
|
|
|
|
|
|
|
|
|
Black Mountain College, 1933-1970 |
|
|
|
|
|
Correspondence |
| Box |
Folder |
|
|
|
| 38 |
1 |
|
|
|
|
Josef Albers and Anni Albers' first letter to
friends in Germany, December 6 1933
|
|
2 |
|
|
|
|
1935 |
|
3 |
|
|
|
|
1937 |
|
4 |
|
|
|
|
1938-1941 |
|
5 |
|
|
|
|
1942-1946 |
|
6 |
|
|
|
|
1947 |
|
|
|
|
|
|
(includes Report of Committee on the Deficit) |
|
7 |
|
|
|
|
1948 |
|
8 |
|
|
|
|
1949 |
|
9 |
|
|
|
|
1950-1957 |
|
10 |
|
|
|
|
1967-1970 |
|
|
|
|
|
|
(regarding Black Mountain College) |
|
11 |
|
|
|
Letter from Kenneth Kurtz to Josef Albers regarding
JA's poetry, undated
|
|
12 |
|
|
|
Architecture and grounds, remarks, reports and map, 1945, 1948, undated |
|
13 |
|
|
|
Fundraising memos and report, 1943-1954 |
|
14 |
|
|
|
College report, undated |
|
15 |
|
|
|
Report by Ted Dreier, May 10 1949 |
|
16 |
|
|
|
Report by Fred Schwartz, undated |
|
17 |
|
|
|
College farm report, undated |
|
18 |
|
|
|
List of faculty participating in art courses, 1939-1940 |
|
19 |
|
|
|
Lists of 1944-1948 summer faculty, undated |
|
20 |
|
|
|
List of graduates, 1948 |
|
21 |
|
|
|
Fortune article on higher education and wartime,
questionnaires and responses, 1942
|
|
22 |
|
|
|
Financial reports and memos, 1938-1949, undated |
Box |
Folder |
|
|
|
| OS20 |
1 |
|
|
|
Faculty finances spreadsheet, undated |
Box |
Folder |
|
|
|
| 38 |
23 |
|
|
|
Pension and salary, memos and lists, 1949, undated |
|
24 |
|
|
|
Teaching appointment announcement, 1934 |
|
25 |
|
|
|
Draft of JA resignation as member of Board of Fellows
and rector, circa May 1949
|
|
26(1) |
|
|
|
Memo to the faculty of Black Mountain College
regarding JA resignation as member of Board of Fellows and
rector, March 14 1949
|
|
26(2) |
|
|
|
Telegram, memo and meeting notes regarding Ted
Dreier's resignation, 1949
|
|
27 |
|
|
|
Notes on Kenneth Kurtz and Erwin Straus, undated |
|
28 |
|
|
|
"As to the suggestions made for the reorganization of
Black Mountain College," undated
|
|
29 |
|
|
|
Sample contract for Introductory Psychology, 1946 |
|
30 |
|
|
|
Community Council Constitution, undated |
|
31 |
|
|
|
Unidentified writing on the belief and aim of Black
Mountain, undated
|
|
32 |
|
|
|
Teaching notes for JA's "Drawing" course, February 10 1941 |
|
33 |
|
|
|
Teaching notes for JA's "Seeing Art" course, March 1943 |
|
34 |
|
|
|
Art courses and descriptions, undated |
|
35 |
|
|
|
Examination questions, 1936-1948, undated |
|
36 |
|
|
|
Aims of Black Mountain College, undated |
Box |
Folder |
|
|
|
| OS20 |
2 |
|
|
|
Card for JA from students, 1948 |
Box |
Folder |
|
|
|
| 39 |
1 |
|
|
|
Student government constitution, 1942 |
|
2 |
|
|
|
Faculty appointment policies, November 14 1944 |
|
3 |
|
|
|
By-laws, 1947, undated |
|
4 |
|
|
|
Board of Trustees, report and addresses, and meeting
minutes, 1945-1949, undated
|
|
5 |
|
|
|
Meeting minutes, 1945-1949, undated |
|
6 |
|
|
|
Meeting itinerary, undated |
|
7 |
|
|
|
Unidentified writing regarding John Andrew Rice's
resignation, March 2 1940
|
|
8 |
|
|
|
New emblem announcement leaflet by JA, March 1935 |
|
9 |
|
|
|
Mark Dreier eulogy by JA, typescript and carbons with
handwritten corrections, October 1941
|
|
|
|
10 |
|
|
|
Statements and writings on the war and Black Mountain
College ("Education in Times of Crisis" by Erwin Straus,
"Tentative Proposals regarding the college and its relation
to the war" and untitled), undated
|
|
11 |
|
|
|
Untitled radio interview with JA, Erwin Straus and
Bob Wunsch. Typescripts, carbons and mimeographs with
handwritten corrections, March 13 1944
|
|
|
|
|
|
Statements and writings of others on Black Mountain
College
|
|
12 |
|
|
|
|
From a letter of John Dewey's, 1940 |
|
12 |
|
|
|
|
Reflections on some recent conversations, by Ted
Dreier, undated
|
|
12 |
|
|
|
|
Albert Einstein's remarks to Black Mountain
College at Lake Eden, with handwritten note to JA by Bob
Wunsch, undated
|
|
12 |
|
|
|
|
"Black Mountain College: The Years 1933 to 1942,
Reminisces by John Evarts," fragment, undated
|
|
12 |
|
|
|
|
Selection from a lecture by Walter Gropius, August 28 |
|
12 |
|
|
|
|
Untitled by Heinrich Jalowetz, undated |
|
12 |
|
|
|
|
"Black Mountain College Project" by Leverett
Smith, Jr., undated
|
|
12 |
|
|
|
|
"The Dead Letter and the Living Word" by Erwin
Straus, December 1940
|
|
12 |
|
|
|
|
"A Note on Democracy as a Social Climate" by John
Wallen, January 1945
|
|
|
|
|
|
|
|
Writings by Josef Albers |
|
13(1) |
|
|
|
|
"A Second Forward," continuation of 1933-1934
"Forward," typescripts and carbons with handwritten
corrections, December 1936
|
|
13(2) |
|
|
|
|
"Simply on Education," portion of "A Second
Forward," typescript carbon, 1936
|
|
14 |
|
|
|
|
"Art at Black Mountain College" for Junior Bazaar, typescript
carbons with handwritten notes, December-January
1945-1946 and handwritten note on published photo,
unidentified, December-January 1945-1946
|
|
15 |
|
|
|
|
Heinrich Jalowetz eulogy, handwritten, 1946 |
|
16 |
|
|
|
|
"Modern Education Can Be Realistic," catalog
draft with photographs, circa 1943
|
|
17 |
|
|
|
|
"Continuation of the Bauhaus in the USA: Black
Mountain College," undated
|
|
18 |
|
|
|
|
"The Story of Black Mountain College," undated |
|
|
|
|
|
|
|
Speeches by Josef Albers, |
|
19(1) |
|
|
|
|
"Abstract Art," Asheville NC. Handwritten draft,
typescript carbons with handwritten notes, August 1935
|
|
19(2) |
|
|
|
|
"Truthfulness in Art." Typescript and photocopy, 1937 |
|
20 |
|
|
|
|
Untitled, Black Mountain College luncheon,
Harvard University. Typescript carbons with handwritten
corrections, April 29 1938
|
|
|
|
|
|
|
[see Box 79 Folder 3] |
|
21 |
|
|
|
|
Untitled, Black Mountain College luncheon,
Cosmopolitan Club (New York). Typescript and carbons
with handwritten corrections, December 9 1938
|
|
22 |
|
|
|
|
Untitled, Black Mountain College Tea, Harvard
University. Typescript carbons, December 15 1938
|
|
23 |
|
|
|
|
"Concerning Abstract Art," Greensboro Art Center,
(Greensboro, NC). Typescript carbons with handwritten
corrections and notes, Spring 1939
|
|
24(1) |
|
|
|
|
"On Stage Design," Black Mountain College State
Group. Typescript carbons, September 27 1939
|
|
24(2) |
|
|
|
|
Untitled, Black Mountain College first general
meeting of 1939. Typescript carbons with handwritten
corrections, September 12 1939
|
|
25 |
|
|
|
|
Untitled, Black Mountain College meeting, Museum
of Modern Art (New York). Typescripts, carbons and
mimeograph with handwritten corrections, January 9 1940
|
|
16 |
|
|
|
|
"The Meaning of Art," Black Mountain College.
Typescripts and carbon with handwritten corrections, May 6 1940
|
Box |
Folder |
|
|
|
| 40 |
1 |
|
|
|
|
Untitled speech, Black Mountain College meeting,
New York, typescripts, June 12 1940
|
|
2 |
|
|
|
|
Untitled speech, Black Mountain College first
general meeting of 1941, typescript carbons, September 1941
|
|
3 |
|
|
|
|
"On Education," Black Mountain College first
general meeting of 1945, typescripts and carbons with
handwritten notes, October 6 1945 (includes postcard
from The Society for the Advancement of Education, May
24 1946) October 6 1945
|
|
4 |
|
|
|
|
"On Seeing Art," Black Mountain College Art Club,
handwritten, June 3 1948
|
|
5 |
|
|
|
|
Untitled speech, Black Mountain College first
general meeting of 1948, handwritten, September 11 1948
|
|
6 |
|
|
|
|
"Art Instruction at Black Mountain College,"
written for the National Society for the Study of
Education Agencies of Technical Art Education,
typescript carbons with handwritten corrections, January 1940
|
|
7 |
|
|
|
|
Untitled speech, School of the Museum of Fine
Arts (Boston), handwritten draft, undated
|
|
8 |
|
|
|
|
Untitled, Black Mountain College meeting at the
Mr. and Mrs. Wiener residence (New York). Typescript
carbon, undated
|
|
9 |
|
|
|
|
Untitled speech, Black Mountain College summer
session opening, handwritten, undated
|
|
10 |
|
|
|
|
"Manual Work and Handicraft and Their
Relationship to Future Architecture," handwritten, undated
|
|
11 |
|
|
|
|
Untitled handwritten drafts on order and
cleanliness at Black Mountain College, undated
|
|
12 |
|
|
|
|
Untitled speech, first general meeting, undated |
|
13 |
|
|
|
Writings on Black Mountain College, undated |
|
14 |
|
|
|
Si Sillman's course notes from JA's color, design and
structural sculpture courses, 1948-1949
|
|
15 |
|
|
|
Harry Seidler's course notes from JA's color and
design courses, 1942
|
|
|
|
|
|
|
|
Printed materials |
|
16 |
|
|
|
|
"Tentative program for 1949-1950," January 1 1949 |
|
17-18 |
|
|
|
|
Black Mountain College Bulletins |
|
19 |
|
|
|
|
Catalogs |
|
20 |
|
|
|
|
Brochures |
|
21 |
|
|
|
|
Postcards |
|
22 |
|
|
|
|
Thanksgiving activity flyer, November 28 1940 |
Box |
Folder |
|
|
|
| 41 |
1 |
|
|
|
|
Design, April 1946
|
|
2 |
|
|
|
|
Letter to editor by JA, unidentified publication, undated |
|
3 |
|
|
|
|
Articles on Black Mountain College |
Box |
Folder |
|
|
|
| OS1 |
2-9 |
|
|
|
|
Articles on Black Mountain College |
Box |
Folder |
|
|
|
| 118 |
1-2 |
|
|
|
|
Articles on Black Mountain College |
Box |
Folder |
|
|
|
| OS20 |
3-5 |
|
|
|
|
Articles on Black Mountain College |
Box |
Folder |
|
|
|
| 41 |
4 |
|
|
|
Songs for JA, "Albers' Song" (1944) and
"Matière Song, 1944, undated
|
|
5(1) |
|
|
|
Songs of Black Mountain College, undated |
|
5(2) |
|
|
|
Photograph sleeve and post office receipts, undated, 1948 |
|
|
|
|
Hochschule für Gestaltung (HfG), Ulm, 1953-1968 |
|
|
|
|
|
Correspondence |
| Box |
Folder |
|
|
|
| 35 |
1 |
|
|
|
|
Aicher-Scholl, Inge, 1953-1964 |
|
|
|
|
|
|
(includes clipping on Aicher-Scholl) |
|
2 |
|
|
|
|
Albers, Ingela, 1954 |
|
3 |
|
|
|
|
Bäumler, Gisela, 1963-1967 |
|
4 |
|
|
|
|
Bill, Max, 1953-1955 |
|
5 |
|
|
|
|
Bonsiepe, Gui, 1963-1967 |
|
6(1) |
|
|
|
|
Goldring, Maurice, 1955 |
|
6(2) |
|
|
|
|
Gomringer, Eugen, undated |
|
7 |
|
|
|
|
Kietermann, Renate, 1964 |
|
8 |
|
|
|
|
Krampen, Martin, 1954, 1965, undated |
|
|
|
|
|
|
(regarding film on JA teaching) |
|
9 |
|
|
|
|
Maldonado, Tomás, 1963-1964 |
|
10 |
|
|
|
|
Rosner, Johanna, 1954, 1963 |
|
11 |
|
|
|
|
Postcard from students for Christmas and New
Year, circa 1955-1956
|
|
12 |
|
|
|
|
Materials regarding JA's position at HfG through
Exchange of Persons Headquarters, Office of Public
Affairs, 1953
|
|
13 |
|
|
|
|
Miscellaneous notes and documents regarding HfG, 1953-1955, undated |
|
14 |
|
|
|
|
Statements on HfG by students and teachers, 1963, 1968 |
|
15 |
|
|
|
|
"Report on a Course in Basic Drawing, Design and
Color Given at the Hochschule für Gestaltung in Ulm,"
U.S. Specialist Report by JA, January 20 1954
|
|
16 |
|
|
|
|
"Report Albers," Summer 1955 |
|
17 |
|
|
|
|
"My Courses at Ulm," by JA in Form, April 4 1967 |
|
|
|
|
|
|
(includes "Albers' Graphic Tectonics," by Irving
Finkelstein)
|
|
18 |
|
|
|
|
Printed materials on HfG, 1953-1968, undated |
Box |
Folder |
|
|
|
| OS21 |
2(1) |
|
|
|
Printed materials on HfG, 1955-1958 |
Box |
Folder |
|
|
|
| 36 |
|
|
|
|
Ulm 6, 7, 8/9,
10/11, 12/13, 14/15/16, 17/18, special print from 8/9,
12/14,
|
|
|
|
|
Yale University, 1941-1968, undated |
|
|
|
|
|
Correspondence |
| Box |
Folder |
|
|
|
| 41 |
6 |
|
|
|
|
Yale University School of Architecture and
Design/Art and Architecture (includes 1961 student
petition for JA to return as visiting painting critic
for 1961-1962), 1957-1962
|
|
7 |
|
|
|
|
Letter to Mrs. T. Dixon Walker regarding son Brad
Walker, May 16 1958
|
|
8 |
|
|
|
|
Letters of recommendation for students, includes
handwritten notes, 1960-1961
|
|
9(1) |
|
|
|
"Ten Commandments for Color Course," typescript
carbon, undated
|
|
9(2) |
|
|
|
Notes on Yale, handwritten, undated |
|
10(1) |
|
|
|
Instructor appraisal form and anonymous report on JA
by student, May 1955, undated
|
|
10(2) |
|
|
|
Statement on drawing and painting class exhibition, undated |
|
|
|
|
|
Printed Materials |
|
11 |
|
|
|
|
"Bulletin of Yale University: Division of the
Arts" Series 49 No. 2, January 15 1953
|
|
12 |
|
|
|
|
"A Portfolio of Student Work from The School of
Design at Yale University," (contains JA's "The Origin
of Art"), circa 1955
|
|
13 |
|
|
|
|
"Art at Yale," reprinted from Yale Alumni Magazine
(contains JA's "To design is to plan and organize" and
"Art and General Education," a compilation of excerpts
from a radio interview), April 1958
|
|
14(1) |
|
|
|
|
Yale Alumni
Magazine, 1941
|
|
14(2) |
|
|
|
|
Yale News "Josef
Albers, Teacher and Artist," by Richard Rhodes,
clipping, April 25 1958
|
|
15 |
|
|
|
|
Yale University Art
Gallery Bulletin with "A Tribute to Albers,"
by Will Grohmann, Vol. 24 No. 2, October 1958
|
|
16 |
|
|
|
|
Yale Literary
Magazine "The Lit's Salute to Albers," (on the
occasion on JA's 70th birthday), April 1958
|
|
17(1) |
|
|
|
|
Yale Literary
Magazine (contains JA poems), Spring 1960
|
|
17(2) |
|
|
|
|
The Yale
Undergraduate, Spring 1960
|
|
18(1) |
|
|
|
|
"Art and the Artist: Three Questions," from
Best of Yale Literary
Magazine 1836-1961, photocopy, 1961
|
|
18(2) |
|
|
|
|
"Quid Tum: The Graduate Program in the History of
Art at Yale University," (cover by JA), undated
|
|
19 |
|
|
|
|
Eye press release
(dedicated to JA's 80th birthday), clipping photocopies
and unidentified fragment, April 1948
|
Box |
Folder |
|
|
|
| OS1 |
10 |
|
|
|
|
Eye, April 1968
|
Box |
Folder |
|
|
|
| 41 |
20-21 |
|
|
|
|
Donation of personal collection materials to Yale
University Department of Manuscripts and Archives,
notes, brochure and lists, April 1968
|
|
22 |
|
|
|
|
Pamphlet for Yale University Endowed Lectureships
with handwritten notes, undated
|
| 37 |
|
|
|
Various teaching materials |
| Box |
Folder |
|
|
|
| OS28 |
1-8 |
|
|
|
Matière materials, undated |
Box |
Folder |
|
|
|
| OS26 |
1-5 |
|
|
|
Typofacture materials, undated |
| OS26 |
8 |
|
|
|
Photographs of material studies.
Paperbending analysis, plastic action and figure-ground relations, undated |
Box |
Folder |
|
|
|
| OS30 |
|
|
|
|
Sketches, drawings and studies circa 1925-1935, undated |
|
|
|
|
|
(Sketches and drawings; Guilloche materials; proportional
studies; pictorial designs; studies for various design
(Vorkurs), drawing and painting classes; miscellaneous
teaching materials; teaching questions; list of Vorkurs
courses by others after Bauhaus; teaching materials
(ads, material and pattern study); notes on teaching;
and list of students from various schools)
|
Box |
Folder |
|
|
|
| 66 |
1 |
|
|
|
Comments on slides of work, undated |
|
2 |
|
|
|
Slide lists and notes, 1952-1958, undated |
Box |
Folder |
|
|
|
| OS20 |
6 |
|
|
|
Coca-Cola materials (includes letter from Coca-Cola
Company to JA), 1942 and undated
|
|
7 |
|
|
|
Clippings for teaching, undated |
|
|
|
Subseries B. Project Files, 1926-1975 |
|
|
|
|
Prints, 1939-1975 |
| Box |
Folder |
|
|
|
| 42 |
1 |
|
|
|
American Block Print Catalogue. Aquarium,
correspondence and print, 1939
|
|
2 |
|
|
|
Brooklyn Museum of Art.
American Graphic Artists of the Twentieth Century No. 8:
Josef Albers Prints 1915-1970, notes and Jo
Miller's typed photocopy draft with JA's handwritten
corrections, undated
|
|
3 |
|
|
|
Editions Denise René price list and bulletins for
1966 Homage au Carré prints, 1966-1967
|
Box |
Folder |
|
|
|
| OS20 |
8(1) |
|
|
|
Galerie der Spiegel, Köln, Homage to the Square: 12
Seriographs, publicity, 1967
|
|
|
|
|
|
|
|
Gemini G.E.L. |
Box |
Folder |
|
|
|
| 42 |
4 |
|
|
|
|
White Line Squares Series
II, complete series, 1966
|
|
5 |
|
|
|
|
Correspondence, print documentation, price lists,
shipping slips and notes, 1971-1975
|
|
6 |
|
|
|
|
Embossed Linear Constructions, incomplete series, 1969
|
|
7(1) |
|
|
|
|
White Line
Squares, correspondence, print documentation,
shipping slips, notes and publicity, 1966-1967, 1973
|
|
7(2) |
|
|
|
|
White Embossmings on
Grey, brochures, 1971
|
|
8 |
|
|
|
|
Catalogue Raissone, 1971 |
|
9 |
|
|
|
|
Embossed Linear Constructions, White
Line Squares, and White Embossing on Gray, correspondence,
print documentation, price lists, shipping slips, notes,
sketches, publicity and photocopy of introduction to
Embossed Linear Constructions, 1968-1973, undated
|
Box |
Folder |
|
|
|
| OS20 |
8(2) |
|
|
|
|
Embossed Linear Constructions, print proof, 1969
|
Box |
Folder |
|
|
|
| 42 |
10 |
|
|
|
Hirshhorn Museum and Sculpture Garden. "Josef Albers
Honors the Hirshhorn Museum and Sculpture Garden,"
correspondence, 1969-1974
|
|
|
|
|
|
Ives-Sillman |
|
11 |
|
|
|
|
Price lists and inventories, 1971-1974 |
|
12(1) |
|
|
|
|
Homage to the Square: Ten
Works by Josef Albers, publication
announcement, 1962
|
|
12(2) |
|
|
|
|
Josef Albers: Ten Variants, publication announcement, 1967 |
|
13 |
|
|
|
|
Invoices and checks, 1966-1973 |
|
14(1) |
|
|
|
|
1970 Birthday
Square, two prints and envelope with handwritten
notes, 1970
|
|
14(2) |
|
|
|
|
1973 LXXIIIa and
LXXIIIb print portfolio
celebrating 85th birthday, announcement, 1973
|
|
15 |
|
|
|
Metropolitan Museum of Art. Red Orange Wall print order form, 1970
|
|
|
|
|
|
Tamarind Lithography Workshop |
|
16 |
|
|
|
|
Day and Night: Homage to
the Square, print specifications, 1963
|
|
17 |
|
|
|
|
Midnight and Noon,
announcement and print specifications, 1964
|
|
18 |
|
|
|
|
Correspondence, notes, fact sheets and press
releases, 1960-1970
|
|
|
|
|
|
Tyler Workshop |
|
19 |
|
|
|
|
Gray Instrumentation
I, print documentation and announcement, 1974
|
|
20 |
|
|
|
|
Gray Instrumentation
II, print documentation and announcement, 1975
|
|
21 |
|
|
|
Webb and Parsons print lists, I-Sg, 1971, undated
|
|
22 |
|
|
|
Portfolios, lists, undated |
|
23 |
|
|
|
Handwritten notes, undated |
Box |
Folder |
|
|
|
| 44 |
18 |
|
|
|
Contact prints of prints mounted on paper, undated |
|
|
|
|
|
[likely related to MoMA] |
Box |
Folder |
|
|
|
| 42 |
24 |
|
|
|
Miscellaneous notes and lists |
|
25 |
|
|
|
Labels, 1940s |
|
26 |
|
|
|
Enclosures for prints being sent as gifts, undated |
Box |
Folder |
|
|
|
| 43 |
1 |
|
|
|
Graphic Portfolios, lists, undated |
Box |
Folder |
|
|
|
| OS19 |
10 |
|
|
|
Sketch, Ersatz für XX-2, undated |
Box |
Folder |
|
|
|
| OS20 |
9 |
|
|
|
Unidentified print proof, undated |
|
|
|
|
Paintings, 1961-1971, undated |
| Box |
Folder |
|
|
|
| 43 |
2 |
|
|
|
Homage to the Square proportion sketch, undated
|
Box |
Folder |
|
|
|
| 118 |
3 |
|
|
|
Homage to the Square dimensions and sketches, undated |
Box |
Folder |
|
|
|
| 118 |
4-5 |
|
|
|
Variants dimensions and sketches, undated |
Box |
Folder |
|
|
|
| 118 |
6 |
|
|
|
Variants labels removed by Martina Yamin, undated |
| 43 |
3 |
|
|
|
Shipping and delivery lists, 1961-1971, undated |
|
4 |
|
|
|
Price lists, 1963-1973, undated |
|
|
|
|
Glass works, 1927-1964 [includes correspondence from 1980 regarding
glass works]
|
|
5 |
|
|
|
Handwritten statement on untitled glass assemblage
(circa 1921) in Hirshhorn Collection, 1972
|
|
6 |
|
|
|
Statement on City from
Jahresbericht 1960 of Zuercher Kunstgesellschaft.
Typescript, typescript carbon and typescript mimeograph with
German and English translation, undated
|
|
7 |
|
|
|
"Untitled statement on the Glass Paintings" from
Josef Albers Portfolio,
Vol. 2. Typescript carbon and mimeograph, undated
|
|
8 |
|
|
|
Statement on In the
Water, from Abstract and
Surrealist Art in America by Sidney Janis.
Typescript carbon with handwritten notes, 1943
|
|
9 |
|
|
|
Statement on construction of Skyscrapers, handwritten, undated
|
|
10 |
|
|
|
Photocopies of articles regarding JA's glass works, 1933-1934 |
|
11 |
|
|
|
"Abstrakte Kompositionen auf opakem Glas," Glaswelt, November 1958 |
|
12 |
|
|
|
City offprints, undated
|
|
13 |
|
|
|
Unidentified, offprints, undated |
|
|
|
|
|
[print plate in vault] |
|
14 |
|
|
|
Correspondence regarding glass works, 1961-1980 |
|
15 |
|
|
|
Correspondence regarding damaged works, 1934 |
|
16 |
|
|
|
Lists, undated |
|
|
|
|
Lettering, circa 1926-1963 |
|
17 |
|
|
|
Studies, circa 1926 |
|
18 |
|
|
|
Study, "Im Jahre 1832...," circa 1926 |
|
19 |
|
|
|
Stencil typeface "Schablonenschrift," leaflet
offprint, circa 1927 (includes photocopy of article, "Zur
ökonomie der Schriftform"), undated
|
|
20 |
|
|
|
Design for universal typeface, circa 1926 |
|
21 |
|
|
|
Correspondence and notes regarding lettering, 1949, 1960, undated |
|
22 |
|
|
|
Typografia, No 1 and No. 5
with photocopies of pages, November-December 1931 and September-October 1932
|
|
23 |
|
|
|
Photograph of exhibition catalog cover for
"Internationale Avantegarde 1927-1929," Stedelijk Museum,
Amsterdam (JA lettering is used for catalog cover), 1963
|
|
24 |
|
|
|
Photocopy of study for Schlablonenschrift from Offset No. 7, 1926
|
|
25 |
|
|
|
Glass lettering, circa 1928. Photographs with
handwritten description, typescript carbon writing and
photocopies of lettering and writing, circa 1965, undated
|
|
26 |
|
|
|
"Hand and Eye are Symbolic of the Visual Arts," undated |
|
27 |
|
|
|
Kombinationschrift as represented by Photo-Lettering,
Inc., 1961
|
|
28 |
|
|
|
"Kombinationschrift '3'" in special edition of Bauhaus, photocopies, January 1931
|
|
28 |
|
|
|
Kombinationschrift packets put together by JA,
comprised of reproductions of its appearance in print, undated
|
Box |
Folder |
|
|
|
| OS19 |
9 |
|
|
|
"Konstruierte Schriften" leaflet, example of JA's
"Entwurf einer Schablonenschrift" with handwritten drawings
and notes, 1930
|
Box |
Folder |
|
|
|
| 43 |
29 |
|
|
|
Reproductions of lettering demonstration charts, undated |
|
|
|
|
Armchair, circa 1926 |
|
30 |
|
|
|
Typescript and typescript carbon notes with drawings, |
|
31 |
|
|
|
Article from TVAR No.
1 1949 with handwritten notes on article,
|
Box |
Folder |
|
|
|
| OS1 |
11 |
|
|
|
Mounted photographs with sketches and handwritten
description (handwritten), circa 1926
|
Box |
Folder |
|
|
|
|
|
|
|
Wood frames |
| 43 |
32 |
|
|
|
Sketches, undated |
|
33 |
|
|
|
Sketches of raw wood frames from Braxton Art Company, undated |
|
34(1) |
|
|
Furniture. Correspondence and notes regarding, 1932-1933
(includes letters from JA to Ernst Koch and ___ Blüm;
photocopy of letter from JA to ___ Wagner (Breslau); and
handwritten notes), 1932-1933
|
|
34(2) |
|
|
Woodcuts and lithographs. List, undated |
|
35 |
|
|
Engravings. List of engravings from machine, undated |
|
36 |
|
|
Structural Constellations.
Reproductions of drawing announcements and reproduction, 1962, undated
|
Box |
Folder |
|
|
|
| 43 |
29 |
|
|
|
Structural Constellations. Drawings, undated |
Box |
Folder |
|
|
|
|
37 |
|
|
Line Intaglios, lists and
drawings, 1968, undated
|
|
38 |
|
|
Sonnige Pfingsten and
Ich wünsche ein
glücklich Friedensjahr/Josef Albers,
notes, photographs and magazine clipping, undated
|
Box |
Folder |
|
|
|
| 118 |
8 |
|
|
|
Plate rubbings made by JA, undated |
Box |
Folder |
|
|
|
| 118 |
9 |
|
|
|
Miscellaneous notes and dimensions, undated |
Box |
Folder |
|
|
|
| 44 |
1 |
|
|
Die Oberfläche,
Baden-Baden/Agis Verlag. Correspondence and drawings, 1964-1967
|
|
2 |
|
|
Twenty-First Century
Bible. Correspondence and publicity,, 1960-1975
|
|
3 |
|
|
National Gallery of Art Science Stamp Competition.
Clippings, 1963-1964
|
|
4 |
|
|
"The Critic and the Visual Arts," The American Federation
of Arts Biennial Convention (1965). American Art Posters catalog
and advertisement, 1968
|
|
5 |
|
|
League of Women Voters poster. Correspondence and
contract, 1969
|
|
6 |
|
|
IV Bienal Americana de Grabado-Santiago Chile poster.
Correspondence, drawing and notes, 1969
|
|
7-8 |
|
|
1972 Olympic Games poster design. Correspondence,
contract, notes and publicity, 1969-1973
|
|
9 |
|
|
Graphic Arts USA stamp. Invoices, 1974 |
|
|
|
|
[see Bradbury Thompson] |
|
10 |
|
|
Command Records. Correspondence and publicity, 1963 |
Box |
Folder |
|
|
|
| OS10 |
10 |
|
|
Command Records. Publicity, 1959 |
Box |
Folder |
|
|
|
| OS20 |
11(1) |
|
|
Container Corporation, logo design example, undated |
|
11(2) |
|
|
Wren House, instructions and drawings, undated |
Box |
Folder |
|
|
|
| 44 |
11 |
|
|
Lists of things to do, undated |
|
|
|
Subseries C. Solo Exhibition Files, 1932-1973, undated |
Box |
Folder |
|
|
|
| 45 |
1-2 |
|
|
May 1-12 1932 "Josef Albers, Glasbilder," Bauhaus,
Berlin. Exhibition brochure, clipping and photographs, 1932
|
|
3 |
|
|
1932-1933 publicity |
|
4 |
|
|
December 29 1934-January 4 1935 Lyceum Club, Havana.
Catalog and publicity, 1934
|
|
5 |
|
|
December 23 1934-January 10 1935 "Siliographie recenti di
Josef Albers e di Luigi Veronesi," Galleria del Milione, Milan.
Catalog with copies of catalog text, 1934
|
|
6 |
|
|
March 9-30 1936 "Work by Josef Albers," New Art Circle,
J.B. Neumann, New York. Catalogs and publicity, 1936
|
|
7 |
|
|
August 15-25 1936 Periódico El Nacional, Mexico City.
Catalogs and publicity, 1936
|
Box |
Folder |
|
|
|
| OS20 |
12 |
|
|
August 15-25 1936 Periódico El Nacional, Mexico City.
Publicity, 1936
|
Box |
Folder |
|
|
|
| 45 |
8 |
|
|
December 6-31 1938 "Josef Albers," Artists' Gallery, New
York. Catalogs, clipping and publicity, 1938
|
|
9 |
|
|
January 24-February 12 1939 "Prints and Watercolors by
Josef Albers," Philadelphia Art Alliance. Publicity texts and
photocopy of Philadelphia Art Alliance bulletin, 1939
|
|
10 |
|
|
May 5-May 17 1939 Y.W. Room, Hollins College, Virginia.
Publicity, 1939
|
|
11 |
|
|
February 10-March 1 1941 "Josef Albers," Nierendorf
Gallery, New York. Exhibition brochures and publicity, 1941
|
|
12 |
|
|
July 1943 "Josef Albers," North Texas State University.
Exhibition brochures, 1943
|
|
13 |
|
|
January 2-17 1945 "Josef Albers," New Art Circle, J.B.
Neumann, New York. Catalog and gallery brochure, 1945
|
|
14 |
|
|
January 24-February 12 1949 "Albers: Paintings in Black,
Grey, White," Egan Gallery, New York and "Albers: Paintings
Titled 'Variants'," Sidney Janis Gallery, New York. Catalogs and
publicity, 1949
|
|
15 |
|
|
October 27-November 22 1949 "Josef Albers," Cincinnati
Art Museum. Catalog, brochure and publicity, 1949
|
|
16 |
|
|
April 17-May 27 1950 "Josef Albers: 1931-1948," Allen R.
Hite Art Institute, University of Louisville, Kentucky. Catalog, 1950
|
|
17 |
|
|
November 1950 Munson-Williams-Proctor Institute, Utica,
New York. Publicity, 1950
|
|
18 |
|
|
January 7-26 1952 "Albers: Homage to the Square-
Transformation of a Scheme," Sidney Janis Gallery, New York.
Exhibition brochures, 1952
|
Box |
Folder |
|
|
|
| OS2 |
1 |
|
|
January 7-26 1952 "Albers: Homage to the Square-
Transformation of a Scheme," Sidney Janis Gallery, New York.
Publicity, 1952
|
Box |
Folder |
|
|
|
| 45 |
19 |
|
|
April 4-May 4 1952 Philadelphia Art Alliance. Publicity, 1952 |
|
20 |
|
|
June 12-28 1953 "Josef Albers," Essex Art Association,
CT. Publicity, 1953
|
|
21 |
|
|
March 6-27 1955 "Josef Albers," Hayden Gallery,
Massachusetts Institute of Technology, Cambridge, MA. Exhibition
brochure, 1955
|
|
22 |
|
|
April 25-June 8 1956 "Josef Albers- Paintings, Prints,
Projects," Yale University Art Gallery. Publicity, 1956
|
|
23 |
|
|
January 20-February 17 1957 "Josef Albers," Karl Ernst
Osthaus Museum, Hagen, Germany. Catalogs and issue of "Pictures
on Exhibit," 1957
|
|
24 |
|
|
May 28-June 8 1957 "Josef Albers," Staatliche
Werkkunstschule/Kunstsammlung Kassel. Catalog text, 1957
|
|
25 |
|
|
September 8-October 6 1957 "Josef Albers," Museum der
Stadt, Ulm, German. Publicity, 1957
|
|
26 |
|
|
October-November 1957 "Albers," Galerie Denise
René, Paris. Catalogs, brochures and publicity, 1957
|
|
27 |
|
|
March 14-April 19 1958 "Albers: 70th Anniversary," Sidney
Janis Gallery, New York. Catalogs and publicity (includes
photocopy of letter from Neil Welliver to ARTS), 1958
|
|
28 |
|
|
March 16-April 13 1958 "Josef Albers," Kunstverein
Freiburg, Germany. Catalogs and publicity, 1958
|
|
29 |
|
|
April 7-May 31 1958 "Josef Albers," Amerika Haus, Berlin.
Catalogs and publicity, 1958
|
|
30 |
|
|
May 19-27 1958 "Albers," Verkehrsverein, Bottrop,
Germany. Publicity, 1958
|
Box |
Folder |
|
|
|
| 46 |
1 |
|
|
January 1959 Hathorn Studio, Skidmore College, Saratoga
Springs, New York. Publicity (lecture), 1959
|
Box |
Folder |
|
|
|
| OS20 |
13 |
|
|
January 1959 Hathorn Studio, Skidmore College, Saratoga
Springs, New York. Publicity, 1959
|
Box |
Folder |
|
|
|
| 46 |
2 |
|
|
January 10-February 7 1959 "Josef Albers," Landesmuseum,
Münster. Catalog and publicity, 1959
|
|
3 |
|
|
January 26-February 7 1959 "Inkless Itaglios," The
Contemporaries, New York. Brochure and publicity, 1959
|
|
4 |
|
|
May 12-June 21 1959 "Josef Albers," Museum am Ostwall
Dortmund, Ostwall, Germany. Pamphlet, 1959
|
|
5 |
|
|
July 31-August 21 1959 "Josef Albers," Galleria la Palma,
Locarno, Switzerland. Catalog, 1959
|
|
6 |
|
|
November 30-December 26 1959 "Homage to the Square,"
Sidney Janis Gallery, New York. Brochures and publicity, 1959
|
Box |
Folder |
|
|
|
| OS2 |
2 |
|
|
November 30-December 26 1959 "Homage to the Square,"
Sidney Janis Gallery, New York. Brochures and publicity, 1959
|
Box |
Folder |
|
|
|
| 46 |
7 |
|
|
January 6-30 1960 "Josef Albers," Galerie Suzanne Bollag,
Zürich. Catalog and publicity, 1960
|
|
8 |
|
|
June-July 1961 "Albers," Stedelijk Museum, Amsterdam.
Catalogs, pamphlets and publicity, 1961
|
|
9 |
|
|
July-August 1961 "Albers," Gimpel Fils, London. Catalog, 1961 |
|
10 |
|
|
October-November 1961 "Josef Albers," Toninelli, Arte
Moderna, Milan. Catalog and publicity, 1961
|
|
11-12 |
|
|
November 30-December 26 1961 "Homage to the Square,"
Sidney Janis Gallery, New York. Catalogs and publicity, 1961
|
|
13 |
|
|
April 1-May 15 1962 "Albers," Katonah Gallery, New York.
Catalogs, 1962
|
Box |
Folder |
|
|
|
| OS2 |
3 |
|
|
September 17-October 13 1962 "Josef Albers," Ferus
Gallery, Los Angeles. Invitation, 1962
|
Box |
Folder |
|
|
|
| 46 |
14 |
|
|
November 5-24 1962 "Josef Albers at the Pace Gallery,"
Pace Gallery, Boston. Publicity, 1962
|
Box |
Folder |
|
|
|
| OS20 |
14 |
|
|
November 5-24 1962 "Josef Albers at the Pace Gallery,"
Pace Gallery, Boston. Review, 1962
|
Box |
Folder |
|
|
|
| 46 |
15 |
|
|
February 1962 Galerie Boukes, Wiesbaden, Germany.
Publicity, 1962
|
|
16(1) |
|
|
February 3- March 11 1962 "Josef Albers," North Carolina
Museum of Art, Raleigh. Catalogs and publicity, 1962
|
|
16(2) |
|
|
1962 publicity |
|
17 |
|
|
February 6-March 3 1963 "Josef Albers," Museum Folkwang,
Essen, German. Catalogs and publicity, 1963
|
|
18 |
|
|
March 4-30 1963 "Albers," Sidney Janis Gallery, New York.
Publicity, 1963
|
|
19 |
|
|
March 1963 "Interaction of Color," Yale University Art
Gallery. Invitation and publicity, 1963
|
|
20(1) |
|
|
1963 "Interaction of Color," Smithsonian Traveling
Exhibition Service. Publicity, 1963
|
|
20(2) |
|
|
August 23-September 22 1963 Neubau Kunsthaus, Hamburg.
Publicity, 1963
|
Box |
Folder |
|
|
|
| OS2 |
15 |
|
|
October 15-December 1963 "Interaction of Color,"
Carpenter Center at Harvard University. Posters, 1963
|
Box |
Folder |
|
|
|
| 46 |
21(1) |
|
|
1963 publicity |
|
21(2) |
|
|
January-February 1964 "Josef Albers," Galerie
Burén, Stockholm. Catalog and publicity, 1964
|
Box |
Folder |
|
|
|
| OS2 |
4 |
|
|
January-February 1964 "Josef Albers," Galerie
Burén, Stockholm. Catalog and publicity, 1964
|
Box |
Folder |
|
|
|
| 46 |
22 |
|
|
January 13-February 1 1964 "Josef Albers," Galerie ABC,
Wintherthur, Switzerland. Brochure, 1964
|
|
23 |
|
|
February 5-23 1964 "Josef Albers," Smith College Museum
of Art, Northampton, MA. Photocopy of catalog, 1964
|
Box |
Folder |
|
|
|
| OS2 |
5 |
|
|
September 1964 "Josef Albers," Ferus Gallery, Los
Angeles. Invitations, 1964
|
Box |
Folder |
|
|
|
| 46 |
24 |
|
|
September 28-October 24 1964 "Josef Albers: Homage to the
Square," Sidney Janis Gallery, New York. Catalog, publicity and
Portable Gallery Press slides, 1964
|
Box |
Folder |
|
|
|
| OS2 |
6 |
|
|
September 28-October 24 1964 "Josef Albers: Homage to the
Square," Sidney Janis Gallery, New York. Publicity, 1964
|
Box |
Folder |
|
|
|
| 46 |
25 |
|
|
October 1964 "Josef Albers: Homage to the Square,"
München. Brochure, 1964
|
Box |
Folder |
|
|
|
| 47 |
1 |
|
|
1964-1967 "Josef Albers; Homage to the Square," traveling
exhibition organized by the International Council, The Museum of
Modern Art, New York, 1963-1967
|
|
|
|
|
(includes scrapbook of catalog fragment, clippings and
photographs from La Galeria de Arte Mexicano)
|
|
2 |
|
|
January 1965 "Josef Albers," Toninelli Arte Moderna,
Milan. Catalogs and clipping, 1965
|
|
3 |
|
|
February 1965 "Josef Albers," Galeria Schmela,
Düsseldorf. Exhibition brochures, 1965
|
|
4 |
|
|
April 19-May 7 1965 "The Art of Josef Albers," The Austin
Arts Center, Trinity College, Hartford (CT). Catalogs, 1965
|
|
5 |
|
|
May 1965 "Josef Albers," The Contemporary Arts Center,
Cincinnati. Brochures and catalog, 1965
|
|
6 |
|
|
May 28-June 24 1965 "Josef Albers," Galerie Ruth Nohl,
Siegen, Germany. Brochures and publicity, 1965
|
|
7 |
|
|
June 23- August 7 1965 "Josef Albers: Homage to the
Square," Galerie Gimpel and Hannover, Zürich and Gimpel and
September 1-October 2 1965 Fils Gallery, London. Catalog,
brochures and publicity, 1965
|
|
8 |
|
|
1965-1966 "Josef Albers: The American Years," traveling
exhibition organized by the Washington Gallery of Modern Art,
Washington D.C. Catalogs and publicity, 1965-1966
|
|
9 |
|
|
January 1966-May 1971 "Action - Reaction: Recent Prints
by Josef Albers," traveling exhibition organized by the
Smithsonian Institution Traveling Exhibition Service, 1966
|
|
10 |
|
|
November-December 1966 "White Line Squares," Los Angeles
County Museum of Art. Catalogs, 1966
|
|
11 |
|
|
1966 publicity |
|
12(1) |
|
|
Aug 9-Sept 7 1967 "Homenaje a Josef Albers," Galeria de Arte Mexicano, Mexico City. Brochure, 1967 |
|
12(2) |
|
|
December 1967 "Albers," L'Attico, Rome. Catalog and
publicity, 1967
|
|
13 |
|
|
1967 publicity |
|
14 |
|
|
April 1967-April 1968 "Josef Albers," traveling
exhibition of Western Association of Art Museums. Itinerary, 1967
|
|
15 |
|
|
January 7-19 1968 "Homage to Albers," Washington
University Gallery of Art, St. Louis. Catalog, 1968
|
|
16 |
|
|
March-April 1968 "Albers," Galerie Denise
René, Paris. Catalog, catalog text and publicity, 1968
|
|
17 |
|
|
April 10-May 4 1968 "Albers," Sidney Janis Gallery, New
York. Catalog and publicity, 1968
|
|
18 |
|
|
April 28-June 2 1968 "Albers," Landesmuseum, Münster.
Catalog, 1968
|
Box |
Folder |
|
|
|
| 48 |
1 |
|
|
March 1968 Lenoir Rhyne College, Hickory, NC. Publicity, 1968 |
|
2 |
|
|
April-June 1968 "Albers," Westfälisches
Landesmuseum für Kunst und Kulturgeschichte, Münster
(Münster). Publicity, 1968
|
|
3 |
|
|
May 15-June 9 1968 "albers," Kestner-Gesellschaft,
Hannover. Catalogs and English text translation, 1968
|
Box |
Folder |
|
|
|
| OS7 |
2 |
|
|
May 15-June 9 1968 "albers," Kestner-Gesellschaft,
Hannover. "Homage to Josef Albers," by Wieland Schmied, 1968
|
Box |
Folder |
|
|
|
| 48 |
4 |
|
|
September 27-December 8 1968 "Josef Albers," Kunsthalle
der Stadt, Bielefeld. Catalog, 1968
|
|
5 |
|
|
1968 publicity |
|
6 |
|
|
February 1969 Kunstverein, Berlin. Publicity, 1969 |
|
7 |
|
|
August-September 1969 "Albers in Bottrop," The School,
Bottrop. Catalog and publicity, 1969
|
|
8 |
|
|
September-October 1969 "Josef Albers," Kunstverein,
Herford. Catalog, 1969
|
|
9 |
|
|
October 1969 "Josef Albers," Galerie Renée
Ziegler, Zürich. Publicity and brochure fragment, 1969
|
|
10 |
|
|
1969 publicity |
|
11 |
|
|
December 8 1969-March 15 1970 "The Graphic Constructions
of Josef Albers," Museum of Modern Art, New York. Press releases
and MoMA calendars, 1969-1970
|
|
12 |
|
|
January 1-March 1970 "Josef Albers: Bilder," Kunsthalle,
Hamburg. Catalog and publicity, 1970
|
|
13 |
|
|
March 13-April 19 1970 "Josef Albers: Bilder und
'Interaction of Color'," Kunstverein, München. Catalog, 1970
|
|
14 |
|
|
October 5-October 31 1970 "Paintings by Josef Albers,"
Sidney Janis Gallery, New York. Catalog and publicity, 1970
|
|
15 |
|
|
November 4-24 1970 Southern Connecticut State College,
New Haven, CT. Photographs, 1970
|
|
16 |
|
|
January 1971 "Josef Albers: Paintings and Graphics,
1917-1970," Princeton University Art Museum, Princeton, NJ.
Newsletter, 1971
|
Box |
Folder |
|
|
|
| OS20 |
16 |
|
|
January 1971 "Josef Albers: Paintings and Graphics,
1917-1970," Princeton University Art Museum, Princeton, NJ.
Catalog, 1971
|
Box |
Folder |
|
|
|
| 48 |
17 |
|
|
April-May 1971 "Josef Albers," Landesmuseum
für Kunst und Kulturgeschichte, Münster. Publicity, 1971
|
|
18 |
|
|
September-October 1971 "Prints by Josef Albers," Yale
University Art Gallery, New Haven, CT. Brochure, 1971
|
|
19 |
|
|
March 1972 "Formulation: Articulation," Abrams Original
Editions Gallery, New York. Invitation, 1972
|
|
20 |
|
|
November 1971-January 1972 "Josef Albers at the
Metropolitan Museum of Art," Metropolitan Museum of Art, New
York. Notes and publicity, 1971-1972
|
|
|
|
|
[see Box OS25 and see III. B. Writings, Various Box 82 Folder
19]
|
Box |
Folder |
|
|
|
| OS2 |
8 |
|
|
November 1971-January 1972 "Josef Albers at the
Metropolitan Museum of Art," Metropolitan Museum of Art, New
York. Catalog, 1971
|
Box |
Folder |
|
|
|
| 48 |
21 |
|
|
1971 publicity |
|
22 |
|
|
November 1972 "Josef Albers," Studio Bellini, Milan.
Invitation, 1972
|
|
23 |
|
|
January 12-February 11 1973 "Josef Albers,"
Kestner-Gesellschaft, Hannover. Catalog, 1973
|
|
24 |
|
|
January 13-February 1 1973 "Josef Albers: Formulation:
Articulation," Kunsthaus, Zürich. Brochure, Statements of
Content and publicity, 1973
|
|
25(1) |
|
|
March-April 1973 "Albers," Galerie Beyeler, Basel.
Invitation and catalog text, 1973
|
|
25(2) |
|
|
May 1973 "Homenaje a Albers," Estudio Actual, Caracas.
Brochure, 1973
|
Box |
Folder |
|
|
|
| OS2 |
9 |
|
|
March-April 1973 "Albers," Galerie Beyeler, Basel.
Catalog and publicity, 1973
|
Box |
Folder |
|
|
|
| 48 |
26 |
|
|
May 6-July 1 1973 "Josef Albers: Formulation:
Articulation," Abtei Liesborn, Heimathaus des Kreises, Beckum.
Brochure and publicity, 1973
|
|
27 |
|
|
July 6-September 1973 "Formulation: Articulation,"
Kunstmuseum, Düsseldorf. Catalog and publicity, 1973
|
|
28 |
|
|
September 12-October 25 1973 "Josef Albers," Galerie
Gmurzynska, Köln. Catalog, 1973
|
|
29 |
|
|
October 26-November 16 1973 "Homage to Josef Albers," Art
Gallery of York University, Toronto. Catalog and publicity, 1973
|
|
30 |
|
|
November 13-December 8 1973 "Albers," Galerie Melki,
Paris. Publicity, 1973
|
|
31 |
|
|
1973 "Josef Albers: Prints 1915-1970," Brooklyn Museum of
Art, New York. Catalog, 1973
|
|
32 |
|
|
1973 Publicity |
Box |
Folder |
|
|
|
| 49 |
1 |
|
|
January 1974 Santa Rosa Junior College, Santa Rosa, CA.
Catalog preface and note by Jim Rosen, 1974
|
|
2 |
|
|
February 1974 Greensboro College, Greensboro, NC.
Clipping, 1974
|
|
3 |
|
|
February 1974 "Formulation: Articulation," Galerie Denise
René, Paris. Catalog, 1974
|
|
4 |
|
|
March 28-April 28 1974 "Josef Albers, Formulation:
Articulation," Städtisches Museum, Mönchengladbach. Brochure, 1974
|
|
5 |
|
|
April 7-28 1974 "Josef Albers, Formulation:
Articulation," Norrköpings Museum, Sweden. Catalogs and
publicity, 1974
|
|
6 |
|
|
1975-1976 "Josef Albers, Formulation: Articulation,"
Various locations. Catalogs and publicity, 1975-1976
|
|
7 |
|
|
Undated |
|
8 |
|
|
Lists of exhibitions in Germany, 1957-1963 |
|
9(1) |
|
|
Lists of exhibitions, 1935-1963 |
|
9(2) |
|
|
Lists of works sent out for exhibition, 1936-1973 |
|
10 |
|
|
Notes on exhibitions, undated |
|
11 |
|
|
Photographs of various installations and work labels, 1965, undated |
Box |
Folder |
|
|
|
| 50 |
|
|
|
Publicity 1964-undated |
|
|
|
|
(duplicates) |
|
|
|
Subseries D. Group Exhibition Files, 1929-1976 |
Box |
Folder |
|
|
|
| 51 |
1 |
|
|
April 21-May 20 1929 "Das Bauhaus Dessau: Ausstellung,"
Gewerbemuseum, Basel. Catalog photocopy, 1929
|
|
2 |
|
|
February 1930 Bauhaus, Dessau exhibition, Folkwang
Museum, Essen. Publicity, 1930
|
|
3 |
|
|
1932 publicity |
|
4 |
|
|
February 26-March 26 1933 Gesellschaft der Freunde Junger
Kunst, Braunschweig. Catalog, 1933
|
|
5 |
|
|
March 1936 Neumann Gallery, New York. Publicity, 1936 |
Box |
Folder |
|
|
|
| OS19 |
1 |
|
|
April 3-17 1937 "American Abstract Artists," Squibb
Galleries, New York. Portfolio, 1937
|
Box |
Folder |
|
|
|
| 51 |
6 |
|
|
November 23-December 5 1936 "Four Painters," Delphic
Studios, New York. Catalog and broadside, 1936
|
|
7 |
|
|
November 1937 Katherine Kuh Gallery, Chicago. Publicity, 1937 |
|
8 |
|
|
1937 Une Exposition d'Art International, Paris.
Publicity, 1937
|
|
9 |
|
|
November 1939 Mills College Art Gallery, Oakland, CA.
Publicity, 1939
|
|
10 |
|
|
February 1940 "Art and the Artist: Paintings by Josef
Albers, Lyonel Feininger and Frank London," Mint Museum of Art,
Charlotte, NC. Publicity, 1940
|
|
11 |
|
|
May 15-June 1 1942 "Paintings by Francecso de Cocco and
Josef Albers," Museum of New Mexico, Santa Fe. Photocopy of
bulletin text, 1942
|
|
12 |
|
|
February 2-21 1947 "Graphic Circle," Jacques Seligmann
Galleries, New York. Catalog, 1947
|
|
13 |
|
|
July-August 1948 "Josef Albers, Hans Arp, Max Bill,"
Galerie Herbert Herrmann, Stuttgart. Catalog, 1948
|
|
14 |
|
|
February 21-June 11 1950 Museum of Non-Objective
Painting, New York. Catalog photocopy, 1950
|
Box |
Folder |
|
|
|
| OS21 |
10(1) |
|
|
August 26-September 10 1950 "American Abstract Artists,"
Den Frie Udstillings, Copenhagen. Publicity, 1950
|
Box |
Folder |
|
|
|
| 51 |
15 |
|
|
1951 Contemporary Art Society Interstate Exhibition,
Sidney. Catalog fragment, 1951
|
|
16 |
|
|
1952 Contemporary American Painting, University of
Illinois, Urbana. Catalog fragment photocopies, 1952
|
|
17 |
|
|
July 8-August 2 1953 "Josef and Anni Albers: Paintings,
Tapestries and Woven Textiles," Wadsworth Atheneum, Hartford,
CT. Catalog and publicity, 1953
|
Box |
Folder |
|
|
|
| OS20 |
17 |
|
|
July 8-August 2 1953 "Josef and Anni Albers: Paintings,
Tapestries and Woven Textiles," Wadsworth Atheneum, Hartford,
CT. Catalog and publicity, 1953
|
Box |
Folder |
|
|
|
| 51 |
18 |
|
|
November 1-29 1953 "Formal Organization in Modern
Painting," Munson-Williams-Proctor Institute, Utica, NY.
Catalog, 1953
|
|
19 |
|
|
January 31-February 26 1954 "Josef and Anni Albers:
Painting and Weaving,"Academy of Art, Honolulu. Clipping, 1954
|
Box |
Folder |
|
|
|
| OS20 |
18 |
|
|
February 16-March 20 1955 "Twentieth Century Drawings,"
Yale University Art Gallery. Print portfolio, 1955
|
Box |
Folder |
|
|
|
| OS2 |
10(1) |
|
|
September 24-October 10 1956 "Recent Paintings by 7
Americans," Sidney Janis Gallery, New York. Invitation, 1956
|
Box |
Folder |
|
|
|
| 51 |
20 |
|
|
1956 "Savremena umetnost u SAD," Iz Zbirki Museum of
Modern Art, New York. Catalog, 1956
|
|
21 |
|
|
January 20-February 17 1957 Carl Ernst Osthaus Museum,
Hagen. Publicity, 1956
|
|
21 |
|
|
April 1-20 1957 "Eight Americans," Sidney Janis Gallery,
New York. Catalog, 1957
|
|
21 |
|
|
May 15-June 15 1957 "Contemporary Art Acquisitions
1954-1957," Albright Art Gallery, Buffalo. Catalog, 1957
|
|
21 |
|
|
September-December 1957 "A Arte do Bauhaus," IV Bienal do
Museu de Arte Moderna São Paulo. Catalog, 1957
|
|
21 |
|
|
1957 "Modern Art in Evolution," Cincinnati. Catalog cover
photocopy, 1957
|
|
22 |
|
|
April 30-June 15 1958 "The Museum and Its Friend: A Loan
Exhibition," Whitney Museum of American Art, New York. Catalog, 1958
|
|
23 |
|
|
October 29-December 10 1958 "Modern German Art," World
House Galleries, New York. Catalog, 1958
|
|
24(1) |
|
|
January 5-31 1959 "Eight American Painters," Sidney Janis
Gallery, New York. Catalog, 1959
|
|
24(2) |
|
|
October 21 1959 "Solomon R. Guggenheim Museum: Inaugural
Selection," Solomon Guggenheim Museum, New York. Catalog, 1959
|
|
25(1) |
|
|
November 27-December 19 1959
Société d'Art Saint Germain des
Prés, Paris. Invitation, 1959
|
Box |
Folder |
|
|
|
| 51 |
25(2) |
|
|
May 1960 "The Calculated Image," Morgan State College,
Baltimore, MD. Invitation, 1960
|
Box |
Folder |
|
|
|
| 51 |
26 |
|
|
June 8-September 9 1960 "American Art 1910-1960:
Selections from the Collection of Mr. And Mrs. Roy R.
Neuberger," The American Federation of Arts. Catalog, 1960
|
|
27 |
|
|
April 8-May 7 1961 "The Sidney Janis Painters," John and
Marble Ringling Museum of Art, Sarasota, FL. Catalog, 1961
|
|
28 |
|
|
May 4-June 3 1961 "Ten American Painters," Sidney Janis
Gallery, New York. Catalog, 1961
|
|
29 |
|
|
June-July 1961 Stedelijk Museum, Amsterdam. Catalog, 1961
(includes handwritten translation notes), 1961
|
|
30 |
|
|
June 24-August 6 1961 "Bauhaus," Kunsthalle, Darmstadt.
Catalog, fragment photocopies with handwritten notes, 1961
|
|
31 |
|
|
June 1961 "Bauhaus II Generation," Galerie Suzanna
Bollag, Zürich. Catalog, 1961
|
|
32 |
|
|
October-December 1961 "Abstract Expressionists and
Imagists," Solomon R. Guggenheim Museum, New York. Catalog
fragment photocopies, 1961
|
|
33 |
|
|
November 1961-January 1962 "Drawings/USA," St. Paul
School of Art, St. Paul, MN. Catalog, 1961
|
|
34 |
|
|
November 2-25 1961 "Cincinnati Collects," Cincinnati
Contemporary Arts Center. Catalog and publicity, 1961
|
|
35(1) |
|
|
1961 "Continuity and Change," Wadsworth Atheneum,
Hartford. Catalog fragment photocopy, 1961
|
|
35(2) |
|
|
1961 "The Bauhaus: Aspects and Influences," Gallery A,
Melbourne, Australia. Catalog, 1961
|
|
36 |
|
|
1961-1962 American Embassy, Yugoslavia. Catalog, 1961 |
|
37 |
|
|
1961-1962 publicity |
Box |
Folder |
|
|
|
| 52 |
1 |
|
|
February 1962 Galerie Denise René, Paris.
Catalog, 1962
|
|
2 |
|
|
March-April 1962 "Painters of the Bauhaus," Marlborough
Fine Art, London. Catalog and invitation, 1962
|
|
3 |
|
|
March 16-May 13 1962 "Collaboration: Artist and
Architect," Museum of Contemporary Crafts, New York. Catalog, 1962
|
|
4 |
|
|
March 20-May 13 1962 "Geometric Abstraction in America,"
Whitney Museum of American Art, New York. Catalog, 1962
|
|
5 |
|
|
April 21-October 21 1962 Seattle World's Fair, Seattle.
Catalog, 1962
|
|
6 |
|
|
May 1962 "Continuity and Change," Wadsworth Atheneum,
Hartford, CT. Publicity, 1962
|
|
7 |
|
|
May 7-June 2 1962 "Ten American Painters," Sidney Janis
Gallery, New York. Catalog, 1962
|
|
8 |
|
|
September 11-November 4 1962 "Why is an Object," Akron
Art Institute, Akron, OH. Catalog, 1962
|
|
9 |
|
|
September 20 1962-February 15 1963 "American Prints
Today," traveling exhibition, Print Council of America. Catalog, 1963
|
|
10 |
|
|
November 16 1962-January 5 1962 Gimpel and Hanover
Galerie, Zuich. Catalog, 1962
|
|
11 |
|
|
December 12 1962-February 3 1962 'Annual Exhibition
1962," Whitney Museum of American Art, New York. Catalog, 1962
|
|
12 |
|
|
January 1-February 10 1963 "66 Annual American
Exhibition," Art Institute of Chicago. Catalog, 1963
|
|
12 |
|
|
January 18-March 3 1963 Twenty Eight Biennial Exhibition
of Contemporary American Painting," Corcoran Gallery of Art,
Washington D.C. Catalog, 1963
|
|
12 |
|
|
April 27-June 2 1963 "The New Tradition: Modern Americans
Before 1940," Corcoran Gallery of Art, Washington D.C. Catalog, 1963
|
|
12 |
|
|
April-May 1963 "Museum Collection Spring 1963," Solomon
R. Guggenheim Museum, New York. Catalog, 1963
|
|
12 |
|
|
May 1-September 1 1963 "Nineteenth National Exhibition of
Prints," Library of Congress. Catalog, 1963
|
|
12 |
|
|
May-September 1963 "Esquisse d'un Salon," Galerie Denise
René, Paris. Catalog, 1963
|
|
12 |
|
|
June 6-July 7 1963 "Formalists," National Gallery of Art,
Washington, DC. Catalog fragment photocopy, 1963
|
Box |
Folder |
|
|
|
| OS20 |
19 |
|
|
July 1963 Museum Haus Lange, Krefeld. Publicity, 1963 |
Box |
Folder |
|
|
|
| 52 |
13 |
|
|
November 15-December 22 1963 "Dunn International," Tate
Gallery, London. Catalog and publicity, 1963
|
|
13 |
|
|
December 1 1963-December 6 1964 "New Directions in
American Painting," traveling exhibition. Catalog, 1963
|
|
13 |
|
|
December 11 1963-February 2 1964 "Annual Exhibition 1963:
Contemporary American Painting," Whitney Museum of American Art,
New York. Catalog, 1963
|
|
13 |
|
|
December 12 1963-February 5 1964 "Black and White,"
Jewish Museum, New York. Catalog, 1963
|
|
14 |
|
|
January 9-25 1964 "White on White," The Contemporaries,
New York. Invitation, 1964
|
|
14 |
|
|
February 4-29 1964 "The Classis Spirit in the 20th
Century," Sidney Janis Gallery, New York. Catalog and publicity, 1964
|
|
14 |
|
|
February 17-March 13 1964 "30 Contemporary American
Prints," IBM Gallery, New York. Catalog, 1964
|
|
14 |
|
|
May 8-Junee 16 1964 "The Friends Collection," Whitney
Museum of American Art, New York. Catalog, 1964
|
|
14 |
|
|
June 24-September 23 1964 "Between the Fairs: 25 Years of
American Art, 1939-1964," Whitney Museum of American Art, New
York. Catalog, 1964
|
Box |
Folder |
|
|
|
| 53 |
1 |
|
|
June-October 1964 "Hard-Edge," Galerie Denise
René, Paris. Catalog and publicity, 1964
|
|
1 |
|
|
September 8-September 26 1964 J.L. Hudson Gallery,
Detroit. Publicity, 1964
|
|
1 |
|
|
September 15-October 11 1964 "Kunst Historiker Sammler
und Mäzene," Städtische Kunstsammlungen,
Bonn. Catalog, 1964
|
|
1 |
|
|
October 23-November 29 1964 Vorstand des Vereins
Kunsthalle, Bern. Brochure and clipping, 1964
|
|
1 |
|
|
October 30 1964-January 10 1965 "Pittsburgh International
Exhibition of Contemporary Painting and Sculpture," Carnegie
Institute. Price list, 1964
|
|
1 |
|
|
1964 "International Graphics and Multiples," Pollock
Gallery, Toronto. Publicity, 1964
|
|
2 |
|
|
January 6-31 1965 "Izdanja Galerije Denise
René," Kabinet Grafike, Zagreb. Catalog, 1965
|
|
2 |
|
|
January 26-February 27 1965 "Abstract Trompe l'Oeil,"
Sidney Janis Gallery, New York. Catalog, 1965
|
Box |
Folder |
|
|
|
| OS2 |
11 |
|
|
February 25-April 25 1965 "The Responsive Eye," Museum of
Modern Art, New York. Publicity, 1965
|
Box |
Folder |
|
|
|
| 53 |
3 |
|
|
February 25-April 25 1965 "The Responsive Eye," Museum of
Modern Art, New York. Publicity, 1965
|
|
2 |
|
|
March 14-April 25 "1965 American Abstract Artists,"
Riverside Museum, New York. Invitation, 1965
|
|
2 |
|
|
March 1965 Galerie Ruth Nohl, Siegen. Publicity, 1965 |
|
2 |
|
|
April 11-May 9 1965 "Retinal and Perceptual Art,"
University of Texas Art Museum, Austin, TV, Catalog, 1965
|
|
2 |
|
|
May-June 1965 "Art and Movement," Tel Aviv Museum, Tel
Aviv. Catalog, 1965
|
|
2 |
|
|
June 14 1965 White House Festival of the Arts,
Washington, DC. Program, 1965
|
|
2 |
|
|
August-December 1965 Brooklyn Museum, New York.
Publicity, 1965
|
|
2 |
|
|
December 8 1965-January 30 1966 "1965 Annual Exhibition
Contemporary American Painting," Whitney Museum of American Art,
New York. Catalog, 1965
|
|
4 |
|
|
February 11-March 16 1966 "Six Printmakers," Philadelphia
Art Alliance, Philadelphia. Publicity, 1966
|
|
4 |
|
|
April 26-June 30 1966 "Black Mountain College," Carroll
Reece Museum, Johnson City, TN. Catalog, 1966
|
|
4 |
|
|
April 26-May 28 1966 Harcus Krakow Gallery, Boston.
Publicity, 1966
|
|
4 |
|
|
May 8-June 19 1966 Tendenzen Strukturaler Kunst,
Westfälischer Kunstverein Münster. Catalog, 1966
|
|
4 |
|
|
June 1966 The Art Gallery, New York. Publicity, 1966 |
|
4 |
|
|
June 1966 "Op Art," Galerie Wilbrand, Münster.
Invitation, 1966
|
|
4 |
|
|
June 12-August 7 1966 Overbeck-Gesellschaft, Lübeck.
Catalog and publicity, 1966
|
|
5 |
|
|
September 25-November 27 1966 "American Abstract
Artists," Riverside Museum, New York. Catalog and publicity, 1966
|
|
6 |
|
|
October 16-November 13 1966 "Musische Geometrie,"
Kunstverein, Hannover. Catalog and publicity, 1966
|
|
7 |
|
|
October 1966 "Amerikaanse Kunst," Museum Boymans,
Rotterdam. Publicity, 1966
|
|
8 |
|
|
December 16 1966-February 5 1967 "Annual Exhibition 1966:
Contemporary Sculpture and Prints," Whitney Museum of American
Art, New York. Catalog, 1966
|
|
9 |
|
|
1966 Multiples Gallery, New York. Catalog and publicity, 1966 |
Box |
Folder |
|
|
|
| 56 |
|
|
|
1966-1967 "Two Decades of American Painting," traveling
exhibition International Council of The Museum of Modern Art,
New York.
|
|
1 |
|
|
|
Catalogs, 1966-1967 |
|
2 |
|
|
|
Australian publicity and letter from MoMA to JA, August 11 1967 |
|
3 |
|
|
|
Publicity, 1966-1967 |
Box |
Folder |
|
|
|
| 53 |
10 |
|
|
1966 Publicity |
Box |
Folder |
|
|
|
| 54 |
1 |
|
|
"Contemporary Painters and Sculptors as Printmakers,"
Museum of Modern Art, New York. Catalog, 1967
|
Box |
Folder |
|
|
|
| OS2 |
12 |
|
|
March 1967 "Formen der Farbe," Stuttgart. Publicity, 1967 |
Box |
Folder |
|
|
|
| OS20 |
20 |
|
|
April 14-May 21 1967 "Formender Farbe," Kunsthalle, Bern, 1967 |
Box |
Folder |
|
|
|
| 54 |
2 |
|
|
June 10-September 10 1967 "Vom Konstruktivismus zur
Kinetik," Galerie Denise René Hans Mayer, Krefeld.
Brochures, 1967
|
|
1 |
|
|
October 1967-January 7 1968 "1967 Pittsburgh
International Exhibition of Contemporary Painting and
Sculpture," Carnegie Institute, Pittsburgh. Price list, 1967
|
|
3 |
|
|
1967 publicity |
|
4 |
|
|
March 30-April 1968 "Op Kunst," Kunstnernes Hus, Oslo.
Catalog, 1968
|
|
4 |
|
|
March 1968 "Arte Conceptuale," Galleria Milano, Milan.
Catalog, 1968
|
|
4 |
|
|
April 3-April 14 1968 "Plus By Minus: Today's
Half-Century," Albright-Knox Art Gallery, Buffalo. Catalog, 1968
|
|
4 |
|
|
April 1968 "II Bienal Americana de Grabado," Museo de
Arte Contemporáneo, Santiago, Chile. Catalog, 1968
|
|
5 |
|
|
April 13-June 30 1968 "L'Art Vivant 1965-1968," Fondation
Maeght, Paris. Catalog, 1968
|
|
4 |
|
|
April 28-May 19 1968 "Museums Come to Fordham
University," New York. Catalog, 1968
|
|
4 |
|
|
May-October 1968 "Venezia Biennale" Venice. Brochure, 1968 |
|
4 |
|
|
May-June 1968 American Academy of Arts and Letters and
National Institute of Arts and Letters, New York. Catalog, 1968
|
|
6 |
|
|
May 13-18 1968 "Print Club of Philadelphia Comes to New
York," American Artists Gallery, New York. Price list, 1968
|
|
6 |
|
|
1968 Pasadena. Catalog fragment photocopy, 1968 |
|
7 |
|
|
June 15-August 4 1968 "Holland Festival," Haags
Gemeentemuseum, The Hague. Catalog, 1968
|
|
6 |
|
|
June 22-July 28 1968 "Josef Albers/Max Slevogt,"
Kunsthalle Basel. Invitation, 1968
|
|
7 |
|
|
June 1968 "Fünzig Jahre,"
Overbeck-Gesellschaft, Lübeck. Catalog, 1968
|
|
7 |
|
|
July 20-September 15 1968 "Deutscher
Künstlerbund," Nürnberg Kunsthalle.
Catalog, 1968
|
|
7 |
|
|
October 5-November 10 1968 "Signals in the Sixties,"
Honolulu Academy of Arts, Honolulu. Catalog, 1968
|
|
7 |
|
|
October 8-November 30 1968 "12 Führende
Moderne Künstler," Modern Art Museum, München.
Catalog, 1968
|
Box |
Folder |
|
|
|
| OS2 |
13 |
|
|
October 19-November 15 1968 "Icon-Idea," Lafayette
College, Easton, Pennsylvania. Publicity, 1968
|
Box |
Folder |
|
|
|
| 54 |
8 |
|
|
October 29 1968-January 26 1969 "Sixteenth National Print
Exhibition: Two Decades of American Prints 1947-1968, Brooklyn
Museum, New York. Catalog, 1968
|
|
8 |
|
|
November 10-December 15 1968 "Graphics from the
Collection of Lydia and Harry Lewis Winston," Kalamazoo
Institute of Arts," Kalamazoo, MI. Catalog, 1968
|
|
8 |
|
|
November 13 1968-January 21 1969 "The Pure and
Clear/American Innovations," Philadelphia Museum of Art,
Philadelphia. Catalog, 1968
|
|
8 |
|
|
November 23 1968-January 19 1969 "British International
Print Biennale," Bradford City Art Gallery and Museums,
Yorkshire, England. Catalog, 1968
|
|
8 |
|
|
1968 "Kleine Dokumenta," Overbeck-Gesellschaft, Lübeck.
Catalog, 1968
|
|
9 |
|
|
1968 "Icon-Idea," traveling exhibition, Smithsonian
Institution Traveling Exhibition Service. Catalog, 1968
|
|
10 |
|
|
1968 "Serial Imagery," Pasadena Art Museum, Pasadena,
California. Publicity, 1968
|
Box |
Folder |
|
|
|
| OS2 |
10 |
|
|
1968 publicity |
Box |
Folder |
|
|
|
| 55 |
1 |
|
|
March 19-April 19 1969 "Albers Soto Herbin," Hanover
Gallery, London. Invitation, 1969
|
Box |
Folder |
|
|
|
| OS20 |
21 |
|
|
March 1969 Westfälischen Kunstverein, Münster.
Publicity, 1969
|
Box |
Folder |
|
|
|
| 55 |
1 |
|
|
April 1-December 21 1969 Geigy Art Collection:
Acquisitions. Catalog, 1969
|
|
1 |
|
|
May 2-Junee 28 1969 David Hendriks Gallery, Dublin.
Invitation and catalog, 1969
|
|
1 |
|
|
May 30-July 3 1969 "Bauhäusler in Amerika,"
Bauhaus Archiv, Darmstadt. Catalog and invitation, 1969
|
|
1 |
|
|
August 1969 "Carlos Mérida/Josef Albers," Universidad
Nacional Autónoma de México, Mexico City. Brochure, 1969
|
|
1 |
|
|
September-October 1969 "Xylon V: Internationale
Holzchnitt Austellung," Kärntner Landesgalerie,
Klagenfurt. Catalog, 1969
|
|
1 |
|
|
1969 "Recent Acquisitions 1969," Pasadena Art Museum,
Pasadena, CA. Catalog, 1969
|
|
2 |
|
|
1969 publicity |
|
3 |
|
|
1970 publicity |
|
4 |
|
|
January 1970 Galerie Müller, Köln.
Brochure, 1970
|
|
4 |
|
|
February 6-March 14 1970 "American Artists of the
Nineteen Sixties," Boston University, Boston. Catalog, 1970
|
|
4 |
|
|
May 4-June 7 "American Painting 1970," Virginia Museum,
Richmond. Catalog, 1970
|
|
4 |
|
|
June 1-September 1 "Seventeenth National Print
Exhibition," Brooklyn Museum, New York. Catalog, 1970
|
|
4 |
|
|
July 1970-April 1971 "Moderne Duitse Kunst," traveling
exhibition. Catalog, 1970
|
|
5 |
|
|
August 7-September 13 1970 "IV Bienal Americana de
Grabado Santiago de Chile," Santiago, Chile. Catalog, 1970
|
|
6 |
|
|
October 10-November 10 1970 "Masterpieces of Modern Art,"
Galerie Denise René Hans Mayer, Krefeld. Catalog, 1970
|
|
6 |
|
|
October 30 1970-January 10 1971 "1970 Pittsburgh
International," Carnegie Institute. Catalog, 1970
|
|
7(1) |
|
|
January 12-March 7 1971 "Contemporary American Prints,"
Yale University Art Gallery, New Haven. Publicity, 1971
|
|
7(1) |
|
|
February 25-April 18 1971 "The Structure of Color,"
Whitney Museum of American Art, New York. Catalog and publicity, 1971
|
|
7(1) |
|
|
November 1-December 28 1971 "Modern Graphics and
Multiples," Bishop's Palace, Waterford, England. Catalog, 1971
|
|
7(2) |
|
|
1972 publicity |
|
7(3) |
|
|
February 1972 "Il Principio,"
Cenebio-Visualitá, Milan. Catalog, 1972
|
|
8 |
|
|
March 6-April 22 1973 "Twenty-Five Years of American
Painting 1948-1973" Des Moines Art Center, Des Moines, IA.
Catalog, 1973
|
|
8 |
|
|
April 1-May 6 1973 "Westfälische Grafik 73,"
Städtische Gustav Lübcke Museum, Hamm.
Catalog, 1973
|
|
8 |
|
|
October 23-November 24 1973 Goethe House, New York.
Catalog, 1973
|
|
8 |
|
|
December 9 1973-January 27 1974 "Bauhaus," University of
Michigan, Ann Arbor, MI. Invitation, 1973
|
|
9 |
|
|
June 1-July 14 1974 "Geometric Abstraction of the 1930s"
Zabriskie Gallery, New York. Publicity, 1974
|
|
10 |
|
|
February 7-March 10 1974 "Less is More: The Influence of
the Bauhaus on American Art," Lowe Art Museum, Miami. Catalog, 1974
|
|
10 |
|
|
February 21-24 1974 "Contemporary Paintings, Drawings and
Sculpture," Sotheby Parke Bernet, Los Angeles. Publicity, 1974
|
|
10 |
|
|
May 9-June 1 1974 "Selected Works from the Collection of
Carter Burden," Marlborough Gallery, New York. Catalog, 1974
|
|
10 |
|
|
September 1974 "Color in the Graphic Arts," Library of
Congress, Washington D.C. Publicity, notes and letter from JA to
Library of Congress, 1974
|
|
10 |
|
|
December 3 1974-March 3 1975 "American Prints 1913-1963"
Museum of Modern Art, New York. Catalog, 1974
|
|
11 |
|
|
February-March 1975 "Color," Museo de Arte Moderno,
Bogota, Colombia. Catalog/poster, 1975
|
Box |
Folder |
|
|
|
| OS2 |
15 |
|
|
October-December 1976 "America America," Galerie Beyeler,
Basel. Catalog, 1976, 1976
|
|
16 |
|
|
May 23-June 14 1974 "An Exhibition of Art Work by
Students of Josef Albers," Carpenter Center, Harvard University,
Cambridge. Publicity, 1974
|
Box |
Folder |
|
|
|
| 56 |
4-5 |
|
|
Undated [see folders for more information] |
|
|
|
Subseries E. Architectural Commissions, circa 1916-1980 |
|
|
|
Correspondence, photographs, negatives, transparencies, plans,contracts, drawings, writings and publicity.
|
Box |
Folder |
|
|
|
| 57 |
1 |
|
|
Circa 1916-1917 St. Michael's Church, Bottrop, Rosa
mytica ora pro nobis, undated
|
Box |
Folder |
|
|
|
| 118 |
11 |
|
|
1922 Haus Sommerfield, Berlin-Dahlem, stained glass window (destroyed), undated |
Box |
Folder |
|
|
|
| 118 |
10 |
|
|
1922-1923 Haus Otte, Berlin-Zehlendorf, stained glass window, undated
|
Box |
Folder |
|
|
|
| 118 |
12 |
|
|
1926 Grassi Museum, Leipzig, ten stained glass windows (destroyed), undated |
Box |
Folder |
|
|
|
| 118 |
13 |
|
|
1928 Ullsteinhaus, Berlin-Tempelhof, three stained glass windows (destroyed), undated |
Box |
Folder |
|
|
|
| 118 |
10 |
|
|
1922-1923 Haus Otte, Berlin-Zehlendorf, stained glass window, undated
|
Box |
Folder |
|
|
|
| OS20 |
23 |
|
|
1950 U.S. Steel Corporation, Pittsburgh, terrazzo floor, 1950 |
Box |
Folder |
|
|
|
| 57 |
3-4 |
|
|
1950 Harvard University Graduate Center, America, 1950-1967, undated |
Box |
Folder |
|
|
|
| OS20 |
26 |
|
|
1950 Harvard University Graduate Center, America, 1950 |
Box |
Folder |
|
|
|
| 57 |
5 |
|
|
1953 Benton County P.U.D. Administration Building,
Seattle, unrealized commission, 1953
|
|
6-7 |
|
|
1955 St. John's Abbey Chapel, Collegeville, MN, White Cross Window, 1957-1974
|
|
8 |
|
|
1955 Rouse Fireplace, North Haven, CT, undated |
|
9 |
|
|
1957 Cinestage Theater, Chicago, ornamented illuminated
doors, undated
|
|
10 |
|
|
1959 DuPont Fireplace, Woodbridge, CT, 1955 |
|
11-12 |
|
|
1959-1960 Corning Glass Building Lobby, New York, Two Structural Constellations, 1958-1960
|
|
13-14 |
|
|
1961 Time and Life Building, New York, Portals, 1961-1962
|
|
15-16 |
|
|
1961 St. Patrick's Church, Oklahoma City, OK, altar wall, 1963-1969 |
|
17-18 |
|
|
1963 Pan America Building (current Met Life Building),
New York, Manhattan, undated
|
Box |
Folder |
|
|
|
| OS1 |
12 |
|
|
1963 Pan America Building (current Met Life Building),
New York, Manhattan, undated
|
Box |
Folder |
|
|
|
| 58 |
1 |
|
|
1963 Yale University Art and Architecture Building,
Repeat and Reverse, undated
|
|
2-4 |
|
|
1967 Rochester Institute of Technology, Growth and RIT Loggia Wall, 1966-1975, undated
|
Box |
Folder |
|
|
|
| OS3 |
1 |
|
|
1967 Rochester Institute of Technology, Growth and RIT Loggia Wall, 1966-1975, undated
|
Box |
Folder |
|
|
|
| OS20 |
25 |
|
|
1967 Rochester Institute of Technology, RIT Loggia Wall, 1966
|
Box |
Folder |
|
|
|
| 58 |
5 |
|
|
1972 University of the Ruhr, Bochum, Germany, two
untitled murals, 1971-1973
|
|
6 |
|
|
1972 Celanese Building Lobby, New York, Reclining Figure, undated
|
|
7 |
|
|
1972 Grand Avenue National Bank Lobby, Kansas City, MO,
Gemini, 1971-1975, undated
|
Box |
Folder |
|
|
|
| 59 |
5-8 |
|
|
1972 Landesmuseum für Kunst und
Kulturgeschichte, Münster, Two
Supraportas, 1969-1975, undated
|
Box |
Folder |
|
|
|
| OS20 |
25 |
|
|
1972 Landesmuseum für Kunst und
Kulturgeschichte, Münster, Two
Supraportas, 1969-1975, undated
|
Box |
Folder |
|
|
|
| 58 |
8-9 |
|
|
1976 Mutual Life Center, Sydney, Australia, Wrestling, 1971-1976, undated
|
Box |
Folder |
|
|
|
| OS20 |
22 |
|
|
1976 Mutual Life Center, Sydney, Australia, Wrestling, 1971-1976, undated
|
Box |
Folder |
|
|
|
| 58 |
10-13 |
|
|
1980 Stanford University, Lomita Mall, Stanford Wall, 1960-1980, undated
|
|
|
|
|
(includes correspondence with AA) |
Box |
Folder |
|
|
|
| 59 |
1-4 |
|
|
1980 Stanford University, Lomita Mall, Stanford Wall, 1960-1980
|
Box |
Folder |
|
|
|
| OS20 |
24 |
|
|
1980 Stanford University, Lomita Mall, Stanford Wall, 1960-1980
|
Box |
Folder |
|
|
|
| OS3 |
|
|
|
1980 Stanford University, Lomita Mall, Stanford Wall, 1960-1980
|
|
|
|
|
(empty Stanford University binders) |
Box |
Folder |
|
|
|
| 59 |
9 |
|
|
Notebook with descriptions and photographs of ten
architectural commissions, undated
|
|
10 |
|
|
Notes and lists of architectural commissions, undated |
Box |
Folder |
|
|
|
| OS3 |
2 |
|
|
Mounted photographs of 1959-1960 Corning Glass Building
Lobby, New York; Two Structural
Constellations, 1958-1960; and 1963 Yale University
Art and Architecture Building, Repeat and
Reverse, undated
|
|
|
|
Subseries F. Awards and Honorary Degrees, 1957-1977 |
|
|
|
Correspondence, awards, photographs, writings, speeches,
publicity, medals, rings and cufflinks.
|
Box |
Folder |
|
|
|
| 60 |
1 |
|
|
American Institute of Arts and Sciences, 1973 Fellowship, 1973 |
|
2 |
|
|
American Institute of Architects, 1969 Collaborative
Achievement in Architecture Medal consideration for St.
Patrick's Church, Oklahoma City, OK, 1969
|
|
3 |
|
|
American Academy of Architects, 1972 Collaborative
Achievement in Architecture Medal to Rochester Institute of
Technology, 1973-1973
|
Box |
Folder |
|
|
|
| OS4 |
1 |
|
|
American Institute of Architects, 1974 Fine Arts Medal
Nomination, 1973
|
Box |
Folder |
|
|
|
| 60 |
4-6 |
|
|
American Institute of Architects, 1975 Fine Arts Medal, 1969-1975 |
Box |
Folder |
|
|
|
| OS6 |
|
|
|
American Institute of Architects, 1975 Fine Arts Medal |
Box |
Folder |
|
|
|
| 60 |
7 |
|
|
American Institute of Graphic Art, 1964 Honorary Member, 1964 |
Box |
Folder |
|
|
|
| OS21 |
2(2) |
|
|
American Institute of Graphic Art, 1964 Honorary Member, 1964 |
Box |
Folder |
|
|
|
| 60 |
8 |
|
|
Stadt Bottrop, Plakette der Stadt Bottrop, 1963 |
Box |
Folder |
|
|
|
| OS6 |
|
|
|
Stadt Bottrop, Plakette der Stadt Bottrop, 1963 |
|
|
|
|
Stadt Bottrop, undated |
Box |
Folder |
|
|
|
| PC4 |
|
|
|
Stadt der Arbeit und Erholung Bottrop, medal, 1968 |
Box |
Folder |
|
|
|
| OS21 |
1(2) |
|
|
Stadt Bottrop, Ehrenbürgerrecht, 1970 |
Box |
Folder |
|
|
|
| 60 |
9 |
|
|
Brooklyn Institute of Arts and Sciences, 1977 Life
Member, 1977
|
|
10 |
|
|
California College of Arts and Crafts, 1964 Honorary
Degree of Doctor of Fine Arts, 1964
|
|
11 |
|
|
Carborundum Company, 1970 Carborundum Sculpture Award, 1971 |
|
12 |
|
|
Carnegie Institute, Pittsburgh International Exhibition
of Contemporary Painting and Sculpture, 1967 Carnegie Institute
Award for Painting, 1967
|
|
13 |
|
|
College Art Association of America, 1973 Distinguished
Teaching of Art Award, 1973
|
Box |
Folder |
|
|
|
| PC4 |
|
|
|
Fratelli Fabbri Editori medal, undated |
Box |
Folder |
|
|
|
| 60 |
14 |
|
|
Town of Fairfield, CT 1976 Artist of the Year Award, 1976 |
Box |
Folder |
|
|
|
| OS5 |
|
|
|
Town of Fairfield, CT 1976 Artist of the Year Award, 1976 |
Box |
Folder |
|
|
|
| 61 |
1 |
|
|
Ford Foundation, 1959 Fellowship, 1958-1959 |
|
2 |
|
|
Federal Republic of Germany, 1957 Cross of the Order of
Merit, 1957
|
|
3 |
|
|
Federal Republic of Germany, 1968 Cross of the Order of
Merit, 1968
|
|
4 |
|
|
Graham Foundation, 1962 grant and co-recipient with Paul
Rudolph for sculpture commission for Yale Art and Architecture
building Repeat and Reverse, 1962-1964
|
|
5 |
|
|
Kaufman International Design Award, 1961 candidate, 1971 |
|
6 |
|
|
Kenyon College, 1969 Honorary Degree of Doctor of Fine
Arts, 1969
|
Box |
Folder |
|
|
|
| OS4 |
5 |
|
|
Kenyon College, 1969 Honorary Degree of Doctor of Fine
Arts, 1969
|
|
|
|
|
[see unboxed oversize folder] |
Box |
Folder |
|
|
|
| OS19 |
4 |
|
|
Kenyon College, 1969 Honorary Degree of Doctor of Fine
Arts, 1969
|
Box |
Folder |
|
|
|
| 61 |
7 |
|
|
Maryland Institute, 1972 Honorary Degree of Doctor of
Fine Arts, 1972
|
|
8 |
|
|
Metropolitan Museum of Art, 1970 Fellow for Life, 1970 |
Box |
Folder |
|
|
|
| OS21 |
2 |
|
|
Metropolitan Museum of Art, 1970 Fellow for Life, 1970 |
Box |
Folder |
|
|
|
| OS4 |
2 |
|
|
Metropolitan Museum of Art, Benefactor, 1972 |
Box |
Folder |
|
|
|
| 61 |
9 |
|
|
Minneapolis School of Art, 1969 Honorary Degree of Doctor
of Fine Arts, 1969
|
|
10 |
|
|
National Association of Schools of Art, 1971 Citation, 1971 |
Box |
Folder |
|
|
|
| OS21 |
2 |
|
|
National Association of Schools of Art, 1971 Citation, 1971 |
Box |
Folder |
|
|
|
| 61 |
11 |
|
|
National Institute of Arts and Letters, 1968 Membership, 1968 |
|
12 |
|
|
National Institute of Arts and Letters, 1974 Nomination
for the Gold Medal for Graphic Art, 1974
|
Box |
Folder |
|
|
|
| PC4 |
|
|
|
NIGB Fredrikstad, undated |
Box |
Folder |
|
|
|
| 61 |
13 |
|
|
Nordrhein Westfalen, 1968 Grossern Kunstpreis, 1968 |
|
14 |
|
|
Norwegian International Print Biennale, 1972 Gold Medal, 1972 |
|
15 |
|
|
Oklahoma City Arts Council, 1970 Design Excellence Award, 1970 |
|
16 |
|
|
Philadelphia College of Art, 1976 Honorary Degree of
Doctor of Fine Arts, 1976
|
|
17 |
|
|
Philadelphia Museum College of Art, 1962 Citation, 1962 |
|
18 |
|
|
Pratt Institute, 1975 Honorary Degree of Doctor of Fine
Arts, 1975
|
Box |
Folder |
|
|
|
| OS4 |
|
|
|
Pratt Institute, 1975 Honorary Degree of Doctor of Fine
Arts, 1975
|
Box |
Folder |
|
|
|
| OS5 |
|
|
|
Premio Internazionale Diano Marina per Illustrazione
Artistica di Opera Letteraria, 1973
|
Box |
Folder |
|
|
|
| 61 |
19 |
|
|
Royal Society for the Encouragement of Arts, 1970
Benjamin Franklin Fellow, 1970
|
Box |
Folder |
|
|
|
| PC4 |
|
|
|
Rathaus der Stadt Bottrop, medal, undated |
Box |
Folder |
|
|
|
| 62 |
1 |
|
|
Ruhr Universität Bochum, 1967 Honorary Degree, 1967 |
|
2 |
|
|
Skowhegan Medal for Graphics, 1971 |
Box |
Folder |
|
|
|
| OS6 |
|
|
|
Skowhegan Medal for Graphics, 1971 |
Box |
Folder |
|
|
|
| PC4 |
|
|
|
Smithsonian James Smithson medal, undated |
|
|
|
|
(includes note) |
Box |
Folder |
|
|
|
| 62 |
3 |
|
|
Tercera Bienal del Grabado, 1968 Premio de Honor, 1968 |
|
4 |
|
|
Mark Twain Journal, 1972 Knight of Mark Twain, 1972 |
Box |
Folder |
|
|
|
| OS21 |
|
|
|
Universidad Catolica de Chile, Miembo
Académico, 1953
|
Box |
Folder |
|
|
|
| 62 |
5-6 |
|
|
University of Bridgeport, 1966 Honorary Degree of Doctor
of Laws, 1966
|
|
7 |
|
|
University of Hartford, 1958 Honorary Degree of Doctor of
Fine Arts, 1958
|
|
8 |
|
|
University of Illinois, 1969 Honorary Degree of Doctor of
Fine Arts, 1969
|
|
|
|
|
[see Box OS23] |
|
9 |
|
|
University of Illinois, 1972 Alumni Association Life
Member, 1972
|
|
10 |
|
|
University of North Carolina, 1967 Honorary Degree of
Doctor of Fine Arts, 1967
|
Box |
Folder |
|
|
|
| OS21 |
2 |
|
|
University of North Carolina, 1967 Honorary Degree of
Doctor of Fine Arts, 1967
|
Box |
Folder |
|
|
|
| 62 |
11 |
|
|
Washington University, 1971 Honorary Degree of Doctor of
Fine Arts, 1970-1971
|
Box |
Folder |
|
|
|
| PC4 |
13 |
|
|
Washington University, 1971 Honorary Degree of Doctor of
Fine Arts, 1970-1971
|
Box |
Folder |
|
|
|
| 62 |
12-13 |
|
|
Conrad von Soest Prize, 1958 |
Box |
Folder |
|
|
|
| OS4 |
5 |
|
|
Conrad von Soest Prize, 1958 |
Box |
Folder |
|
|
|
| OS21 |
2-3 |
|
|
Conrad von Soest Prize, 1968 |
Box |
Folder |
|
|
|
| 62 |
14 |
|
|
Yale University, 1967 Saybrook College Fellow Emeritus, 1967 |
|
15 |
|
|
Yale University, 1962 Honorary Degree of Doctor of Fine
Arts, 1962
|
Box |
Folder |
|
|
|
| OS4 |
4 |
|
|
Yale University, 1950 |
Box |
Folder |
|
|
|
| 62 |
16 |
|
|
York University, 1973 Honorary Degree of Doctor of Fine
Arts, 1973
|
|
17 |
|
|
Lists of awards and honorary degrees |
|
18 |
|
|
Unidentified award presentation speech, undated |
Box |
Folder |
|
|
|
| OS5 |
|
|
|
Unidentified medal undated |
Box |
Folder |
|
|
|
| OS6 |
|
|
|
Unidentified medal and ring undated |
Box |
Folder |
|
|
|
| PC4 |
|
|
|
Unidentified medal undated |
|
|
|
|
Cufflinks |
|
|
|
Subseries G. Notebooks, undated |
|
|
|
[Binders and loose leaves in notebooks were disassembled and
placed in folders, the label contained in quotes, e.g. "Lect" is
the label on the original binder/notebook]
|
Box |
Folder |
|
|
|
| 63 |
|
|
|
Lists |
|
|
|
|
[see Box 66] |
|
1-2 |
|
|
|
Lectures and consignments "Lect" |
|
3-4 |
|
|
|
Comments on work in books, catalogs and magazines
"Publ"
|
|
5-7 |
|
|
|
Prints, paintings and glass works up to 1949 "Pr" |
|
8-9 |
|
|
|
Collectors A-M "I" |
|
10 |
|
|
|
Collectors Mc-Z "II" |
Box |
Folder |
|
|
|
| 64 |
1 |
|
|
|
Collectors Mc-Z "II" |
|
2-3 |
|
|
|
People that books were sent to "C" |
|
4-5 |
|
|
|
Works sent to galleries and individuals (mostly Janis
Gallery) and description of painting methods 1951-1958 "D I"
|
|
6-7 |
|
|
|
Works with descriptions 1958-1961"E II" |
|
8 |
|
|
|
Works with descriptions 1961-1968 "F III" |
Box |
Folder |
|
|
|
| 65 |
1-2 |
|
|
|
Works with descriptions 1961-1966 "F III" |
|
3-4 |
|
|
|
Exhibitions 1918-1967 "Exh G" |
|
5 |
|
|
|
Notes and writings, undated |
|
6 |
|
|
|
Notes and writings, undated (mostly blank) "4", undated |
|
7 |
|
|
|
Miscellaneous notes, undated |
|
8 |
|
|
|
Notes on abstract art and English (mostly blank), undated |
|
9 |
|
|
|
Blank tablet |
Box |
Folder |
|
|
|
| 66 |
12 |
|
|
|
"Preference and Prejudice" undated |
Box |
Folder |
|
|
|
| OS7-OS11 |
|
|
|
|
Disassembled empty binders and notebooks |
|
|
|
Subseries H. Work Lists, 1964-1979, undated |
Box |
Folder |
|
|
|
| 66 |
3 |
|
|
Private collections, undated |
|
4 |
|
|
Private and public collections, undated |
|
5 |
|
|
Public collections, undated |
|
6 |
|
|
Work in Bottrop, 1971 |
|
7 |
|
|
Work at Yale University Gallery, undated |
|
8 |
|
|
Insurance values, 1972, undated |
|
9 |
|
|
Insurance values lists, undated |
|
10 |
|
|
Professional invitations, 1964-1968, undated |
|
11 |
|
|
Collection reports, 1967, 1970, 1977-1979 |
|
|
|
Subseries I. Color Research, 1924-1975 |
Box |
Folder |
|
|
|
| 76 |
1 |
|
|
ABC von K+E (Kast and Ehringer) 1955 calendar |
|
2 |
|
|
Kolor Pakette, undated |
|
|
|
|
Color Helm, 1940 |
|
|
|
|
Pratt and Lambert Color Calibrator, 1949 |
Box |
Folder |
|
|
|
| 77 |
1-4 |
|
|
Various printed materials, 1924-1974, undated |
|
5 |
|
|
Inter-Society Color Council, newsletter and meeting
programs, 1942, 1947, 1964
|
|
6-7 |
|
|
Color-aid Paper and color stamps |
|
8 |
|
|
Glanzfarben RAL-F3, undated |
|
9 |
|
|
Materials regarding to color, psychology and Frank
Duveneck (includes letters from JA to John Weis, Philip Adams,
and National Building Research Institute; letters from Friedrich
Wolff, Eric Lenneberg, Edward Dwight and H.H. Wessel to JA;
notes on color; Massachusetts Insitute of Technology Special
Summer Program 1958 "Color in Art and Science" program; printed
materials), 1955-1968
|
Box |
Folder |
|
|
|
| OS15 |
1-8 |
|
|
Various printed materials |
Box |
Folder |
|
|
|
| OS19 |
10 |
|
|
Sketches, "Das Ostwald System," undated |
Box |
Folder |
|
|
|
| OS21 |
4 |
|
|
Colorlog, Sigmund Ullman Company |
|
5 |
|
|
Various colored sheets and color examples |
|
6(1) |
|
|
More Business November 1937, includes "The Science of
Color, A Summary of the Theories of Dr. Wilhelm Ostwald"
|
|
|
|
|
Screen Tint Color Guide, Charlotte Engraving Company, undated |
|
|
|
|
[see unboxed oversize folder] |
|
6(2) |
|
|
Printed materials, undated |
|
|
|
Subseries J. Interviews, 1957-1973 |
Box |
Folder |
|
|
|
| 67 |
1 |
|
|
"Yale Reports. The Teaching of Art II: Training in Visual
Experience," No. 54. WTIC (Hartford) radio interview. Transcript
photocopies, January 20 1957
|
|
2 |
|
|
Arts, May 1958 "Studio
Talk, Color is Magic: Interview with Josef Albers" by Bernard
Chaet. Clippings, 1958
|
|
3 |
|
|
The Artist's Voice: Talks with
Seventeen Artists by Katharine Kuh. Excerpt
photocopies with handwritten corrections, 1960
|
|
4 |
|
|
"Yale Reports. The Teaching of Art," WTIC (Hartford)
radio interview. Transcript photocopies, December 3 1961
|
|
5 |
|
|
Das Kunstwerk, April-May
1961 "Fragen an Albers" by Leif Sjorberg. Handwritten drafts,
typescripts and photocopies, 1961
|
|
6 |
|
|
Art Voices, Winter 1965
"Taped Interview with Josef Albers" by Jacqueline Barnitz.
Clippings, typescript carbons and photocopies with handwritten
corrections, 1965
|
|
7 |
|
|
Jane Fiske McCullough, transcript typescript photocopy, December 1965 |
|
|
|
|
[see Box 6 Folder 44 for original] |
|
8 |
|
|
Art News, January 1966
"Albers on Albers" by Neil Welliver. Typescript carbon with
handwritten corrections, clippings and photocopies, 1966
|
|
9 |
|
|
Martin Duberman, letter from Duberman to JA and AA and
transcript typescript with handwritten corrections, 1967
|
|
10 |
|
|
Leonardo, 1970 "A
Conversation with Josef Albers." Reprints and typed transcript
photocopy, 1970
|
|
11(1) |
|
|
Giessener Beiträge zur
Kunstgeschichte, Vol 1 1970 "Josef Albers
über Franz von Stuck" by J.A. Schmoll gen. Eisenweth.
Pamphlets and English translation, 1970
|
|
11(2) |
|
|
"Einleitung (ein interview mit Albers)," Dietrich Mahlow,
typescript photocopy, July 1970
|
Box |
Folder |
|
|
|
| OS19 |
8 |
|
|
"Einleitung (ein interview mi Albers)," Dietrich Mahlow,
typescript photocopy and galleys, July 1970
|
Box |
Folder |
|
|
|
| OS21 |
7 |
|
|
"Ich liebe das Quadrat: Ein Interview mit Josef Albers,"
Die Zeit, March 15 1968
|
Box |
Folder |
|
|
|
| 67 |
12 |
|
|
Kölner Stadt-Anzeiger No. 66/5 1973 "Farben
Spielen Liebe und Has" by Von Werner Krüger.
Photocopies, 1973
|
|
13 |
|
|
Handwritten transcript excerpts of sound recordings, 1960-1968 |
|
|
|
|
[see Series XII. Audiovisual] |
|
|
|
Subseries K. Bibliography/Biography, 1958-1976, undated |
Box |
Folder |
|
|
|
| 68 |
1 |
|
|
Bibliographies of publications by JA,, undated |
|
2 |
|
|
Bibliographies of publications on JA, undated |
|
3 |
|
|
Bibliographies of publications by and on JA, undated |
|
4 |
|
|
Published bibliographies with handwritten annotations, undated |
|
5 |
|
|
Bibliography and biography packet prepared by JA, undated |
|
6 |
|
|
Bibliographies of German publications on JA, undated |
|
7 |
|
|
Biographical publications. Correspondence and
biographies, 1958-1976
|
|
8-10 |
|
|
Biographies and biographical notes and writings by JA, undated |
|
11 |
|
|
Notes and lists regarding arrangement of personal papers, undated |
|
12 |
|
|
"Additional personal notes," typescript photocopy, undated |
|
|
Series III. Writings, 1928-1977 |
|
|
|
Subseries A. Books, 1954-1977 |
Box |
Folder |
|
|
|
| 71 |
|
|
|
Josef Albers by Eugen
Gomringer, Essays by Josef Albers, Clara Diament de Sujo, Will
Grohmann, Norbert Lynton, and Michel Seuphor. New York: George
Wittenborn, 1968. German edition, Starnberg: Josef Keller
Verlag, 1968. French edition, Paris: Dessain et Tolra, 1972. 1957-1975, undated
|
|
|
|
|
|
Wittenborn and Company edition |
|
1 |
|
|
|
|
Composite draft with corrections, undated |
|
2 |
|
|
|
|
Lists and notes, undated |
|
3 |
|
|
|
|
Wittenborn and Company Correspondence and
invoices, 1968-1970, undated
|
|
4 |
|
|
|
|
Typescript photocopy, corrected with annotations, undated |
|
5-7 |
|
|
|
|
Eugen Gomringer correspondence, 1957-1975 |
|
|
|
|
|
|
(includes Gomringer family correspondence) |
|
8 |
|
|
|
|
Miscellaneous materials from Eugen Gomringer, 1971, undated |
|
|
|
|
|
Josef Verlag edition |
|
9-10 |
|
|
|
|
Correspondence, 1963-1970, undated |
|
11 |
|
|
|
|
Notes, 1963, undated |
|
12 |
|
|
|
|
Lists of people to receive books, 1969-1970 |
|
13 |
|
|
|
|
Architectural commissions. Handwritten and typed
notes, undated
|
|
14 |
|
|
|
|
Photographs, sketch and photocopies, undated |
|
15 |
|
|
|
Correspondence, 1961-1975 |
|
16 |
|
|
|
Handwritten and typed notes, undated |
|
17 |
|
|
|
Invoices, 1969 |
|
18-21 |
|
|
|
Publicity, 1967-1970 |
Box |
Folder |
|
|
|
| OS1 |
13 |
|
|
|
Publicity, 1968 |
Box |
Folder |
|
|
|
| 71 |
|
|
|
|
Empty folders with JA handwritten notes, undated |
Box |
Folder |
|
|
|
| 70 |
|
|
|
Despite Straight Lines by
Francois Bucher. New Haven and London: Yale University Press,
1961. Revised edition, Cambridge and London: MIT Press, 1977.
German edition (Trotz der Geraden), Bern: Benteli-Verlag, 1961. 1960-1979, undated
|
|
1 |
|
|
|
Early transcript and handwritten draft with
handwritten corrections, undated
|
|
2 |
|
|
|
Composite drafts, undated |
|
3 |
|
|
|
Composite German drafts, undated |
|
4 |
|
|
|
Early transcript draft with handwritten corrections, undated |
|
5 |
|
|
|
Yale University Press page proofs with handwritten
corrections, 1961
|
|
6 |
|
|
|
Handwritten notes and correspondence drafts, undated |
|
7 |
|
|
|
François Bucher correspondence, 1960-1976, undated |
|
8 |
|
|
|
Yale University Press memorandum of agreement and
correspondence, 1961-1973
|
|
9 |
|
|
|
Lists for Yale University Press of people to receive
books, undated
|
|
10 |
|
|
|
Letters in response to gifts, 1961-1967 |
|
11 |
|
|
|
Fan mail, 1962-1971 |
|
12 |
|
|
|
Bentali Verlag correspondence, 1961-1974 |
|
13(1) |
|
|
|
German edition, typescript with handwritten
corrections, notes and drawings, undated
|
|
13(2) |
|
|
|
Wittenborn and Company correspondence regarding
German edition, 1968-1973, undated
|
|
14 |
|
|
|
Lists for Bentali Verlag of people to receive books, undated |
|
15 |
|
|
|
Correspondence with Kiyoshi Asano of Charles E.
Tuttle Company regarding Japanese translation, 1973-1974
|
|
16 |
|
|
|
Eastman and Eastman correspondence, 1975-1976 |
|
17 |
|
|
|
Advertisements, 1961, 1964, 1979 |
|
18 |
|
|
|
Reviews, 1962-1979 |
|
|
|
|
|
MIT edition, 1977 |
|
19 |
|
|
|
|
Typescript carbons, typescript photocopy and
handwritten drafts of additional texts with photograph, undated
|
|
20 |
|
|
|
|
Typescript and handwritten drafts of additional
text, undated
|
|
21 |
|
|
|
|
Typescript and typescript photocopy of additional
text, changes and instructions, 1974
|
|
22 |
|
|
|
|
Correspondence, 1968-1976 |
|
23 |
|
|
|
|
Correspondence, March 1976-September 1977 |
|
|
|
|
|
|
(correspondence with Anni Albers) |
|
24 |
|
|
|
|
Photocopy of books with additions and
corrections, undated
|
|
25 |
|
|
|
|
Galley proofs with handwritten corrections, 1976 |
|
26 |
|
|
|
|
MIT Press author questionnaire, March 1976 |
|
|
|
|
|
Formulation: Articulation,
2 portfolios. New Haven: Ives-Sillman; New York: Harry N.
Abrams, 1972. 1965-1976
|
Box |
Folder |
|
|
|
| 69 |
1 |
|
|
|
Handwritten typescript drafts, undated |
|
2 |
|
|
|
Project statement, 1970 |
|
3 |
|
|
|
Harry N. Abrams correspondence and contract, 1965-1976 |
|
4 |
|
|
|
Letters in response to gifts, 1972-1975 |
|
5 |
|
|
|
Lists of gift recipients, 1972, undated |
|
6 |
|
|
|
Portfolio folders, undated |
|
7 |
|
|
|
Content description and process, undated |
|
8 |
|
|
|
Publicity, 1972 |
Box |
Folder |
|
|
|
| OS1 |
14 |
|
|
|
Publicity, 1972 |
Box |
Folder |
|
|
|
| 69 |
9 |
|
|
|
Prospective exhibition correspondence, 1972-1974 |
Box |
Folder |
|
|
|
| 73 |
|
|
|
Interaction of Color.
Boxed set with 80 color folios and commentary. New Haven and
London: Yale University Press, 1963. revised, 1974. German
edition (Grundlegung einer Didaktik des Sehens), Starnberg:
Josef Keller Verlag, 1972. Finnish edition (Varien
vuorovaikutus), Helsinki: Vaapa Taidekoulu, 1978. Interaction of Color. Small edition
New Haven and London: Yale University Press, 1971, rev. 1974.
German edition (Grundlegung einer Didaktik des Sehens), Köln:
Verlag M. DuMont Schauberg, 1970, 1977. Japanese edition, Tokyo:
David Sha, 1975. French edition (L’Interaction des Couleurs),
Paris: Librairie Hachette, 1974. Spanish edition (La interaction
del color), Madrid: Alianza Forma, 1975. Finnish edition (Varien
vuorovaikutus), Helsinki: Vaapa Taidekoulu, 1978. 1956-1976
|
|
1-2 |
|
|
|
Early text draft, typescript carbon with handwritten
corrections, undated
|
|
3-5 |
|
|
|
Intermediate text drafts typescript and carbon with
handwritten corrections with binder, 1963
|
|
6 |
|
|
|
Handwritten, typescript carbon and photocopies of
text draft fragments, undated
|
|
7 |
|
|
|
Chapter 10 text typescript, typescript carbon and
photocopy with handwritten notes (includes German, French
and Spanish translations), undated
|
Box |
Folder |
|
|
|
| OS12 |
2-13 |
|
|
|
Text and plate proofs with handwritten notes and
corrections, 1962-1963
|
| 116 |
|
|
|
|
Text and plate proofs with handwritten notes and
corrections, 1962-1963
|
| 117 |
|
|
|
|
Text and plate proofs with handwritten notes and
corrections, 1962-1963
|
Box |
Folder |
|
|
|
| OS14 |
1-3 |
|
|
|
Color study transparencies |
Box |
Folder |
|
|
|
| 73 |
|
|
|
|
Correspondence |
|
8 |
|
|
|
|
Yale University Press, 1957-1971 |
|
9 |
|
|
|
|
1957-1963 |
|
10 |
|
|
|
|
Former students, 1962, undated |
|
11 |
|
|
|
|
regarding Paul Klee's Hanging Fruit, 1962, 1973
|
|
12 |
|
|
|
|
Chicago, Columbia and Yale (London) University
Presses, 1963-1964
|
|
13 |
|
|
|
|
Letters in response to gifts, 1963-1971 |
|
14 |
|
|
|
Rockefeller Foundation grant. Correspondence; grant
application typescript, carbon and handwritten drafts; grant
announcement policy; and expenses, 1956-1959, undated
|
|
15 |
|
|
|
Yale University Press contract, 1963 |
|
16 |
|
|
|
Royalty statements (includes Despite Straight Lines) |
|
|
|
|
|
[see Box 70] |
|
17 |
|
|
|
Lists of recipients, 1966, undated |
Box |
Folder |
|
|
|
| 74 |
1 |
|
|
|
Correspondence regarding permission to reproduce, 1966-1967 |
|
2 |
|
|
|
"Interaction of Color," Art
News March 1963 (excerpt, "In visual
perception"), March 1963
|
|
3 |
|
|
|
"Interaction of Color," Ulm September 1963 (excerpt, "In visual
perception"), September 1963
|
|
4 |
|
|
|
1963 and 1965 publicity with JA's handwritten notes |
|
5 |
|
|
|
Publicity with accompanying correspondence, 1963-1974 |
|
6 |
|
|
|
1970s and undated publicity |
Box |
Folder |
|
|
|
| OS12 |
1 |
|
|
|
Publicity, undated |
Box |
Folder |
|
|
|
| OS21 |
1(1) |
|
|
|
Publicity, 1965 |
Box |
Folder |
|
|
|
| 74 |
7 |
|
|
|
Mimeograph text typescript with handwritten
corrections, 1971
|
|
8 |
|
|
|
Correspondence, 1971-1974 |
|
9 |
|
|
|
Yale University Press correspondence, contract and
proofs, 1970-1974
|
|
10 |
|
|
|
Royalty statements and correspondence, 1972-1974 |
|
11 |
|
|
|
Munsell Color Company correspondence and 2.5YR chart, 1972 |
|
12(1) |
|
|
|
"Teaching of Interaction of Color," typescript carbon
with handwritten notes, undated
|
|
12(2) |
|
|
|
Folder labeled "Single Statements on Color" (includes
Color in Freshman Foundation Course at the Rhode Island
School of Design," by Florence Beeley; "Color Studies," by
JA, a description of 16 sample studies from Color Class;
handwritten notes on color; letter from Mark Strand to JA
regarding edits; notes on exhibition, "Seeing Color;" "Color
and Composition Studies with Fall Leaves," by JA; typescript
and typescript carbon statements by JA: "Ich habe nicht die
Absicht, ein weiteres Farbsystem zu finden oder zu
konstruieren", "In meinem Farbkursus bin ich zu dem Schluss
gekommen" and "Anyone who feels able to predict the effect
of any applied color"; typescript with handwritten
corrections of "Teaching of Interaction of Color;"
typescripts with handwritten corrections of "The
physio-psychological phenomenon of the so-called
after-image" and "Color is the most relative medium in art,"
|
|
|
|
|
Interaction of Color, German edition, 1970, 1972 |
|
13 |
|
|
|
Early text draft, handwritten and typescript with
handwritten, undated
|
|
14-17 |
|
|
|
Text typescript photocopy drafts with handwritten
corrections, undated
|
|
18 |
|
|
|
Draft typescript with carbon with handwritten
corrections, undated
|
|
19 |
|
|
|
Draft typescript carbon with handwritten corrections, undated |
Box |
Folder |
|
|
|
| 75 |
1-2 |
|
|
|
Draft typescript photocopy with handwritten
corrections, undated
|
|
3 |
|
|
|
Draft typescript carbon with handwritten corrections, undated |
|
4 |
|
|
|
Handwritten, typescript and mimeograph composite
draft, undated
|
Box |
Folder |
|
|
|
| OS13 |
1-6 |
|
|
|
Text and plate proofs and photocopies with
handwritten notes and corrections and transparencies, with
list of student names that contributed color studies), 1972
|
| 116 |
|
|
|
|
Text and plate proofs and photocopies with
handwritten notes and corrections and transparencies, with
list of student names that contributed color studies), 1972
|
Box |
Folder |
|
|
|
| 75 |
5 |
|
|
|
Josef Keller Verlag and Herbert Geier correspondence, 1970-1974 |
|
6 |
|
|
|
Correspondence, 1970-1973 |
Box |
Folder |
|
|
|
|
|
|
|
Interaction of Color,
general
|
Box |
Folder |
|
|
|
| OS12 |
1 |
|
|
|
Publicity, 1972 |
Box |
Folder |
|
|
|
| 75 |
7 |
|
|
|
Publicity, 1975 |
|
8 |
|
|
|
Japanese edition (1975) correspondence, 1970-1974 |
|
9 |
|
|
|
French edition (1974) correspondence, 1974 |
|
10 |
|
|
|
Finnish edition (1978) correspondence, 1976 |
Box |
Folder |
|
|
|
| 69 |
|
|
|
Poems and Drawings. New
Haven: Readymade Press, 1958. Second ed., New York: George
Wittenborn, 1961. 1954-1973, undated
|
|
|
|
|
[see III. B. Various for poems] |
|
10 |
|
|
|
Handwritten notes, undated |
|
11 |
|
|
|
Lists of gift recipients, undated |
|
12 |
|
|
|
Publicity, 1960 |
|
13 |
|
|
|
Correspondence and drawings, 1954-1973 |
Box |
Folder |
|
|
|
| 72 |
|
|
|
Search versus Re-Search: Three
Lectures by Josef Albers at Trinity College, April
1965. Hartford, Trinity College Press, 1969. 1967-1975
|
|
1 |
|
|
|
Correspondence, 1967-1975 |
|
|
|
|
|
"General Education and Art Education: Possessive or
Productive"
|
|
2 |
|
|
|
|
Handwritten, typescript, typescript carbon drafts
with handwritten corrections, undated
|
|
3 |
|
|
|
|
Typescript carbon intermediate drafts with
handwritten corrections, undated
|
|
|
|
|
|
"One Plus One Equals Three and More: Factual Facts
and Actual Facts"
|
|
4-5 |
|
|
|
|
Handwritten early drafts, undated |
|
6 |
|
|
|
|
Typescript carbon intermediate drafts with
handwritten corrections and letter from Trinity College
Publications to JA, March 9 1967
|
|
7 |
|
|
|
|
Typescript mimeograph fragments with handwritten
corrections, undated
|
|
8 |
|
|
|
"Art Studies As Basic Training" Observation and
Articulation," handwritten, typescript, typescript carbon
drafts with handwritten corrections, undated
|
|
9 |
|
|
|
"Design" plates, handwritten text, undated |
|
10 |
|
|
|
Typescript carbon intermediate drafts with
handwritten corrections, undated
|
|
11 |
|
|
|
Typescript final draft with handwritten corrections, undated |
|
12 |
|
|
|
Page proofs with handwritten corrections, 1968 |
|
13 |
|
|
|
Dustjacket text, 1968 |
|
14 |
|
|
|
Preface text, 1968 |
|
15 |
|
|
|
Lists of people to receive books, 1969 |
|
16 |
|
|
|
Publicity, 1969 |
|
17 |
|
|
|
Trinity College lecture typescript transcripts from
1/4 reel tapes, 1965
|
|
|
|
|
|
[see XII. Audiovisual for sound recordings] |
|
18 |
|
|
|
Trinity College lectures publicity, 1965 |
Box |
Folder |
|
|
|
| OS21 |
8 |
|
|
|
Trinity College lectures publicity, 1965 |
Box |
Folder |
|
|
|
| 78 |
1 |
|
|
"Albers: Reflections, incomplete and unfinished book
project." Yale University Press correspondence and photocopies
of various JA writings, 1970-1974
|
|
2 |
|
|
Preliminary materials for unfinished books of writings, undated |
|
3 |
|
|
Lists of people to receive books and reprints, undated |
|
4 |
|
|
Lists of people and institutions to receive books, undated |
|
5 |
|
|
Letters in response to gifts of various books, 1969-1973 |
|
|
|
Subseries B. Various, 1928-1971 |
Box |
Folder |
|
|
|
| 78 |
6 |
|
|
Lists and acknowledgments of books and reprints sent to
institutions, 1946-1961
|
|
7-10 |
|
|
Translations of JA writings by F.C. Huffner (includes
letter from Huffner), 1970, undated
|
Box |
Folder |
|
|
|
| 79 |
1 |
|
|
[a-b], typescript photocopy, undated |
|
2 |
|
|
"About Teaching Art," typescript carbons with handwritten
corrections and notes (contribution to book, Art Appreciation Committee), circa 1945
|
|
3 |
|
|
"Abstract-Presentational-Presentative," typescript,
typescript carbons and reprints from 1946
American Abstract Artist, with handwritten notes, 1946
|
|
4 |
|
|
[Achtung!], handwritten, 1935 |
|
5 |
|
|
"Josef Albers" from Nueva
Vision No. 8, clippings (with article on JA), 1955
|
|
6 |
|
|
"Alle-Gemein," handwritten, June 18 1953 |
|
7 |
|
|
[Alle guten Dinge], handwritten, circa 1940 |
|
8 |
|
|
[Am Charles River], handwritten, 1941 |
|
9 |
|
|
"Anfang ohne Ende," handwritten typescript and typescript
carbons with handwritten notes and corrections, undated
|
|
10 |
|
|
[On Architectural Sculpture], handwritten, undated |
|
11 |
|
|
"Art As Experience," reprints from Progressive Education, 1935
|
|
12(1) |
|
|
"Art-Judgment-Criticism," handwritten, circa 1930s |
|
12(2) |
|
|
[On art in general education], handwritten, circa 1950 |
|
13 |
|
|
[Art is not to be looked at], 1956 handwritten postcard
to AA, New Haven Register
clipping, June 24 1972
|
|
14 |
|
|
[Art is the language], handwritten draft, undated |
|
15 |
|
|
[Artists are prophets], handwritten draft, undated |
|
16 |
|
|
"Astrology in the Fog," typescript and typescript carbon, undated |
|
17 |
|
|
[At night everything is gray], handwritten, typescripts,
and typescript carbon, with handwritten corrections, undated
|
|
|
|
|
[transcript handwritten by Anni Albers] |
|
18 |
|
|
[On Bauhaus methods in America], handwritten and
typescript with handwritten corrections, circa 1937 (in reply to
October 21 1937 letter from Lawrence Kocher, circa 1937
|
|
19 |
|
|
"Bezügliche Farbe," typescript with
handwritten corrections, handwritten photocopy with handwritten
corrections, undated
|
|
20 |
|
|
[On Blue Reminding],
handwritten, undated
|
|
21 |
|
|
"Cezanne," handwritten, undated |
|
22 |
|
|
[On Cezanne and the right angle], handwritten, undated |
|
23 |
|
|
[On JA's childhood and painting], handwritten, circa 1950 |
|
24 |
|
|
"The Color in My Painting," typescripts, typescripts
carbons with handwritten corrections and catalog translations, circa 1954, circa 1964
|
|
25 |
|
|
"Color is the Most Relative Medium in Art," typescript
carbons with handwritten corrections, circa 1952
|
|
26 |
|
|
[The concept of the nineteenth century], typescript
carbons with handwritten notes, undated
|
|
27 |
|
|
"On Co-ordination," typescript carbons with handwritten
corrections, circa 1950, 1953
|
|
28 |
|
|
[Fácil-saber..], typescript carbon and
photocopy with handwritten corrections, undated
|
|
29 |
|
|
[Es ist nichts Neues auf der Welt], handwritten with
handwritten corrections and photocopy, undated
|
|
30 |
|
|
"Explanation of Design #1 and #2," handwritten and
typescript with handwritten corrections, undated
|
|
31(1) |
|
|
[To design is], handwritten, typescript carbons,
photocopies and clippings, with handwritten corrections, circa 1958
|
|
31(2) |
|
|
"Design is Planning," handwritten, circa 1950 |
|
32(1) |
|
|
[Despite these rectangular and, therefore, distinctly
flat], typescript, undated
|
|
32(2) |
|
|
"The Direct Approach in Art," handwritten and typescript, undated |
|
33 |
|
|
[On "Do Less and Get More"], handwritten, undated |
|
34 |
|
|
[Do right], typescripts and typescript carbons, undated |
|
35 |
|
|
[Don't be pro], typescripts with handwritten corrections, undated |
|
36 |
|
|
[On drawing], handwritten, undated |
|
37 |
|
|
"Drunten im Hinterland," handwritten, 1937 |
|
38(1) |
|
|
[On education], handwritten, 1955 |
|
38(2) |
|
|
"The Educational Value of Manual Work and Handicraft in
Relation to Architecture," typescript carbons with handwritten
corrections and notes, photocopies of reprint from New Architecture and City Planning, 1944
|
|
39 |
|
|
"Einigkeit macht stark," handwritten, circa 1940 |
|
40 |
|
|
[An eleventh amendment], handwritten, undated |
|
41 |
|
|
"Emphasis and Selection in Art," handwritten and
typescript, circa 1930s
|
|
42 |
|
|
"Erwachsene abzähl-reime," handwritten and
typescripts with handwritten corrections, circa 1940s
|
|
43 |
|
|
[Every perceivable thing has form...], typescript
carbons, undated
|
|
44 |
|
|
"Formalism Functionalism," handwritten with drawings, circa 1949 |
|
45 |
|
|
[From paint to painting], typescript carbons with
handwritten corrections and handwritten by Anni Albers, undated
|
|
46 |
|
|
"Fugue," Structurist No.
4, 1940
|
|
47 |
|
|
[On glass painting], typescript, 1940 |
|
48 |
|
|
"Graphic Tectonics (synopsis)," typescript carbons with
handwritten notes, 1942 and "Tektonische Graphic," typescript
for Cincinnati 1949 exhibition catalog, 1942, 1949
|
|
49 |
|
|
Untitled statement on Walter Gropius, typescripts and
typescript carbons with handwritten corrections and notes
written for unfinished book on Gropius by Xanti Schawinsky, circa 1950
|
|
50 |
|
|
[Grosse Vorbilder], typescript and typescript carbons, undated |
|
51 |
|
|
[On teaching at Harvard], handwritten, undated |
|
52 |
|
|
"Heroisch," typescript carbons with handwritten
corrections, undated
|
|
53 |
|
|
"On my Homage to the Square," typescripts and photocopies
of various published translations, circa 1954
|
|
54 |
|
|
"Zu meinen Homage to the Square," handwritten with
drawing, undated
|
Box |
Folder |
|
|
|
| 80 |
1 |
|
|
[I am a Westphalian from the Ruhr], reprints from New Mexico Quarterly, Winter 1953
|
|
2 |
|
|
[I don't think], handwritten, undated |
|
3 |
|
|
"I Remember," handwritten, undated |
|
4 |
|
|
[Ich glaube, dass sinnvolle formgebung für ein
architektonisches], photocopy from Spirale 5, 1955
|
|
5 |
|
|
[Ich sage "perceptuale" Effekte], handwritten and
photocopy with handwritten corrections, circa 1965
|
|
6(1) |
|
|
"Idea and Spirit," handwritten, circa 1930s |
|
6(2) |
|
|
[If history is study of human conduct], handwritten, circa 1945 |
|
7 |
|
|
[If we care to listen, we can hear repeatedly],
typescript with handwritten corrections, undated
|
|
8 |
|
|
"Im Spiegel," handwritten, undated |
|
9 |
|
|
"Re: Imbedded Linear
Constructions," typescript, circa 1971
|
|
10 |
|
|
"In a collection of emblems, two visual formulations of
the past deserve reference," reprints from Eight Symbols by Norman Ives, 1960
|
|
11 |
|
|
"In Behalf of Structured Sculpture," typescript carbons
and photocopies with handwritten corrections and notes (written
for Art in America No. 3 1961) circa 1961
|
|
12 |
|
|
[In my painting], handwritten, undated |
|
13 |
|
|
"Indicating Solids-Never Before," handwritten (with
photocopies of Tyler Workshop brochure and related statements), 1976
|
|
14 |
|
|
"Inheritance/Erbmasse"
(Heritage-Inheritancec/Erbmasse-Massenerbe), handwritten,
typescript and typescript carbons, undated
|
|
15 |
|
|
"It is always gratifying to see development," handwritten
and typescript, circa 1940
|
|
16 |
|
|
[It is an old painter's rule that landscape],
handwritten, undated
|
|
17 |
|
|
"It seems that there is still development," handwritten
and typescript, circa 1940
|
|
18 |
|
|
[On Kandinsky], photocopy of XXe Siècle Paris
1966 and unidentified photocopy, undated
|
|
19 |
|
|
"Kausalität (Weltanschauung des Marktes),"
handwritten, 1937
|
|
20 |
|
|
[Keine Zeit ist/Walls and doors/Allen guten Dinge],
handwritten, undated
|
|
21 |
|
|
"Kommunication," handwritten, undated |
|
22 |
|
|
"Less Works More/Weniger wirkt mehr," handwritten and
typescript photocopies with handwritten notes, undated
|
|
23 |
|
|
[Man denkt], handwritten, 1938 |
|
24 |
|
|
[Man Kämpft für], handwritten, 1941 |
|
25(1) |
|
|
"Materialformen," handwritten with drawings, circa 1930s |
|
25(2) |
|
|
"Mehr Bauen als Malen," handwritten, undated |
|
26 |
|
|
"Negro Art," handwritten, circa 1940 |
|
27 |
|
|
[The new art term, "optical painting"], typescript with
handwritten corrections, circa 1964
|
|
28 |
|
|
"Nightingale in the Fog/Nachtigall bei Nebel," typescript
and typescript carbons, undated
|
|
29 |
|
|
"Not But Yet/Doch wie Nicht," handwritten, typescript and
typescript carbons with handwritten corrections, undated
|
|
30 |
|
|
"A Note on the Arts in Education," typescripts and
clippings from The American Magazine of
Art, April 1936
|
|
31 |
|
|
[Nothing "neo"], handwritten, undated |
|
32 |
|
|
[OK, Amateurs], handwritten statement on teaching, undated |
|
33 |
|
|
"O-O-O," typescripts, undated |
|
34 |
|
|
[Oftmals denk ich], handwritten, typescript and
typescript carbons, 1941
|
|
35 |
|
|
"On Art," table of contents from One Quarter Scale,
University of Cincinnati, March 1953
|
|
36 |
|
|
"On My Work" [When I paint and construct], typescripts,
typescript carbons with handwritten corrections, circa 1959 and
reprints of Daedalus, Winter 1960
|
|
37 |
|
|
[One can suffocate from knowledge], typescripts and
typescript carbons, undated
|
|
38 |
|
|
[One is walking], handwritten, undated |
|
39 |
|
|
[Only the Goal/Nur das Ziel], handwritten and typescripts
with handwritten corrections, undated
|
|
40 |
|
|
"Op Art and/or Perceptual Effects," typescripts,
typescripts carbons and handwritten photocopy, circa 1965
|
|
41 |
|
|
"Op Art and/or Perceptual Effects," Yale Scientific November 1965 and
reprints with handwritten notes, 1965
|
|
42 |
|
|
[The origins of art/Der Ursprung der Kunst], handwritten,
typescript, typescript carbons and photocopies with handwritten
corrections (includes list of publications), circa 1940
|
|
43 |
|
|
"Owl By Sunlight/Eule bei Sonnenschein," typescripts and
typescript carbons with handwritten corrections, undated
|
|
44(1) |
|
|
[On perceptual effects], handwritten, undated |
|
44(2) |
|
|
[The physio-psychological phenomenon of the so-called
after-image], typescript mimeography, undated
|
|
45 |
|
|
"Plato II (For a Dialectician)/Plato II (An einen
Dialektiker), handwritten, typescript and typescript carbons
with handwritten corrections, 1936
|
|
46 |
|
|
"Plus=Minus/+=-," typescripts, typescript carbons,
typescript photocopies with handwritten notes, clipping from
Ulme Monatsspiegal July 1955
and photocopy of Ord und Bil No 4
1967, 1955, 1967, undated
|
|
|
|
|
(includes "More or Less) |
|
47 |
|
|
"Present and/or Past," reprints from Design with
handwritten notes, April 1946
|
Box |
Folder |
|
|
|
| 81 |
1 |
|
|
[The ratio of effort to effect is], typescript
mimeograph, circa 1950
|
|
2 |
|
|
[On the reds in the paintings of the Janis Collection],
handwritten with corrections (written for 1968 Dorothy Miller
catalog), 1968
|
|
3 |
|
|
"Reductio ad absurdum," typescript carbon and "Structural
Constellation," photocopy with handwritten corrections, undated
|
|
4 |
|
|
[On religious edifices], handwritten with drawings, undated |
|
5 |
|
|
"Schöne Wirtschaft," typescript with AA
handwritten notes and typescript carbon, undated
|
|
6 |
|
|
[The search of science], handwritten, undated |
|
7 |
|
|
"Seeing Art/Kunst Sehen," typescripts, typescript carbons
with handwritten corrections and photocopies, circa 1952
|
|
8 |
|
|
"On Seeing Art," handwritten and typescript, circa 1940 |
|
9 |
|
|
[So far a suspected noun], typescript with handwritten
note, 1964
|
|
10 |
|
|
"The So-Called Artist," typescript and handwritten, undated |
|
11(1) |
|
|
[About my Structural
Constellations], typescript, typescript carbon and
handwritten, undated
|
|
11(2) |
|
|
"Structural Sculpture" [(It is more than 40 years],
exhibition catalogs and photocopies with handwritten notes
(Erwin Hauer and Robert Engman), 1960, 1966, undated
|
|
12 |
|
|
[On structure, facture, texture], photocopy of telegram
from JA to Alfred Barr, November 26 1938
|
|
|
|
|
[see Box 25 Folder 2] |
|
13 |
|
|
[On talking about art], handwritten, undated |
|
14 |
|
|
"On Taste," typescript and handwritten, undated |
|
15 |
|
|
[There is no world without a stage/Keine Welt hat Kein
Theater], typescript and typescript carbon with handwritten
corrections, undated
|
|
16 |
|
|
[To distribute material possessions/Austeilen materieller
Güter], handwritten, typescript and typescript
photocopies with handwritten corrections, circa 1938
|
|
|
|
|
(includes "Plus=Minus") |
|
17(1) |
|
|
[To educate is to adjust the individual to the
community], handwritten and typescript carbons, circa 1940
|
|
17(2) |
|
|
"To Me (So Far)/Fuer Mich (soweit)," typescripts and
typescript carbons, circa 1952
|
|
18 |
|
|
"To some particular promoters," handwritten, typescript
and typescript carbons with handwritten corrections, undated
|
|
19 |
|
|
"To Those [Some/The/Their]Creators," handwritten and
typescript with handwritten corrections, undated
|
|
20 |
|
|
[Two reduced posters/Zwei verkleinerte Plakate],
handwritten and photocopies, undated
|
|
21 |
|
|
"Unbelievable, But True/Unglaublich, aber Wahr,"
typescripts and typescript carbons with handwritten notes, undated
|
|
22 |
|
|
[On Variants on a Theme], handwritten, typescripts,
typescript carbons and photocopies with handwritten corrections
and notes, circa 1940
|
|
23 |
|
|
[Verbal analysis of a graphic presentation], typescript
carbons with handwritten corrections,
|
|
|
|
|
(regarding Container Corporation logo) |
|
|
|
|
[see Box OS20 Folder 11(1)] |
|
24 |
|
|
"Verwünschter Wunsch," handwritten,
typescript, and typescript carbon, undated
|
|
25 |
|
|
"A Very Short Story/Schweigend Verstehen," handwritten,
typescript and typescript carbons with handwritten corrections
and notes, circa 1945
|
|
|
|
|
(includes "To distribute material possessions") |
|
26 |
|
|
"von Farbe zu Malerei," handwritten, undated |
|
27 |
|
|
"Vorkurs 1923," typescript with handwritten corrections, 1938 |
|
28 |
|
|
[Was ich nicht habe], handwritten, 1941 |
|
29 |
|
|
"We Construct and Construct/Konstruieren und
Konstruieren," handwritten, typescripts and typescript carbons, 1943
|
|
30 |
|
|
[We had forgotten- but learned again/Wir haben verlernt-
aber wieder gelernt], handwritten, typescript, typescript
carbons and photocopies with handwritten corrections and notes, 1963
|
|
31 |
|
|
"Weltanschauung," handwritten, typescripts, typescript
carbons with handwritten notes, translation handwritten by Anni
Albers, undated
|
|
32 |
|
|
"werklicher formunterricht," bauhaus 2/3. Offprints and photocopies (with
English translation and handwritten excerpt), 1928, undated
|
|
33 |
|
|
[What I am aiming at in fundamental design], typescript
carbon, undated
|
|
34 |
|
|
[What I want to do in my painting] handwritten, undated |
|
35 |
|
|
[When I paint/Wenn ich male], handwritten, typescripts,
typescript carbons with handwritten corrections and photocopies
of published versions, undated
|
|
36 |
|
|
[When our words, wishes, worlds], handwritten, undated |
|
37 |
|
|
"White/In Praise of White," handwritten and typescript
with handwritten corrections, undated
|
|
38 |
|
|
[On White Line Squares],
typescript, undated
|
|
39 |
|
|
[With false premises/Mit falschen Prämissen
(Zwischen den Kulissen)], handwritten, typescript and typescript
carbons with handwritten corrections, undated
|
|
40 |
|
|
"Zur Konference/Es gibt," handwritten, typescripts and
typescript carbons, undated
|
|
41 |
|
|
Untitled statement published in "Contemporary American
Painting" catalog, University of Illinois Urbana, typescript
carbons with handwritten notes, 1952
|
|
42 |
|
|
Untitled statement on JA at the Bauhaus, handwritten and
handwritten photocopy with handwritten corrections, undated
|
|
43 |
|
|
Quotations from JA's writing, undated |
Box |
Folder |
|
|
|
| 82 |
1 |
|
|
Miscellaneous writings and notes on education,
handwritten, circa 1940s
|
|
2 |
|
|
Miscellaneous writings and notes, handwritten, circa 1920-1930s |
|
3 |
|
|
Miscellaneous writings and notes, handwritten, circa 1940-1950s |
|
|
|
|
Notes on |
|
4 |
|
|
|
Other artists (Hannes Beckmann, John Cage, Marcel
Duchamp, Doesburg, Will Grohmann, Walter Gropius and the
Bauhaus (includes clipping on Gropius), Wassily Kandinsky,
Paul Klee, Henry Moore, Jackson Pollock, Tut Schlemmer,
Frank Lloyd Wright),
|
|
5 |
|
|
|
Basic design |
|
6(1) |
|
|
|
Bauhaus |
|
6(2) |
|
|
|
Bauhaus Archiv |
|
7 |
|
|
|
Color and black and white |
|
8 |
|
|
|
Education |
|
9 |
|
|
|
Gestalt theories of perception |
|
10 |
|
|
|
Elliot Kone |
|
11 |
|
|
|
Movement and color |
|
12 |
|
|
|
"My Book" |
|
13 |
|
|
|
Painting and color |
|
14(1) |
|
|
|
Poetic creation |
|
14(2) |
|
|
|
Repetition |
|
15 |
|
|
|
Si Sillman and Norman Ives |
|
16 |
|
|
|
Systemics |
|
17 |
|
|
Quotations by and about Josef Albers |
|
18 |
|
|
Miscellaneous notes from a disassembled folder |
|
19 |
|
|
Notes for speech at opening of JA Metropolitan Museum of
Art, New York, November 18 1971 1971
|
|
|
|
|
[see II. C. Solo Exhibitions Box 48 Folder 20] |
|
20 |
|
|
Notes on student Elinor Evan's MFA thesis, "Implications
of Some Gestalt Perception in a Group of Contemporary
Paintings," undated
|
Box |
Folder |
|
|
|
| 83 |
1-12 |
|
|
Unsorted handwritten notes, undated |
|
|
|
|
|
Writings by others on Josef Albers, 1938-1978
(Handwritten, typescripts, typescript carbons, photocopies, and translations
(English, Spanish, German, French and Japanese)) |
| 85 |
1 |
|
|
|
Acha, Juan "Josef Albers: Homage to the Square," for
Cultura Peruana, October-December 1964
|
Box |
Folder |
|
|
|
| OS19 |
20 |
|
|
|
Acha, Juan "Josef Albers: Homage to the Square," for
Cultura Peruana, October-December 1964
|
Box |
Folder |
|
|
|
| 85 |
2 |
|
|
|
Albrecht, Hans Joachim "Josef Albers: Homage to the
Square," for Kaiser Wilhelm Museum, April 1971 Krefeld
exhibition catalog, 1971
|
|
3 |
|
|
|
Apollonio, Umbro "Albers," for Graphic Tectonics, undated
|
|
4(1) |
|
|
|
Arp, Hans Jean "Josef Albers," 1957 (German translation by Anni Albers)
|
|
|
|
|
|
(includes der technische akademiker 1958) |
|
4(2) |
|
|
|
Baljeau, Joost "The Hegelian Romantic Negation in
Modern Plastic Art," undated
|
|
5 |
|
|
|
Barnstone, Willis "For Josef Albers" (on the occasion
of JA's Yale University retirement), 1958
|
|
6 |
|
|
|
Beckmann, Hannes "Formative Years," undated |
|
7 |
|
|
|
Boyden, Katrina "The Background of the Bauhaus and
the Word of Josef Albers," Senior thesis Bennington College, June 1952
|
Box |
Folder |
|
|
|
| OS19 |
|
|
|
|
Cage, John Six Melodies for Violin and Keyboard (for
Josef and Anni Albers), facsimile score, undated
|
Box |
Folder |
|
|
|
| 85 |
8 |
|
|
|
Chanes, Rafael "Ode to the Square," 1964 |
|
9(1) |
|
|
|
Charlot, Jean "Nature and the Art of Josef Albers,"
reprint from College Art
Journal, Spring 1956
|
|
9(2) |
|
|
|
Clay, Jean "Albers: Three Stages of Logic,"
typescript incomplete, typescript photocopy and photocopy of
article in Rhobo, Spring 1958
|
|
10(1) |
|
|
|
Conant, Howard "The Pursuit of Excellence: An Address
delivered by Professor Howard Conant, Chairman, Department
of Art Education, New York University, to the National
Committee on Art Education at the Museum of Modern Art on 2
May 1963," 1963
|
|
|
|
|
|
(includes letter from Conant to JA, November 15 1963) |
|
10(2) |
|
|
|
Crespo de la Serna, Jorge Juan "Josef Albers y lo
Abstracto en la Arte," circa 1934
|
|
11(1) |
|
|
|
Culley, John H. Untitled, August 14 1938 |
|
11(2) |
|
|
|
Degand, Léon "Albers," from Aujour d'hui No. 15, 1958
|
|
12 |
|
|
|
Diament de Sujo, Clara "Josef Albers," May 1966 |
|
13 |
|
|
|
Dorner, Alexander Untitled, February 1942 |
|
14 |
|
|
|
Duault, Alain "Albers (à Ernest
Beyeler),", May 5 1973
|
|
15(1) |
|
|
|
Farrell, ___ "Prismatic II,"(verbessert bei Frau
Moellenhoff), 1937
|
|
15(2) |
|
|
|
Folds, Thomas. Untitled, January 6 1952 |
|
16 |
|
|
|
Fuller, Buckminster "Josef Albers 1888-1976," 1978 |
|
17(1) |
|
|
|
Gerstner, Karl "Aphorismen zu 80 Jahre Albers," October 27 1967 |
|
17(2) |
|
|
|
Golden, Fred. Untitled, undated |
|
|
|
|
|
(includes JA handwritten note) |
|
18 |
|
|
|
Graham,___. Untitled, 1938 |
|
19 |
|
|
|
Greene, Balcomb. Untitled, 1938 |
|
20(1) |
|
|
|
Grohmann, Will. Various, 1957-1965, undated |
|
20(2) |
|
|
|
Hildebrandt, Hans "Josef Albers," undated |
|
21(1) |
|
|
|
Huffner, Fritz C. Various, 1957-1971, undated |
|
|
|
|
|
(includes notes by JA) |
|
21(2) |
|
|
|
Imdahl, Max "On Josef Albers's Structural Constellations," undated
|
|
22(1) |
|
|
|
Jaffé, ___ "Josef Albers: Studie voor
"homage to the square: blue depth," Gemeente-museum den
Haag, undated
|
|
22(2) |
|
|
|
Johns, Jasper "Homage to Albers," for March-April
1973 Galerie Beyeler, Basel, 1973
|
|
23 |
|
|
|
Le Ricolais, Robert 'Betrachtungen über
die Graphiken von Josef Albers" for Art International March 20 1968, 1968
|
|
24 |
|
|
|
Lord, James "Josef Albers: The Exercise of
Integrity," undated
|
|
25 |
|
|
|
Mérida, Carlos. Untitled, 1938 |
|
26(1) |
|
|
|
Morris, George L.K. Untitled, undated |
|
26(2) |
|
|
|
Mokry, Uvod 1928 lecture on Bauhaus and JA
(includes photocopy of original lecture and typescript
translation with 1968 letter from translator)
|
|
27 |
|
|
|
Nakahara, Yusuke "Homage to the Square: Albers and
Abstract Art," from Sekai
September 1964, 1964
|
Box |
Folder |
|
|
|
| 86 |
1-2 |
|
|
|
Nilson, Karl-Gustaf "Josef Albers: Interaction of
Color," 1966
|
|
3 |
|
|
|
Rogo, Elsa. Untitled, 1938 |
|
4 |
|
|
|
Aline B. Saarinen Quote from New York Times, October 31 1954
|
|
|
|
|
|
Schmied, Wieland |
|
5 |
|
|
|
|
"Josef Albers," for Neue Zürcher
Zeitung, February 1972
|
|
6 |
|
|
|
|
"Fifteen Statements for Josef Albers," undated |
|
7 |
|
|
|
|
"Experiences with Josef Albers," undated |
|
8 |
|
|
|
|
"Homage to Josef Albers," for
Kerstner-Gesellschaft, Hannover May-June 1968, 1968
|
Box |
Folder |
|
|
|
| OS19 |
9 |
|
|
|
Spies, Werner Albers, mock-up, 1971 |
Box |
Folder |
|
|
|
| 86 |
9 |
|
|
|
Von Eckardt, Wolf "What the Bauhaus Taught" Obsolete
or Viable" (for Horizon), undated
|
|
10 |
|
|
|
Unidentified Introduction for JA lecture at Virginia
Museum of Fine Art November 21 1966, 1966
|
|
11(1) |
|
|
|
Unidentified "The Square Affair," undated |
|
11(2) |
|
|
|
Unidentified "Reflections on the Graphisms of Josef
Albers," undated
|
|
12 |
|
|
|
Unidentified, undated |
|
13 |
|
|
|
Notes on Ed Barnes, Paul Beidler and "PM"'s words on
JA, undated
|
|
|
|
|
|
|
|
|
|
Writings not on Josef Albers by others |
Box |
Folder |
|
|
|
| 86 |
14 |
|
|
|
Benne, Kenneth. "Intelligence as an Aim of Art
Education," undated
|
Box |
Folder |
|
|
|
| 118 |
14 |
|
|
|
Breuer, Martha. "Revision of the Genus Rhynchosciara Rübsaamen (Diptera, Sciaridae) in the Neotropical Region," 1969
|
Box |
Folder |
|
|
|
| 86 |
15 |
|
|
|
Cage, John. "Forerunners of Modern Music," undated |
|
16 |
|
|
|
Dreier, Katherine. Untitled, undated |
|
17 |
|
|
|
Dwight, Edward. Untitled, undated |
|
18(1) |
|
|
|
Gropius, Walter "Speech delivered at the Harvard Club
of Boston at the Alumni Dinner for Walter Gropius 75th
Birthday, " May 24 1958
|
|
18(2) |
|
|
|
Herrmann, Von Rolf-Dieter "Uber das Gesellschaftliche sein des Kunstlers, " 1968
|
|
19 |
|
|
|
Lippold, Richard. "On the Appropriateness of
Materials," undated
|
|
20 |
|
|
|
Lippold, Richard. Untitled writings, 1947-1948 |
|
21 |
|
|
|
Matisse, Henri. Untitled 1948 (letter to Mr. Clifford
February 14 1948), 1948
|
|
22 |
|
|
|
Mayer, Ralph. "The Newer Paint Materials and a Report
on Atri," 1968
|
|
23 |
|
|
|
Meyer, Hannes. "Creative Education," undated |
|
|
|
|
|
(includes handwritten JA note) |
|
24 |
|
|
|
Prager, Oscar. "Betrachtungen zur Asthetik der
Gartenkunst," 1959
|
|
25 |
|
|
|
Rebay, Hilla. "New Age," 1949 |
|
26 |
|
|
|
Ringel, Fred. "America Seen by Americans," 1932 |
|
27 |
|
|
|
Wagner, Martin. "The Build of the Builders," undated |
|
28 |
|
|
|
Quotations by others, undated |
|
|
|
Subseries C. Lectures, 1928-1964 |
Box |
Folder |
|
|
|
| OS19 |
7 |
|
|
"Creative Education," from "VI. Internationaler Kongress
für Zeichen, Kunstunterricht und Angewandte Kunste in
Prag, 1928." Photocopy, version of lecture titled "Werklicher
Formunterricht (Practical form instruction)," 1928
|
Box |
Folder |
|
|
|
| 84 |
1 |
|
|
Untitled first and second lectures, Lyceum Club, Havana
Cuba, December 1934. Typescripts with handwritten notes and
publicity, 1934
|
|
2 |
|
|
"On Education and Art Education," Winnetka Illinois,
November 28 1939. Typescript carbons with handwritten
corrections and notes, 1939
|
|
3 |
|
|
Untitled lecture on art and religion, handwritten, circa 1940 |
|
4 |
|
|
Untitled lecture, School of Museum of Fine Arts Boston,
Spring 1941. Handwritten, 1941
|
|
5 |
|
|
Untitled lecture on art education and general education
("Probably Denver"). Typescript carbon with handwritten
corrections, circa 1941
|
|
6-7 |
|
|
"Art Education and General Education=Possessive or
Productive," Graduate School of Design, Harvard University,
June/July 1950. Excerpts from lecture, handwritten, typescript
and typescript carbons with handwritten corrections and notes, 1950
|
|
8 |
|
|
Untitled lecture, Conference on Design and Management,
Aspen Colorado, August 1951. Typescripts and typescripts carbons
with handwritten corrections, undated
|
|
9 |
|
|
"Art Education and General Education," excerpts from
lecture "On Teaching Art to Youngsters," Conference for
Elementary and Secondary Teachers and Supervisors of Art,
University of Illinois at Urbana, March 15 1952. Typescript
carbons and typescript report of conference, 1952
|
|
10 |
|
|
"On Teaching Art to Youngsters," Conference for
Elementary and Secondary Teachers and Supervisors of Art,
University of Illinois at Urbana, March 15 1952. Typescript
carbons with handwritten corrections, 1952
|
|
11(1) |
|
|
"Photos as Photography and Photos as Art," February 24
1953. Typescript with handwritten photocopy, 1953
|
|
11(2) |
|
|
Untitled lecture, Universidad Nacional de Ingeniera,
Lima, Peru, September 12 1953. Handwritten, 1953
|
|
12 |
|
|
Untitled lecture on Basic Design, St. John's University,
Collegeville, MN, March 1954. Handwritten with handwritten notes
and photograph,
|
|
13 |
|
|
Lecture notes and fragments, typescript and handwritten, circa 1950-1955 |
|
14 |
|
|
Untitled lecture on art education and general education,
October 1956. Composite typescript carbons with handwritten
corrections ["New Haven"] with handwritten notes, 1956
|
|
15 |
|
|
"Visual Communication," typescript carbon with
handwritten corrections, 1956 (includes condensed version given
at First Visual Communications Conference June 7 1956), 1956
|
|
16 |
|
|
Untitled lectures, Carnegie Institute of Technology,
Pittsburgh, December 1957. Handwritten, 1957
|
|
17 |
|
|
Untitled lectures, Yale University. Handwritten, circa 1957 |
|
18 |
|
|
Lecture notes "for Pittsburgh and Yale." Handwritten, circa 1957 |
|
19 |
|
|
"Dimensions of Design/A Few Dimensions of Design," Second
Annual Conference of American Craftsmen, June 1958. Typescript
and typescript carbon with handwritten notes and corrections and
correspondence between American Craftsmen's Council regarding
lecture edits for conference publication (includes "The External
Pressures of Creativity" by Paul Aschenbach), 1958
|
|
20 |
|
|
"Dimensions of Design," Keynoting the Theme, The Second
Annual Conference of American Craftsmen, Lake Geneva Wisconsin,
June 28 1958. Typescript carbon with handwritten corrections and
notes and conference pamphlet, 1958
|
|
21 |
|
|
"Art and Education: Possessiveness or Productive,"
Wellesley College, February 24 1959. Handwritten, draft and
notes, typescript carbon and photocopies of excerpts, February
20 1959, 1959
|
|
22 |
|
|
Untitled lecture, Yale University, April 15 1959.
Handwritten, 1959
|
|
23 |
|
|
Lecture excerpts compiled for unfinished book of
collected writings, typescripts, typescript carbons and
photocopies with handwritten corrections and notes, undated
|
|
24 |
|
|
"Facts Versus Facts," handwritten, undated |
|
25 |
|
|
"Art Instruction as Creative Education," handwritten
English translation of German typescript, undated
|
|
26 |
|
|
Untitled lecture on art education and general education,
handwritten, undated
|
|
27 |
|
|
Untitled lecture on art education and general education,
typescript with handwritten corrections, undated
|
|
28 |
|
|
Untitled lecture on art and general education,
typescripts with handwritten corrections, undated
|
|
29(1) |
|
|
Untitled lecture ("Probably Yale") on art and art
education, handwritten, undated
|
|
29(2) |
|
|
Untitled lectures on art education, undated. Handwritten, undated |
|
30(1) |
|
|
Invitation to lecture at the Catholic University of Chile
at Santiago, July 21 1953 "On Art Education and General
Education", 1953
|
|
30(2) |
|
|
Invitation to four lectures at the Art Institute of
Chicago, November 1959-January 1960, 1959-1960
|
|
31 |
|
|
Newspaper clipping for lecture sponsored by the Student
Alliance of the Hartford Art School, University of Hartford and
the Wadsworth Atheneum, 1962 "Color, A Magic Force", 1962
|
|
32 |
|
|
Clipping photocopies on lecture for Dallas Museum of Fine
Arts on Interaction of Color, April 30 1963
|
|
33 |
|
|
Invitation to lecture for Seminar of the Art Advisory
Committee, New York City, August 6 1963 "Color-Factual Fact or
Actual Fact", 1963
|
|
34 |
|
|
Invitation to lecture at University of Southern
California, October 17 1963 "Interaction of Color", 1963
|
|
35 |
|
|
Newsletter for the lecture at Smith College, Northampton
MA, March 1964 "The Interaction of Color", 1964
|
|
36 |
|
|
Brochure for The American Institute of Graphic Arts
Speaker Program, May 11 1964, "The Interaction of Color", 36
|
|
|
